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  • Culture
Edward Lachman Shooting "Carol"

Cinematographer Edward Lachman Faces A New Digital Dilemma While Shooting “Carol”

There is little debate whether digital technologies have caused a certain amount of chaos in the cinema exhibition business over the past 15 years. As the world’s movie theatres converted to digital projection, both exhibitors and distributors underwent a significant learning curve to become a…
Ted Sarandos at 2015 Cannes Film Festival

Ted Sarandos Tells Cannes Netflix Is Not Anti-Cinema

When the Marché du Film announced that Ted Sarandos would be making an appearance during the NEXT program at this year’s Cannes Film Market, the session instantly became one of its most anticipated events. The chief content officer at Netflix has a history of making controversial statements at…
EDCF Film Festivals guide

EDCF Guide Highlights Film Festivals’ Digital Nightmares

The European Digital Cinema Forum (EDCF) has just published ‘The EDCF Guide for Film Festivals in the Digital Age.’ The free guide, available to download on the EDCF website (PDF link) was created based on feedback from professionals responsible for running major international film festi…
2014 Cannes Film Festival

The Cannes Film Festival Overcomes Its Digital Dilemma

As the 67th annual Cannes Film Festival came to a close last week, artistic director Thierry Fremaux scheduled a last minute press conference so that journalists from around the world could speak with filmmaker Quentin Tarantino. The director was visiting the festival for a 20th anniversary screenin…
100,000 viewings DSK movie

Premium VoD Just Killed the Cinema Release Window

One single tweet was the final nail in the coffin of the cinema exclusivity window, given added poignancy by being in French; “100 000 locations en une semaine, rien ne sera plus comme avant” (‘100,000 viewings in a week, nothing will be as it was’).  This was the message fro…
European Cinema Statistics 2013

Local Films to Blame for Decline in European Box Office in 2013

The European Audiovisual Observatory (EAO) has released its statistics on European cinema admissions in 2013 ahead of the Cannes Film Festival and they make for grim reading. We have already written about the preliminary figures (Europe’s Cinema Attendance Decline is Greatly Exaggerated), so we will…
Murray Holdaway, Bert Huls and Mathieu van As

Vista Continues Strategic Growth and Diversification With Stake In MACCS

One of the more important stories to come out of this year’s CinemaCon is one that didn’t even get announced until more than a week after the show ended. By then anyone who follows such news was already well aware that the cinema exhibition software firm Vista Entertainment Solutions had…
2013 Cannes Film Festival Marquee

Cannes Film Festival Brings China Into Focus

Maybe the Hollywood trade papers were in need of something to write about in the first few days of this year’s Cannes Film Festival. Possibly they were just looking for a way to mention China in story, since the country, now the world’s second largest box office generator, seems to be th…

Director’s Fortnight Highlights Digital Divide

[youtube width=”640″ height=”385″]http://www.youtube.com/watch?v=mNwO3HtACkw[/youtube] Last night I had the privilege of attending the opening night of the Director’s Fortnight at the Cannes Film Festival. The film being shown was “Benda Bilili” a fantastic…
PH2009051203382.jpg

Daily Cinema Roundup – Wed 13 May – “Going forward it will look different after the 3D screens are in place.”

– For those that decry Imax Digital’s 2x2K imaging technology, perhaps we can interest you in JVC’s new 8K projector? (pictured above) From CrunchGear, “8K content is pretty much…impossible to find right now. Unless you were to make a motion-JPEG movie out of full-size shots…
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