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The “From Film to Audience: Lessons from Two Years of Eurimages Marketing Support” panel at the Venice Production Bridge tackled the thorny issue of how difficult it can be to start film marketing early. (Photo: Davide Abbatescianni)

Cinema’s Creator Problem Is No Longer Just About Marketing

For years, the film industry’s relationship with online creators followed a fairly predictable model: invite them to premieres, provide access to talent and hope their followers notice the movie. At the Venice Production Bridge (3-9 September), producers, platforms, creators and Italian film institu…
The Europa Distribution session at New Nordic Films in Haugesund brought together an eclectic mix of speakers to discuss how this celebrated subcategory of international cinema is marketed internationally. Festival premieres, awards success and recognisable auteurs can be invaluable, but they don't tell the whole story.

Nordic Cinema Doesn’t Have an Export Problem. It Has a Conversion Problem

A Europa Distribution session at New Nordic Films in Haugesund looked at a well regarded subcategory of international cinema, and found that a reputation for quality doesn’t always lead directly to strong ticket sales. At festivals, Nordic films travel extraordinarily well. They win prizes, attract…
(From left) Moderator Zac Ntim of Deadline, Oscar-winning producer Mollye Asher ("Nomadland," "The Rider," "On Swift Horses") and film marketing strategist Mathias Noschis of Alphapanda participate in the "Audience First: Rethinking Film Marketing Before Distribution" panel at the Karlovy Vary IFF on July 6, 2026.

Indie Film Marketing Can’t Wait Until the Film Is Finished

A panel at Karlovy Vary examined the need to begin the marketing conversation at the earliest possible stage… even before production begins. At Karlovy Vary’s Industry program (July 5-9), a sharp conversation held on July 6 on audience strategy argued that independent films can no longer afford to t…
(From left) Host Aylin Kazi; TikTok creator Melo Nsuka; Jackie Meire, EU Head of Social at Amazon Prime Video, UK; and actress Runa Greiner, who participated in the EFM 2026 panel "From Community to Box Office: How Fandom on TikTok Drives Impact," held on Feb 13, 2026. (Photo: Winson, courtesy of EFM)

Social Media, Fandom and the Hard Question of Conversion

The question of whether social media buzz can actually drive potential audiences to cinemas is as pertinent as ever. As the first reactions for “The Odyssey” break, we reflect on panels that explored this topic at the European Film Market earlier this year… The news that Christophe…

From Grounded to Global: How PaperAirplane is Helping Movie Marketing Reach New Heights

Born in the depths of the pandemic, PaperAirplane Media rewired the connection between studios and cinemas. Now, as nearly every cinema operator in North America depends on its digital asset management solution, the PaperAirplane team is preparing for takeoff overseas. When Mike Polydoros decided to…

CJ Opinion: LVMH’s 22 Montaigne and the Relationship Between Luxury Brands and Cinema

Named after the stunning street where its Paris headquarters sits, luxury powerhouse LVMH is launching a new entertainment division called 22 Montaigne. This new creative endeavour explores opportunities for entertainment creators, producers and distributors on film, TV and audio projects to collabo…
SNPTC Study on Movie Advertising on Television

France Discovers Benefits of Advertising Movies on TV

It may come as a shock to some, but for decades advertising theatrical film releases on television was prohibited in France. The French government believed that allowing movies to air commercials and trailers on television would only benefit American studios, i.e. Hollywood, at the expense of local…

The Future of the Red Carpet: Media Junkets and Special Treats

As cinemas reopen Celluloid Junkie looks to the future of how big films are sold, promoted, reviewed, lauded and awarded. There are several industries built around the premiere of films in cinemas and these all face questions after a year of virtual events and Zoom presence of celebrities and talent…

We Are Parable: Experience Over Everything

Their first-ever event at East London’s Stratford Picturehouse completely sold out in 2013. In 2017, directing legend Spike Lee collaborated on a central London event with them. In early 2020, they were recipients of a Lodestar award from Film London. And even now, half way through one of the most c…

The Hollywood Studio Release Schedule Shuffle: Where It’s Been and Where It’s Going

There’s a favorite New England saying, “If you don’t like the weather wait 10 minutes and it will all change.” Welcome to 2020 in the movie business. Obviously this year has been unlike any other (I will make a concerted effort to avoid the now cliched “these are uncertain times” mutterings in this…
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Industry Briefs

  • DCDC United States Coverage Map

    DCDC Upgrades Content Delivery Network Across 1,600 U.S. Cinema Locations

    Oct 15, 2026
  • Hoyts IMAX - Australia and New Zealand

    Exhibitors Serve Up More IMAX Auditoriums

    Oct 15, 2026
  • Screenvision partners with The New York Times Games

    Screenvision Wants to Reinvent the Cinema Pre-Show. Will Audiences Play Along?

    Oct 15, 2026
  • Cineplex - Canada - Third Quarter 2026 Earnings

    Cineplex Posts Record Quarter as North American Box Office Rebound Gains Momentum

    Oct 15, 2026
  • Prince Charles Cinema

    The Prince Charles Cinema Gets a New Lease on Life as Britain Celebrates Its Independents

    Oct 15, 2026
  • Alamo Drafthouse - A24 Cinema Club

    Alamo and A24 Turn Catalogue Films Into Collectible Events

    Oct 8, 2026
  • Samsung's Onyx LED screen at the Lurdy Cinema in Budapest, Hungary

    Cinema LED Keeps Finding Its Way Into More Theatres

    Oct 8, 2026
  • Cinemark breaks all-time records over Memorial Day weekend, driven by hits like "Lilo & Stitch" and "Mission: Impossible"

    Cinemark Is Not Picking One Premium Format. It’s Picking Several

    Oct 8, 2026

Popular Posts

  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • Cinema United - 2026 Fall Cinema Investment Report - Cinema Investment By The Numbers

    Cinema Owners Have Invested $2.7 Billion in Theatres. What Is That Money Buying?

    Oct 1, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Moderator Cathrine Jakobsen led the case-study discussion during the "Youth, Trends and Taboos on Films" seminar at Haugesund 2026. Silje Salomonsen, co-director of “Back to Tottori,” and Norwegian distributor Linn Barholt participated in seminar on August 25, 2026. (Photo: Grethe Nygaard)

    Young Audiences Already Like Cinema. The Hard Part Is Giving Them a Reason to Go

    Aug 31, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

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