Indie Film Marketing Can’t Wait Until the Film Is Finished
Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions
IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.
International Box Office Recovery Accelerates as Local Films Gain Ground
The Best Cinemas Aren’t Competing With Netflix. They’re Competing With a Night Out
Three award-winning cinema operators at the 2026 ICTA Barcelona Cinema Technology Experience explain why memorable design, hospitality and flawless execution increasingly matter as much as what appears on the screen. When cinema executives talk about competition, the conversation usually turns to st…
Cinema Technology Has Never Been More Sophisticated, So Why Is It Still So Disconnected?
Cinema technology vendors at the 2026 ICTA Barcelona Cinema Technology Experience examine why the systems handling ticketing, content delivery and theatre operations still struggle to share data, what those disconnections cost exhibitors and whether open standards or consolidation will finally bring…
How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers
Speaking to Celluloid Junkie during the festival, Malta Film Commissioner Johann Grech lays out his ambitious strategy for the film festival, and how he hopes it will act as a springboard for further investment in the island country as a filming location. This year, the Mediterrane Film Festival ret…
Social Media, Fandom and the Hard Question of Conversion
The question of whether social media buzz can actually drive potential audiences to cinemas is as pertinent as ever. As the first reactions for “The Odyssey” break, we reflect on panels that explored this topic at the European Film Market earlier this year… The news that Christophe…
Micro Cinemas, Major Impact: How Grassroots Exhibitors are Rebuilding Film Culture
At a time when traditional distribution remains under pressure, micro cinemas and independent exhibition spaces may be offering one of the most concrete answers to the question of how films can still find committed, physically present audiences. That was the central argument emerging from the Cannes…
IMAX Corporation Reports Second Quarter 2026 Results
UNIC Reacts to European Commission’s Conditions for Paramount Skydance Merger Go-Ahead With Warner Bros. Discovery
Sameer Munshi Elevated to Chief Operating Officer at Miraj Entertainment