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The Hollywood Studio Release Schedule Shuffle: Where It’s Been and Where It’s Going

There’s a favorite New England saying, “If you don’t like the weather wait 10 minutes and it will all change.” Welcome to 2020 in the movie business. Obviously this year has been unlike any other (I will make a concerted effort to avoid the now cliched “these are uncertain times” mutterings in this…

Celluloid Junkie’s 2020 Cinema Predictions

Having slightly dreaded revisiting our cinema predictions from a year ago, we were pleasantly surprised to discover just how much we managed to get right. And this wasn’t just right in the way that even a clock that’s stopped shows the correct time twice a day. Heck, no! Sperling effecti…
Media Forecast 2018 Celluloid Junkie

Celluloid Junkie’s 2018 Cinema Predictions

2017 was an eventful year for the film and cinema business and 2018 promises to be even more so. So the Celluloid Junkie editorial team has gazed into the crystal ball to see what’s ahead. Here is a list of possible scenarios in the new year, as foreseen by our top contributors Jim Amos (JA),Read Mo…
Bigscreen VR cinema - don't forget to turn off your virtual smartphone. (image: Bigscreen)

Cinema News Digest – Monday 20 November 2017

Paramount VR ‘cinema’; Bloomberg’s Q3 summary; CGR buys Cap’Cinema; Cinefamily to close after scandals; first cinema to boycott ‘Star Wars VIII‘; PVR expands VKAAO; re-birth of community cinemas in UK; single screens cling on in UAE; Bernadette McCabe joins MovieP…
2017 Mid-Year Studio Market Share Projections

2017 Mid-Year Studio Market Share Projections

Now that we’re halfway through 2017 it seems as good a time as any to project out how the Hollywood box office market share race will wind up by the end of the year. Can Disney hang onto its lead and make it back-to-back wins? Can one of the new micro studios crack the top 10?Read More
Baby Driver, Despicable Me 3, The House

Boy Power Can’t Save Transformers From Franchise Low Debut as the Minions Loom on the Box Office Horizon. This Week at the Box Office.

“Transformers: The Last Knight” launched to a tepid USD $69 million 5 day tally (USD $45 million 3 day), which was by far the lowest debut for any of the entries in the franchise (with two more sequels still to come). What is good news for Paramount was the film’s estimate crept northward as theRead…
Golden Age Cinema & Bar. (photo: Patrick von Sychowski - Celluloid Junkie)

CJ Cinema of the Month – Golden Age Cinema, Sydney, Australia

Celluloid Junkie is proud to have partnered with Vista Entertainment Solutions (VES) for the Cinema of the Month series. Vista is the worlds leading cinema ticketing and software solutions company. We won’t just be featuring cinemas whose operators use Vista, but we will surely mention when that is…
Paramount's Dynamic Release Windows Trial

Crunching The Numbers On Paramount’s Dynamic Release Windows

When we first set out to craft our analysis of the July announcement that Paramount Pictures would release certain movies on home video just 17-days after most theatres stopped playing them, we must admit to initially focusing on the wrong aspect, or participants, of the distribution experiment. Whi…
Interstellar Unlimited Ticket Meme

Answering A Few Hypothetical Questions About the “Interstellar” Unlimited Ticket

Two weeks ago AMC Theatres and Paramount Pictures announced they’d be teaming up to provide members of the cinema chain’s loyalty program, AMC Stubs, an opportunity to see “Interstellar” as many times as they’d like. The Interstellar Unlimited Ticket, as the offering ha…

Early Release Of “Interstellar” On Film Is A Nostalgic Marketing Coup

A heated industry debate was sparked last week by the announcement that Paramount and Warner Bros. would release director Christopher Nolan’s next movie, “Interstellar”, on film. Many of you may recall film as the sprocketed acetate material used by the motion picture industry to s…
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Industry Briefs

  • Bleecker Street & Outerlight Entertainment

    Outerlight Acquires Bleecker Street With Plans to Expand Event Cinema Business

    Oct 16, 2026
  • DCDC United States Coverage Map

    DCDC Upgrades Content Delivery Network Across 1,600 U.S. Cinema Locations

    Oct 15, 2026
  • Hoyts IMAX - Australia and New Zealand

    Exhibitors Serve Up More IMAX Auditoriums

    Oct 15, 2026
  • Screenvision partners with The New York Times Games

    Screenvision Wants to Reinvent the Cinema Pre-Show. Will Audiences Play Along?

    Oct 15, 2026
  • Cineplex - Canada - Third Quarter 2026 Earnings

    Cineplex Posts Record Quarter as North American Box Office Rebound Gains Momentum

    Oct 15, 2026
  • Prince Charles Cinema

    The Prince Charles Cinema Gets a New Lease on Life as Britain Celebrates Its Independents

    Oct 15, 2026
  • Alamo Drafthouse - A24 Cinema Club

    Alamo and A24 Turn Catalogue Films Into Collectible Events

    Oct 8, 2026
  • Samsung's Onyx LED screen at the Lurdy Cinema in Budapest, Hungary

    Cinema LED Keeps Finding Its Way Into More Theatres

    Oct 8, 2026

Popular Posts

  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026
  • Cinema United - 2026 Fall Cinema Investment Report - Cinema Investment By The Numbers

    Cinema Owners Have Invested $2.7 Billion in Theatres. What Is That Money Buying?

    Oct 1, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Moderator Cathrine Jakobsen led the case-study discussion during the "Youth, Trends and Taboos on Films" seminar at Haugesund 2026. Silje Salomonsen, co-director of “Back to Tottori,” and Norwegian distributor Linn Barholt participated in seminar on August 25, 2026. (Photo: Grethe Nygaard)

    Young Audiences Already Like Cinema. The Hard Part Is Giving Them a Reason to Go

    Aug 31, 2026
  • (From Left) Juan Garcia (Odeon Multicines), Howard Kiedaisch (DCDC), Christof Papousek (Cineplexx) and Marion Rosset (ADDE) during the Technologies Shaping Tomorrow’s Cinema Experiences panel at the ICTA 2026 Cinema Technology Experience on June 21, 2026 in Barcelona Spain

    Cinema Technology Is Advancing Faster Than the Business Model Supporting It

    Jul 29, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

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