Cinema Tech Innovators is a series where Celluloid Junkie profiles small innovators looking to make a big difference in the world of cinema. These are companies working in online, technology, social media and other spheres to enhance and expand the…
When we first set out to craft our analysis of the July announcement that Paramount Pictures would release certain movies on home video just 17-days after most theatres stopped playing them, we must admit to initially focusing on the wrong…
The boundaries between cinema and video-on-demand (VoD) in Europe are blurring further, with the parent company of Austria’s Cineplexx exhibitor announcing its Cineplexx2Go VoD service. While VoD services are already offered by exhibitors such as UK’s Curzon Cinemas (Curzon on…
On Monday of last week, Deadline broke the news that Netflix was making another move into feature films by acquiring “Beasts Of No Nation” for a reported USD $12 million. This was followed the trade publication Variety which published three…
One unique aspect of the Sundance Film Festival is the broad spectrum of industry professionals that attend each year’s event. Producers, directors, editors, screenwriters, craft people, acquisitions executives, journalists, distributor reps, sales agents, talent agents, and exhibitors are just some…
India – After the surprise merger of its RMW film services division with Prime Focus, Reliance ADAG looks set to sell off its Big Cinemas operation. Good analysis as always from Variety’s Patrick Frater. The company is in advanced negotiations…
File under ‘Keep Calm & Carry On’ – online film distribution revenue will overtake cinema box office in 2017, according to a new report by PwC. But box office is actually predicted to keep rising, while the real loser will…
One single tweet was the final nail in the coffin of the cinema exclusivity window, given added poignancy by being in French; “100 000 locations en une semaine, rien ne sera plus comme avant” (‘100,000 viewings in a week, nothing…
History may remember this past summer’s blockbuster season more as the one when studios successfully shortened the theatrical window by three weeks, rather than as the one in which numerous $200 million tentpole films failed at the box office. Sure,…
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