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Andrew Cripss, Head of Global Distribution, Walt Disney Studios - ICTA Barcelona Seminar 2026 - June 21, 2026 - Infinity Vision

Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme

Speaking at ICTA’s Cinema Technology Experience in Barcelona on the eve of CineEurope, Disney’s head of global theatrical distribution offered the clearest public explanation yet of Infinity Vision — and confirmed that several key details are still being worked out. When Andrew Cripps, H…

Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

Average first TVOD windows rose in 2025, Disney again led the majors with a 61.6-day average, and early 2026 releases point toward a stronger 45-day baseline. After several years in which theatrical windows seemed to be shrinking by the quarter, the North American market may finally be settling into…

(From left) Daniel Berger, President at Oscilloscope Pictures; Sarah Mosses, Founder & CEO of Together Films; John Nein, Senior Programmer & Director of Strategy, Sundance Film Festival; Sharon 'Rocky' Roggio, Founder & Creative Director, 1946 Studios; and moderator Iddo Patt, CEO & Co-Founder of Eventive (Photo: Eventive)

Can Direct-to-Audience Distribution Give Indie Films a New Path to Theatres?

For decades, the independent film industry has operated according to a familiar hierarchy. A filmmaker completes a project, premieres at a major festival, secures a distributor, launches a theatrical run, and hopes that audiences discover the film through cinemas, home entertainment releases or – mo…

(From Left) Michael Barker and Tom Bernard, Co-Founder and Co-Presidents of Sony Pictures Classics, Dylan Leiner, EVP of Acquisitions, Production and Business Affairs at Sony Pictures Classics and Matt Brennan of the Los Angeles Times during the "How Sony Pictures Classics Navigates the World of Indie and International Cinema" panel on March 18, 2026 at the 2026 Marché du Film alongside the 79th edition of the Cannes Film Festival.

The Long Game: How Sony Pictures Classics Still Wins at Cannes

There are easier ways to make a living than selling independent and international cinema in 2026. There are safer businesses than theatrical distribution, quieter ones than acquisitions, and certainly more predictable ones than building a release strategy around festival discovery, Oscar momentum, r…

Homegrown hits at the Nigerian box office include Brotherhood, A Tribe Called Judah and The Wedding Party.

The Rise of Local Cinema: How Nigerian Cinemas are Rebuilt on Indigenous Films

For over a decade, conversations about cinema revolved around Hollywood imports: tentpoles, superheroes, franchise spectacles, and the billion-naira weekends they reliably drove. The last five years have indeed redrawn the theatrical map. Local content, once considered supplementar…

Top Women In Global Distribution 2025 - Featured Image

CJ’s Top Women In Global Distribution – 2025

Celluloid Junkie’s 2025 Top Women in Global Distribution is proudly sponsored by AMC Theatres, Digital Cinema Distribution Coalition (DCDC) and Event Cinemas. Their support makes this list possible, and we encourage readers to visit their websites to learn more. Following the strong response to the…

“Kill Bill” characters The Bride, O-Ren Ishii and Bill sit vertically against a red and black background, with the film title in yellow on the left side

“Kill Bill: The Whole Bloody Affair”: The Long Journey to the Big Screen

What fans of Quentin Tarantino’s “Kill Bill: Vol I” (2003) and “Vol. II” (2004) know but many others may not, is that the two films weren’t supposed to be separate entities; the original vision for the blood-spattered revenge saga was intended to be a single release. And now, after a 20+ year wait a…

Luis Vargas - Comscore

Latin American Theatrical Market Defies Predictions, Emerging as Global Recovery Leader

When Luis Vargas took the stage at CineLATAM 2025 in Miami this past September, he didn’t begin with a data slide. Instead, the Vice President for Latin America at Comscore Movies opened with a story — or rather, with a movie title: “Ainda Estou Aqui,” (“I’m Still Here.”) The Oscar winning Brazilian…

A montage of blurred faces, each with a question mark over it, sit behind the number ’50’ in Celluloid Junkie’s signature colours, blue and red

Nominations Now Open: CJ’s Top Women in Global Film Distribution

Celluloid Junkie is proud to announce that nominations are now officially open for the fourth edition of our Top Women in Global Distribution list — celebrating 50 exceptional women shaping the future of film distribution worldwide. The 2025 list will be published on December 18th, following the suc…

From Grounded to Global: How PaperAirplane is Helping Movie Marketing Reach New Heights

Born in the depths of the pandemic, PaperAirplane Media rewired the connection between studios and cinemas. Now, as nearly every cinema operator in North America depends on its digital asset management solution, the PaperAirplane team is preparing for takeoff overseas. When Mike Polydoros decided to…