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Cinerama Dome - Hollywood, California

Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

Sony Pictures and Alamo Drafthouse will restore the landmark cinema and reopen the adjoining ArcLight complex in early 2028, returning a major moviegoing hub to Los Angeles while giving Sony’s growing experiences business its most recognizable venue yet. For six years, Hollywood’s Cinerama Dome has…

2026 Box Office - January through June - First Half

International Box Office Recovery Accelerates as Local Films Gain Ground

Selected markets across Europe, Asia and Australia reported stronger revenue or attendance during the first half of 2026, with China the major exception and domestic productions increasingly powering the rebound. One year ago, the international theatrical recovery still looked fragile, uneven and he…

(From left) Host Aylin Kazi; TikTok creator Melo Nsuka; Jackie Meire, EU Head of Social at Amazon Prime Video, UK; and actress Runa Greiner, who participated in the EFM 2026 panel "From Community to Box Office: How Fandom on TikTok Drives Impact," held on Feb 13, 2026. (Photo: Winson, courtesy of EFM)

Social Media, Fandom and the Hard Question of Conversion

The question of whether social media buzz can actually drive potential audiences to cinemas is as pertinent as ever. As the first reactions for “The Odyssey” break, we reflect on panels that explored this topic at the European Film Market earlier this year… The news that Christophe…

Andrew Cripss, Head of Global Distribution, Walt Disney Studios - ICTA Barcelona Seminar 2026 - June 21, 2026 - Infinity Vision

Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme

Speaking at ICTA’s Cinema Technology Experience in Barcelona on the eve of CineEurope, Disney’s head of global theatrical distribution offered the clearest public explanation yet of Infinity Vision — and confirmed that several key details are still being worked out. When Andrew Cripps, H…

Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

Average first TVOD windows rose in 2025, Disney again led the majors with a 61.6-day average, and early 2026 releases point toward a stronger 45-day baseline. After several years in which theatrical windows seemed to be shrinking by the quarter, the North American market may finally be settling into…

(From left) Daniel Berger, President at Oscilloscope Pictures; Sarah Mosses, Founder & CEO of Together Films; John Nein, Senior Programmer & Director of Strategy, Sundance Film Festival; Sharon 'Rocky' Roggio, Founder & Creative Director, 1946 Studios; and moderator Iddo Patt, CEO & Co-Founder of Eventive (Photo: Eventive)

Can Direct-to-Audience Distribution Give Indie Films a New Path to Theatres?

For decades, the independent film industry has operated according to a familiar hierarchy. A filmmaker completes a project, premieres at a major festival, secures a distributor, launches a theatrical run, and hopes that audiences discover the film through cinemas, home entertainment releases or – mo…

(From Left) Michael Barker and Tom Bernard, Co-Founder and Co-Presidents of Sony Pictures Classics, Dylan Leiner, EVP of Acquisitions, Production and Business Affairs at Sony Pictures Classics and Matt Brennan of the Los Angeles Times during the "How Sony Pictures Classics Navigates the World of Indie and International Cinema" panel on March 18, 2026 at the 2026 Marché du Film alongside the 79th edition of the Cannes Film Festival.

The Long Game: How Sony Pictures Classics Still Wins at Cannes

There are easier ways to make a living than selling independent and international cinema in 2026. There are safer businesses than theatrical distribution, quieter ones than acquisitions, and certainly more predictable ones than building a release strategy around festival discovery, Oscar momentum, r…

Homegrown hits at the Nigerian box office include Brotherhood, A Tribe Called Judah and The Wedding Party.

The Rise of Local Cinema: How Nigerian Cinemas are Rebuilt on Indigenous Films

For over a decade, conversations about cinema revolved around Hollywood imports: tentpoles, superheroes, franchise spectacles, and the billion-naira weekends they reliably drove. The last five years have indeed redrawn the theatrical map. Local content, once considered supplementar…

Top Women In Global Distribution 2025 - Featured Image

CJ’s Top Women In Global Distribution – 2025

Celluloid Junkie’s 2025 Top Women in Global Distribution is proudly sponsored by AMC Theatres, Digital Cinema Distribution Coalition (DCDC) and Event Cinemas. Their support makes this list possible, and we encourage readers to visit their websites to learn more. Following the strong response to the…

“Kill Bill” characters The Bride, O-Ren Ishii and Bill sit vertically against a red and black background, with the film title in yellow on the left side

“Kill Bill: The Whole Bloody Affair”: The Long Journey to the Big Screen

What fans of Quentin Tarantino’s “Kill Bill: Vol I” (2003) and “Vol. II” (2004) know but many others may not, is that the two films weren’t supposed to be separate entities; the original vision for the blood-spattered revenge saga was intended to be a single release. And now, after a 20+ year wait a…