Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
Luis Vargas - Comscore

Latin American Theatrical Market Defies Predictions, Emerging as Global Recovery Leader

When Luis Vargas took the stage at CineLATAM 2025 in Miami this past September, he didn’t begin with a data slide. Instead, the Vice President for Latin America at Comscore Movies opened with a story — or rather, with a movie title: “Ainda Estou Aqui,” (“I’m Still Here.”) The Oscar winning Brazilian…
The opening ceremony at Expocine 2025 in São Paulo, Brazil on 30 September 2025

Expocine 2025 Charts the Next Act on the World Stage for Brazil’s Growing Film Industry

Theme “Brazil: Window to the World” sets the tone for debates on the country’s expanding role in the global audiovisual landscape. Brazil’s audiovisual industry is living through one of its most promising moments in decades, and the challenge now is clear: turning prestige into market structure. Sin…

By The Numbers: Predicting Cinema’s Post-COVID Recovery

At the end of last year the Celluloid Junkie editorial team began discussing its annual predictions piece for 2021. However, most expert forecasts for 2020 crumbled like volcanic lava sliding into the ocean. We stared into the 2021 crystal ball and saw a lot of fog regarding the return of cinema and…
A VIP Auditorium at the Cinépolis JK Iguatemi in São Paulo, Brazil

Cinema of the Month: Cinépolis JK Iguatemi – São Paulo, Brazil

Celluloid Junkie is proud to have partnered with Vista Cinema for the Cinema of the Month series. Vista is the world’s leading cinema management software solutions company. We won’t just be featuring cinemas whose operators use Vista, but we will surely mention when that is the case. CJ would like t…
Expocine

Expocine 2017 Has More To Offer Attendees

Since its inaugural event four short years ago, Expocine has become the preeminent industry trade show for motion picture exhibitors and distributors in Latin America. Like CineEurope, its equivalent in the European Union, the conference has fast become invaluable for its ability to bring together c…
South American Box Office - January 2017

South America’s January Box Office Gets 2017 Off to a Good Start

If the month of January proves to be a bellwether, than South America could be in for a banner year both in cinema attendance and box office. Though obtaining accurate figures is not always easy, based on preliminary numbers from the countries surveyed, it would seem that cinema attendance is up ove…
Minha Mae e uma Peca 2 - My Mother is a Character 2

“My Mom is a Character 2” Becomes Brazil’s Highest Grossing Domestic Film

On Tuesday of last week a new box office record holder for domestically produced films was crowned in brazil.  The BRL R$117.2 million (USD $37.7 million) earned by the comedy “Minha Mãe é uma Peça 2: O Filme” (“My Mom is a Character 2”) surpassed the BRL R$116.8 million (USD $37.5 million) brought…
Sully: O Herói do Rio Hudson

Warner Bros. Delays Release of “Sully” In Brazil

At the last possible moment, Warner Bros. Pictures has delayed the release of “Sully: O Herói do Rio Hudson” (Sully: The Hudson River Hero) which was scheduled to open today, Thursday, December 1st. The studio made the decision due to the crash of LaMia Flight 2933 outside Medellín, Colombia on Mond…
Alibaba Pictures logo

CJ Cinema Digest – Wednesday 17 August 2016

Alibaba goes cinema, Vox goes Saudi, CGV charged, Brazil cinemas need banks, Alamo grows, NCM bonds, Profits@Dundrum, trailer trauma, Guzzo baby surrender, UFO sues cinemas, deaf man sues Celebration Cinemas, laser survey, Sunshine bomb hoax, Reel goes luxury at Palm, Vue facelift, Pathé and Gaumont…
Mauri Palos and Marcelo Lima at Expocine 2015

Expocine Was Bigger and Better In 2015

[youtube width=”560″ height=”315″]https://www.youtube.com/watch?v=xBRSVwNUkrY[/youtube] If you are a cinema operator or distributor in South America, then you were probably at the Centro de Convenções Frei Caneca in São Paulo, Brazil last month for Expocine 2015. Nearly 2,000…
1 2

Industry Briefs

  • Bill Walker - CEO, Cineplex

    Cineplex Names Bill Walker CEO as Board Explores a Sale

    Sep 23, 2026
  • Lumma - Cinemark Abasto Shopping - 4D E-Motion

    Immersive Cinema Goes Global… and Local

    Sep 23, 2026
  • The Opening Ceremony at the Red Sea International Film Festival 2025 on December 04, 2025 in Jeddah, Saudi Arabia

    RSIFF Pauses as the Middle East Festival Calendar Changes

    Sep 23, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    Paramount-Warner’s Protections for Movie Theatres Come With an Expiration Date

    Sep 23, 2026
  • Manon will be a part of the 20th season of The Met: Live In HD

    The Met: Live in HD Marks 20 Years as Event Cinema’s Original Blockbuster

    Sep 13, 2026
  • Netflix In Cinemas

    Netflix Will Begin Reporting Box Office Grosses for Six Theatrical Releases

    Sep 13, 2026
  • Regal Cinemas

    Regal, IFTA and CNC Will Test Whether Better Programming Can Boost Cinema Attendance

    Sep 13, 2026
  • Lumière Summit 2026 Group Photo - Emmanuel Macron and Lee Jae-myung

    Lumière Summit Puts Theatrical Exhibition on Global Cinema Agenda

    Sep 13, 2026

Popular Posts

  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE
 
We and selected third parties use cookies or similar technologies for technical purposes and, with your consent, for other purposes as specified in the cookie policy. You can freely give, deny, or withdraw your consent at any time. You can consent to the use of such technologies by using the “Ok” button. By closing this notice, you continue without accepting.