Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
(From Left) Dylan Leiner of Sony Pictures Classics, Jakob Abrahamsson of NonStop Entertainment, Frank L. Stavik of Fidalgo, and Antonella Canturi of Rai Cinema's 01 Distribution and moderator Davide Abbatescianni during a Buyers In Focus session on 6 September 2025 at the 2025 Toronto International Film Festival

Distribution Around the World: Buyers at TIFF Share Lessons for Theatrical’s Next Chapter

At the 2025 Toronto International Film Festival’s Buyers In Focus sessions, industry leaders from six territories revealed how they’re navigating streaming pressure, changing audiences, and TIFF’s rise as a market hub. This year’s Toronto International Film Festival (September 4–14) hosted sev…
Its Elemental Pixar Is Not Floundering

It’s Elemental: Pixar Is Not Floundering

In fact, Pixar remains one of the most successful studios in Hollywood. It’s official: Pixar’s “Elio” is a flop. The politely reviewed film cost more than US $200 million and grossed a dismal $152 million as of 27 August 2025. Pundits drew two lessons from this. (Yes, “drew;” I did that.) First, ori…
Animated Movies Are Still Box Office Gold

Looney Tunes: Animated Movies Are Still Box Office Gold

Why original animated films are no riskier—and just as rewarding—as live action flicks With the unfortunate collapse of Pixar’s “Elio” at the box office, the industry was quick to declare the death of the original animated feature. “Audiences aren’t interested,” goes the refrain. They’re expensive,…
Avatar: Fire and Ash

Disney to Tailor DCP Delivery for “Avatar: Fire and Ash” Based on Global Screen Survey

One of the highlights at the recently concluded CineEurope 2025 in Barcelona was the presentation of footage from “Avatar: Fire and Ash” shown by Disney in both CINITY and 3D. Indeed, as anticipation builds for the December release of James Cameron’s latest film, Disney is calling…
Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…
Trump Foreign Movie Tariffs

President Trump’s 100% Tariff on Foreign Films Will Harm The Very Industry It Was Meant To Help

As a motion picture trade publication, most of the stories published by Celluloid Junkie that delve into politics focus on programs to assist the industry at large. We have, for the most part, been able to avoid covering any kind of politically polarizing subjects. However, there are times when wadi…
April 2025 Historic Weekend Box Office Milestones thanks to Sinners, Star Wars Episode III: Revenge of the Sith, A Minecraft Movie and The Accountant 2

CJ Analysis: Movie Theatres Outdated? A Historic Box Office Weekend Says Otherwise

Seriously, how many times does moviegoing have to stare down those endless cries that it’s doomed? Doomed! Doomed because of radio or television or the VCR or DVD or video games or TikTok or streaming! Or doomed because the industry pundits and mainstream media decides the pandemic magically changed…
Bart Layton, Chris Hemsworth, Timur Bekmambetov, Chris Pratt, Cynthia Addai-Robinson, Jon Bernthal, Daniella Pineda, Gavin O'Connor, Ben Affleck, Vivica A. Fox, Kara Young, Chris Miller, Ayo Edebiri, Mallori Johnson, Ryan Gosling and Luca Guadagnino pose on stage during CinemaCon 2025 – Amazon MGM Studios Invites you to an Exclusive Presentation of its Upcoming Slate at The Colosseum at Caesars Palace during CinemaCon, the official convention of Cinema United, on April 2, 2025, in Las Vegas, Nevada.

CinemaCon 2025: Amazon MGM Studios Remains A Question Mark

A week or so prior to CinemaCon the presence of Amazon MGM Studios on the schedule was being hailed as the first time the studio was appearing at the conference to present its slate on the big Colosseum stage. Technically speaking that’s a bit of a stretch since, (1) Amazon MGM Studios is only…
Bridget Jones: Mad About The Boy - Theatrical Release Strategy

Bridget Jones: Mad About the Theatrical Release Strategy

The fourth and latest installment in the Bridget Jones Universe (BJU) has surpassed a global box office gross of USD $110 million in just over three weeks across 78 countries, save for the United States, where the film is skipping movie theatres in lieu of a direct-to-streaming release. With a repor…
Tim Richards of Vue

Tim Richards On Venturing Into Film Distribution with Vue Lumière

As 2024 wound down, Tim Richards, CEO of Vue, used the final few weeks to formalize an initiative he’d been openly discussing all year; Europe’s largest privately held cinema operator is launching a film distribution company titled Vue Lumière. The new entity will be wholly owned and fun…
1 2 3 4 5 … 33

Industry Briefs

  • Alamo Drafthouse - A24 Cinema Club

    Alamo and A24 Turn Catalogue Films Into Collectible Events

    Oct 8, 2026
  • Samsung's Onyx LED screen at the Lurdy Cinema in Budapest, Hungary

    Cinema LED Keeps Finding Its Way Into More Theatres

    Oct 8, 2026
  • Cinemark breaks all-time records over Memorial Day weekend, driven by hits like "Lilo & Stitch" and "Mission: Impossible"

    Cinemark Is Not Picking One Premium Format. It’s Picking Several

    Oct 8, 2026
  • France’s Canal+ Tax Hike Could Put €980 Million in Film Financing at Risk

    Oct 7, 2026
  • Expocine 2026

    Expocine Shows the Strength of Brazil’s Cinema Business

    Oct 7, 2026
  • PaperAirplane Media - The Hanger

    PaperAirplane’s Hangar Passes Two Million Downloads as Cinema Marketing Goes Social

    Sep 30, 2026
  • American Film Market - Century Plaza Hotel - Los Angeles

    Festivals and Film Markets Find New Routes Into Cinemas

    Sep 30, 2026
  • Bleecker Street - Frank Martinzez, Head of Distribution

    Bleecker Street and Marcus Theatres Recruit for a Changing Theatrical Market

    Sep 30, 2026

Popular Posts

  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • Cinema United - 2026 Fall Cinema Investment Report - Cinema Investment By The Numbers

    Cinema Owners Have Invested $2.7 Billion in Theatres. What Is That Money Buying?

    Oct 1, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Moderator Cathrine Jakobsen led the case-study discussion during the "Youth, Trends and Taboos on Films" seminar at Haugesund 2026. Silje Salomonsen, co-director of “Back to Tottori,” and Norwegian distributor Linn Barholt participated in seminar on August 25, 2026. (Photo: Grethe Nygaard)

    Young Audiences Already Like Cinema. The Hard Part Is Giving Them a Reason to Go

    Aug 31, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE