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Son of God and Veronica Mars

Multiplexes Set to Feast on Television Leftovers

Two movies hitting North American cinemas over the next three weeks are primed to do blockbuster business. Unlike most blockbusters however, they aren’t being released with the support of multi-million dollar marketing campaigns. Both are derived from properties that originated from a source cinema…
Looney Tunes In 3D

Warner Bros. Brings Looney Tunes Back To Cinemas

Just this past weekend I was shocked when my daughters, six and four-year-olds, asked who Bugs Bunny was. I’m not sure why I was so surprised, since they watch very little television and most of the movies they’ve seen feature characters from Disney, Pixar and Dreamworks Animation titles. This is pr…

Warner Bros. Scraps 3D For Next “Harry Potter”

After being heavily criticized for the poor 3D conversion on “Clash of the Titans” earlier this year, it seems Warner Bros. is being more cautious about making the same mistake on future blockbusters.  The Los Angeles Times reported on Friday that the studio has scrapped plans to convert…

Sony Pictures VPF Deal With Regal & AMC Makes Warner Bros The Only Hold-Out Studio

Sony Pictures has become the next-to-last  Hollywood studio to sign a virtual print fee (VPF) agreement with DCIP, the digital cinema integrator representing the three largest US cinema chains (AMC, Regal and Cinemark). This should help DCIP re-start the intended 3 1/2 year roll-out of digital cinem…

Universal and Disney Close To VPF Deal With DCIP

And then there were four.  Four studios that is.  Or so says the Wall Street Journal which broke a story today reporting that Universal Pictures and Walt Disney Company have reached a virtual print fee deal with Digital Cinema Implementation Partners, the joint venture formed by North American exhib…

How digital cinema can make a difference (unleash your archive!)

The always readable Andreas Fuchs has an excelent piece in the latest issue of Film Journal International on the difference that the UK Film Council‘s Digital Screen Network has made. It was never intended to help the Hollywood blockbusters, though arguably it got the ball rolling in UK for di…

Warner Bros. Looking To Shed Titles

If you’re looking for a screaming deal on a finished film you should probably give Warner Bros. a call. In his Los Angeles Times column today Patrick Goldstein details an interview he conducted with Alan Horn, the studio’s top dog. Goldstein contacted Horn after he learned producer Joel…

Warner Bros. Promotes Aylsworth

Crediting their “aggressive commitment to explore and implement the latest technological advances in production and industry standards” Warner Bros. promoted Wendy Aylsworth to Senior Vice President, Warner Bros. Technical Operations. Aylsworth, who has been with the studio since 1994, previously se…

NATO and Warner Bros. Duke It Out

Even before the ink was dry on last Thursday’s Los Angeles Times article about the struggle Hollywood studios face in finding enough digitally equipped screens to distribute 3-D movies, The Hollywood Reporter published a story that had key industry executives debating who is to blame for the s…

“Dark Knight” Pulls An All Nighter

North American exhibitors plan on putting the old theory about the early bird catching the worm to the test when Warner Bros. “The Dark Knight” opens on June 19th. Truthfully though they are less after invertebrates and more after the additional box office generated by a few early morning screenings…
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Industry Briefs

  • CICAE's 23rd Arthouse Cinema Training in August 2026

    Record Turnout for CICAE’s Arthouse Cinema Training in Berlin

    Sep 1, 2026
  • Marc Whitten - President, Chief Executive Officer and Director of Dolby Laboratories

    Marc Whitten to Succeed Kevin Yeaman as Dolby CEO

    Sep 1, 2026
  • Cinema Operators Ban Meta Smart Glasses

    UK Cinemas Move to Restrict Smart Glasses Over Piracy and Privacy Concerns

    Sep 1, 2026
  • StudioCanal launches StudioCanal classics, a new worldwide catalogue label celebrating its 18,000-title film library

    StudioCanal and TheaterEars Give Catalogue Cinema a New Theatrical Life

    Sep 1, 2026
  • AMC Theatres and Leawood Films

    AMC Expands Its Distribution Ambitions With Leawood Films

    Sep 1, 2026
  • Na Hong-jin’s sci-fi thriller “Hope”

    NEON Turns “Hope” Into a One-Night PLF Event.

    Aug 24, 2026
  • Christopher Nolan's "The Odyssey" playing at the BFI IMAX in London, United Kingdom

    One Screen, £2.7 Million: “The Odyssey” Sets a BFI IMAX Record

    Aug 24, 2026
  • Kinepolis

    Kinepolis Says the Cinema Industry Had a Supply Problem, Not a Demand Problem

    Aug 24, 2026

Popular Posts

  • Andrew Cripss, Head of Global Distribution, Walt Disney Studios - ICTA Barcelona Seminar 2026 - June 21, 2026 - Infinity Vision

    Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme

    Jun 23, 2026
  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • Omdia - Key Trends in Movie Windows in 2025

    Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

    Jun 18, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • (From left) Anthony D'alessandro of Deadline, , Eduardo Acuna of Regal, filmmaker Michael Tiddes, Blair Rich of Legendary Entertainment, Andrew Cripps of Disney and Adam Fogelson of Lionsgate during the "Future of Storytelling for the Big Screen" panel at the Regal Sherman Oaks Galleria on June 15, 2026.

    The Box Office Is Back. At a Renovated Regal Theatre, the Industry Asks What Comes Next

    Jun 19, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026

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