UNIC Reports European Box Office Held Near €6.9 Billion in 2025, But Admissions Tell a More Complicated Story
Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme
Global Cinema Attendance Inches Up, But the Recovery Belongs to Asia, Says the Latest FOCUS Report
UKCA 2026 Conference: Box Office Optimism, Engaging Gen Z, and Leveraging the Power of Community
The Box Office Is Back. At a Renovated Regal Theatre, the Industry Asks What Comes Next
At the “Future of Storytelling for the Big Screen” panel, executives from Regal, Disney, Lionsgate and Legendary weighed in on younger audiences, theatrical windows, premium screens and the looming Paramount-Warner Bros. Discovery merger. Regal’s newly renovated Sherman Oaks Galleria theatre…
Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still
Average first TVOD windows rose in 2025, Disney again led the majors with a 61.6-day average, and early 2026 releases point toward a stronger 45-day baseline. After several years in which theatrical windows seemed to be shrinking by the quarter, the North American market may finally be settling into…
Can Direct-to-Audience Distribution Give Indie Films a New Path to Theatres?
For decades, the independent film industry has operated according to a familiar hierarchy. A filmmaker completes a project, premieres at a major festival, secures a distributor, launches a theatrical run, and hopes that audiences discover the film through cinemas, home entertainment releases or – mo…
The Long Game: How Sony Pictures Classics Still Wins at Cannes
There are easier ways to make a living than selling independent and international cinema in 2026. There are safer businesses than theatrical distribution, quieter ones than acquisitions, and certainly more predictable ones than building a release strategy around festival discovery, Oscar momentum, r…
Cannes 2026: Strong Films, Thin Buzz and a Market Finding New Footing
A strong competition without a consensus breakout, a Marché reshaped by private capital, and a Hollywood no-show that raised uncomfortable questions about the festival’s global reach. The 79th Cannes Film Festival closed on May 23 the way it opened — with defiance. No major Hollywood studio tentpole…
TheaterEars Brings Its Director’s Experience to Animation for the First Time with Disney and Pixar’s “Toy Story 5”
UNIC Launches Tenth Edition of the Women’s Cinema Leadership Programme
AMC Entertainment Holdings, Inc. Announces Pricing of $200 Million Registered Direct Offering of Common Stock
