There Is No Global Formula for Cinema Success, but the Best Ideas Travel
Gen Z Is Still Going to the Movies, but the Trip Has to Be Worth It
Cinema Technology Is Advancing Faster Than the Business Model Supporting It
Indie Film Marketing Can’t Wait Until the Film Is Finished
Growing Cinema Audiences Starts With Knowing Who You’re Targeting
From Village Cinemas’ Cine School and Spain’s Cine Sénior to solo moviegoers and creator communities, CineEurope showed how identifying specific audiences – and removing the barriers keeping them away – can build attendance. The most revealing audience statistic presented during CineEurope 2026 may…
Event Cinema Is Becoming an Always-On Business
Once known as alternative content, event cinema has long since established itself on the theatrical calendar. Now exhibitors are treating it as a year-round programming discipline built around fan communities, advance demand and reliable technical delivery. Event cinema largely shed the label “alter…
The Best Cinemas Aren’t Competing With Netflix. They’re Competing With a Night Out
Three award-winning cinema operators at the 2026 ICTA Barcelona Cinema Technology Experience explain why memorable design, hospitality and flawless execution increasingly matter as much as what appears on the screen. When cinema executives talk about competition, the conversation usually turns to st…
Cinema Technology Has Never Been More Sophisticated, So Why Is It Still So Disconnected?
Cinema technology vendors at the 2026 ICTA Barcelona Cinema Technology Experience examine why the systems handling ticketing, content delivery and theatre operations still struggle to share data, what those disconnections cost exhibitors and whether open standards or consolidation will finally bring…
Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions
Sony Pictures and Alamo Drafthouse will restore the landmark cinema and reopen the adjoining ArcLight complex in early 2028, returning a major moviegoing hub to Los Angeles while giving Sony’s growing experiences business its most recognizable venue yet. For six years, Hollywood’s Cinerama Dome has…
Christopher Nolan’s “The Odyssey” Triumphs as Highest Grossing IMAX Release of All Time with $289 Million and Counting
Shaun Jones to Leave Cineworld After 25 Years
PaperAirplane Promotes Amanda Rufener to Senior Vice President, Exhibitor Marketing & Operations
