The following post is a synopsis taken from the recent report on PLF Cinema from IHS Technology, published in June 2015. Premium large format (PLF) is one of the fastest growing and most active areas of cinema exhibition with significant potential…
The very first CinemaCon was held in 2011 with the worldwide conversion to digital projection at movie theatres already underway. Maybe that’s why David Hancock of IHS Technology has been a regular speaker on the first day of the event…
A week after the investment firm PricewaterhouseCooper released a survey in which found 53% of its 1,000 respondents felt movie tickets cost too much, the National Association of Theatre Owners (NATO) reports that the average cost of a movie ticket…
IHS Technology recently published an Insight Report on “The market for Premium Large Format (PLF) cinema” as part of its Cinema Intelligence Service. Authored by Principal Analyst Charlotte Jones, the report does an excellent job of providing a comprehensive and…
Next panel-ette starts a bit early with IHS’s David Hancock saying he will try to “keep it short, sharp and punchy.” RealD and IMAX in the ring with him. Here are some of the highlights from the panel discussion as…
With more than 23,000 movie screens using its 3D cinema technology in 74 countries around the globe, there is little debate over RealD’s market penetration. Yet it seems there are still territories where the company can grow its market share,…
With Cinema Europe currently underway in Barcelona, two trends for premium cinema experiences that pull in opposite direction are hot topics for exhibitors gathering in Spain. The first is towards smaller, intimate venues that typically serve fine food and wine,…
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