Analysis & Opinion Archives - Celluloid Junkie

NEWS

Bridget Jones: Mad About The Boy - Theatrical Release Strategy

Bridget Jones: Mad About the Theatrical Release Strategy

The fourth and latest installment in the Bridget Jones Universe (BJU) has surpassed a global box office gross of USD $110 million in just over three weeks across 78 countries, save for the United States, where the film is skipping movie theatres in lieu of a direct-to-streaming release. With a repor…

European Producers and Public Funders Discuss How to Attract Audiences Back to Arthouse Cinemas

On 19 May, Cannes’ Marché du Film hosted a panel discussion titled “Producers, Films and Audiences: How to Connect the Dots” and moderated by Tamara Tatishvili, of MEDICI. In detail, the conversation focused on the important role of producers in both understanding audience development and creating j…

Cannes Panel Talks European BO Crisis; the Missing Links Between Industry and Audience

On May 20, Cannes’ Marché du film hosted its traditional morning conference, organized by the European Audiovisual Observatory (EAO). The second part of the event saw a panel discussion moderated by the EAO’s Head of Department for Market Information Gilles Fontaine. The conversation focused on the…

Theatrical Releases Profit As Streaming Losses Mount

CJ Analysis: Theatrical Releases Profit As Streaming Losses Mount

Long before COVID sparked a global pandemic in 2020, leaving millions dead and upending the world economy, another virus began spreading across the planet. Though not as deadly as COVID, this virus spreads just as easily, is often not immediately detected and has proven to be just as disruptive to t…

CJ Opinion: Hollywood, Cut Off Russia Now!

A sovereign European nation of 44 million people is under attack by one of the largest armies in the world. The unthinkable reality of unprovoked hostility seeking to redraw the map of Europe is now playing out a two hour flight from most European capitals. NATO and other Western democracies are not…

CJ Analysis: Cinema Is Back! But With Some Major Changes.

It’s been a very long time since anyone in the cinema business has been in a rush to look at box office figures. The habitual daily check came to a bit of a grinding halt last year and for a long while things were very depressing indeed. Despite some key success stories for local productRead More

The UK Cinema Industry in 2020 – A Year to Learn From

It is quite revealing as to the state of the year when a third of the top 10 films of 2020 were in fact released in 2019. But 2020 was far from normal, as the latest annual summary from Comscore illustrates. The headlines are not pretty. Total UK and Ireland box office was just £323m,Read More

Why Warner Bros. Is Max-imizing Its 2021 Movie Slate

Editor’s Note: This post is longer than those we ordinarily publish, however we can assure you that it will give you a thorough understanding of the seismic upheaval currently affecting the motion picture industry, why it is occurring and what to expect moving forward. When 2020 began everyone…

Warner Bros. Did Not Just Kill Cinema

CJ Opinion: Warner Bros. Did Not Just Kill Cinema

We’ve been here before. Ninety-three years ago to be precise. The announcement by Warner Bros. Pictures Group that it will make its major titles for 2021 available simultaneously for a month in both cinemas and on its HBO Max streaming platform is rightly seen as a watershed moment for theatrical ex…

The Storm Before the Calm: European Cinemas Buoyed by Local Films Pre-Lockdown

For European exhibitors in November 2020, there is a sense of deja-vu. “Lockdown 2 – The Sequel”. Not playing in a cinema near you. In response to rising coronavirus cases, Europe is once again closed for business. Gower Street reports that only 24% of theatres are now open across the EMEA region, d…