Chinese media report that GDC Technology is selling a 36% stake in GDC Technology Limited (British Virgin Islands) currently held by GDC Technology Limited (Cayman Islands) to Appotronics for USD $18.2 million. Appotronics is one of the four join venture…
Chinese-language media reports that Huayi Brothers is selling its 90.5% stake in GDC Technology, the leading Asian cinema server and equipment vendor [PDF link to financial filing here]. Huayi announced on 3 September that it’s wholly-owned subsidiary Huayi International Investment…
During the first week of June we received a lead on a story that, though initially skeptical, we couldn’t ignore. Apparently Movio had helped one of their clients improve their marketing emails, growing their click rate by 18% and, maybe…
CinemaCon as a tech show is amazing for new good ideas. 4K RGB for the price of 2K laser phosphor… good idea. 10 years of support included in the price of the projector… good idea. Not blaming Netflix for cinema’s…
In the ebb and flow of buzz-worthy or even controversial subjects that become a part of our industry’s news cycle there have been few in recent years that have attracted more heated debate than release windows and subscription moviegoing. It’s…
One of the benefits we have here at Celluloid Junkie is that smart people and innovative companies knock on our doors all the time with products and services for some of the industry’s most confounding problems. Writing about such issues…
It was announced at Haugesund Film Festival this week that Unique’s MovieTransit is now no longer the only delivery method for content to local theaters. Eclair has now installed EclairBox in 169 out of 177 cinemas in Denmark, and now Norway…
One of the products and services that made a big splash at CineEurope in 2017 was Qube Wire, which was just being launched commercially by its developer, Qube Cinema. Some of the buzz around Qube Wire surely had to do…
Cinema Tech Innovators is a series where Celluloid Junkie profiles small innovators looking to make a big difference in the world of cinema. These are companies working in online, technology, social media and other spheres to enhance and expand the…
In May of last year Economist magazine proclaimed that oil was no longer the world’s most valuable resource. The black gold so instrumental to the advances of the 20th Century had given way to data, a digital commodity they predicted…
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