Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
(From left) Ruun Nour, Vancouver International Film Festival programmer and No Evil Eye Cinema co-founder; Can Sungu, artistic director of SİNEMA TRANSTOPIA; Kira Simon-Kennedy, film producer and volunteer member with La Clef collective; and moderate Jeremy Chua, producer at Potocol and executive director of the Singapore International Film Festival, who participated in the Cannes Docs panel “Micro Cinemas and Macro Impact: Independent Exhibition as a Social and Communal Practice,” held on May 16, 2026 (Photo: © Cyril Chateau / Marché du Film)

Micro Cinemas, Major Impact: How Grassroots Exhibitors are Rebuilding Film Culture

At a time when traditional distribution remains under pressure, micro cinemas and independent exhibition spaces may be offering one of the most concrete answers to the question of how films can still find committed, physically present audiences. That was the central argument emerging from the Cannes…
(From left) Daniel Berger, President at Oscilloscope Pictures; Sarah Mosses, Founder & CEO of Together Films; John Nein, Senior Programmer & Director of Strategy, Sundance Film Festival; Sharon 'Rocky' Roggio, Founder & Creative Director, 1946 Studios; and moderator Iddo Patt, CEO & Co-Founder of Eventive (Photo: Eventive)

Can Direct-to-Audience Distribution Give Indie Films a New Path to Theatres?

For decades, the independent film industry has operated according to a familiar hierarchy. A filmmaker completes a project, premieres at a major festival, secures a distributor, launches a theatrical run, and hopes that audiences discover the film through cinemas, home entertainment releases or – mo…
(From Left) Michael Barker and Tom Bernard, Co-Founder and Co-Presidents of Sony Pictures Classics, Dylan Leiner, EVP of Acquisitions, Production and Business Affairs at Sony Pictures Classics and Matt Brennan of the Los Angeles Times during the "How Sony Pictures Classics Navigates the World of Indie and International Cinema" panel on March 18, 2026 at the 2026 Marché du Film alongside the 79th edition of the Cannes Film Festival.

The Long Game: How Sony Pictures Classics Still Wins at Cannes

There are easier ways to make a living than selling independent and international cinema in 2026. There are safer businesses than theatrical distribution, quieter ones than acquisitions, and certainly more predictable ones than building a release strategy around festival discovery, Oscar momentum, r…
2026 Cannes Film Festival - Palais des Festivals

Cannes 2026: Strong Films, Thin Buzz and a Market Finding New Footing

A strong competition without a consensus breakout, a Marché reshaped by private capital, and a Hollywood no-show that raised uncomfortable questions about the festival’s global reach. The 79th Cannes Film Festival closed on May 23 the way it opened — with defiance. No major Hollywood studio tentpole…
Cristian Mungiu’s “Fjord” Wins Palme d’Or at 2026 Cannes Film Festival

Cristian Mungiu’s “Fjord” Wins Palme d’Or at 2026 Cannes Film Festival

Cristian Mungiu’s “Fjord” was awarded the Palme d’Or at the 79th Cannes Film Festival on Saturday, May 23, giving the Romanian filmmaker his second win of the festival’s top prize, nearly two decades after “4 Months, 3 Weeks and 2 Days” took the Palme in 2007. The Norway-set drama, starring Sebastia…
The Red Sea Film Foundation's 2026 Women In Cinema honorees, (from left) Marie-Clementine Dusabejambo, Kamila Andini, Aixa Kay, Genevieve Nnaji, and Tara Sutaria during its annual luncheon held alongside the 79th edition of the Cannes Film Festival

At Cannes, Red Sea’s Women in Cinema Spotlight Makes the Case for a Wider Film Map

The Red Sea Film Foundation’s annual Women in Cinema spotlight brought together filmmakers and performers from Nigeria, Rwanda, India, Indonesia, Saudi Arabia and Morocco — and made clear that some of the industry’s most urgent voices are still waiting for the infrastructure to match their ambition.…
2026 Cannes Film Festival

As Hollywood Pulls Back, Cannes Doubles Down

There is a quality to the light along the Croisette in May that no other film festival can replicate or claim. It falls at a particular angle across the Palais des Festivals — that concrete monolith critics have spent decades mocking and cinephiles have spent decades loving — and transforms even the…
Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…
Headshots of the panelists from the Marché du Film Japanese cinema session (left to right): Eve Gabereau, Amel Lacombe, Nousha Saint-Martin, moderator Atsuko Ohno

Cannes 2025: Why Bet on Japanese Cinema

This year’s Cannes Film Festival proved to be a remarkable moment for Japanese cinema. Across the official selection, films from Japan dominated the festival’s various strands, including main competition effort “Renoir”, video game adaptation “Exit 8” which played in Midnight Screenings, and “A Pale…
Cannes Film Festival - 2025 Opening Ceremony - Group Photo

Cannes 2025 Opens with Political and Artistic Defiance

One day before the the 78th Cannes Film Festival commenced on 13 May 2025, its artistic director, Thierry Frémaux, insisted that the event only becomes “political when the artists are political.” Less than 24-hours later his statement was confirmed during an opening ceremony that transce…
1 2 3 … 6

Industry Briefs

  • CICAE's 23rd Arthouse Cinema Training in August 2026

    Record Turnout for CICAE’s Arthouse Cinema Training in Berlin

    Sep 1, 2026
  • Marc Whitten - President, Chief Executive Officer and Director of Dolby Laboratories

    Marc Whitten to Succeed Kevin Yeaman as Dolby CEO

    Sep 1, 2026
  • Cinema Operators Ban Meta Smart Glasses

    UK Cinemas Move to Restrict Smart Glasses Over Piracy and Privacy Concerns

    Sep 1, 2026
  • StudioCanal launches StudioCanal classics, a new worldwide catalogue label celebrating its 18,000-title film library

    StudioCanal and TheaterEars Give Catalogue Cinema a New Theatrical Life

    Sep 1, 2026
  • AMC Theatres and Leawood Films

    AMC Expands Its Distribution Ambitions With Leawood Films

    Sep 1, 2026
  • Na Hong-jin’s sci-fi thriller “Hope”

    NEON Turns “Hope” Into a One-Night PLF Event.

    Aug 24, 2026
  • Christopher Nolan's "The Odyssey" playing at the BFI IMAX in London, United Kingdom

    One Screen, £2.7 Million: “The Odyssey” Sets a BFI IMAX Record

    Aug 24, 2026
  • Kinepolis

    Kinepolis Says the Cinema Industry Had a Supply Problem, Not a Demand Problem

    Aug 24, 2026

Popular Posts

  • Andrew Cripss, Head of Global Distribution, Walt Disney Studios - ICTA Barcelona Seminar 2026 - June 21, 2026 - Infinity Vision

    Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme

    Jun 23, 2026
  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • Omdia - Key Trends in Movie Windows in 2025

    Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

    Jun 18, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • (From left) Anthony D'alessandro of Deadline, , Eduardo Acuna of Regal, filmmaker Michael Tiddes, Blair Rich of Legendary Entertainment, Andrew Cripps of Disney and Adam Fogelson of Lionsgate during the "Future of Storytelling for the Big Screen" panel at the Regal Sherman Oaks Galleria on June 15, 2026.

    The Box Office Is Back. At a Renovated Regal Theatre, the Industry Asks What Comes Next

    Jun 19, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE