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(From left) Nicolas Edmery and Elisa Joliveau-Breney, film analysts at the European Audiovisual Observatory; Naohiro Kaji, director of the Culture and Creative Industries Division at Japan’s Ministry of Economy, Trade and Industry; and Martin Kanzler, deputy head of department for market information at the Observatory, who participated in the "FOCUS on World Film Market Trends" at the Marché du Film in Cannes on May 15, 2026. (Photo: courtesy of European Audiovisual Observatory)

Global Cinema Attendance Inches Up, But the Recovery Belongs to Asia, Says the Latest FOCUS Report

The global theatrical market continued its uneven recovery in 2025, with Asia emerging as the main engine of growth and Japan standing out as one of the few major territories to surpass its pre-pandemic attendance levels. That was the central message from the launch of the 2026 edition of FOCUS – Wo…
Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…
Marche du Film - 2024 - The Future Role of Theatrical Exploitation in Europe - Panel

At Marché du Film, European Audiovisual Observatory Surveys State of the Continent’s Box Office

On May 17 and 18, Marché du Film at the Cannes Film Festival hosted two sessions organised by the European Audiovisual Observatory (EAO). The first, headlined “Key Trends in the Film Sector” outlined just that, whilst the second was titled “The Future Role of Theatrical Exploitation in Europe”. The…

European Producers and Public Funders Discuss How to Attract Audiences Back to Arthouse Cinemas

On 19 May, Cannes’ Marché du Film hosted a panel discussion titled “Producers, Films and Audiences: How to Connect the Dots” and moderated by Tamara Tatishvili, of MEDICI. In detail, the conversation focused on the important role of producers in both understanding audience development and creating j…

Cannes Panel Talks European BO Crisis; the Missing Links Between Industry and Audience

On May 20, Cannes’ Marché du film hosted its traditional morning conference, organized by the European Audiovisual Observatory (EAO). The second part of the event saw a panel discussion moderated by the EAO’s Head of Department for Market Information Gilles Fontaine. The conversation focused on the…

Cannes’ Marché du Film Panel Surveys State of Post-Pandemic EU28 Box Office

On 19 May, the Cannes Film Festival’s Marché du Film hosted the European Audiovisual Observatory’s annual FOCUS conference covering the key trends of the EU28 box office (the European Union member states + the UK). The event saw the participation of the Observatory’s reps Gilles Fontaine, Mart…

Cinema News Digest – Tuesday 20 March 2018

C&E Europe under-screened; Cineworld year-end results; Everyman profits triple; Curzon find Living Wage pays; Springtime for Cinema in France; NCM shares “undervalued” & Teperberg joins board; camcording piracy declines (except Russia); cinema returns to Ivory Coast; man suffers…
Notice in CGV about ransomware infection. (photo: Yonhap News)

CJ Cinema News Digest – Tuesday 16 May 2017

CGV hit by ransomware, no ticket price cap on weekends, Reading earthquake pay-out, EU cinema attendance, Spanish cinemas down, Inox ‘not for sale’ interview, GSC also not for sale, Myanmar cinema growth, Disney & DeinKinoTicket.de, international BO importance, Screenvision sells…
European films 2016 (image: Google)

Cinema Going Was Up in Europe in 2016

While the film screened there don’t contribute significantly to the European box office, the just concluded Berlin Film Festival is the occasion for publishing provisional statistics on the past year’s cinema attendance across Europe. No less than three trade bodies issued their data for…
European Audiovisual Observatory logo

EU Box Office Hits Record High in 2015, But With France Anomaly

European Audiovisual Observatory finds that BO and admissions grew to record highs in 2015, but the picture was nuanced for the largest EU cinema territory France.
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Industry Briefs

  • PaperAirplane Media - The Hanger

    PaperAirplane’s Hangar Passes Two Million Downloads as Cinema Marketing Goes Social

    Sep 30, 2026
  • American Film Market - Century Plaza Hotel - Los Angeles

    Festivals and Film Markets Find New Routes Into Cinemas

    Sep 30, 2026
  • Bleecker Street - Frank Martinzez, Head of Distribution

    Bleecker Street and Marcus Theatres Recruit for a Changing Theatrical Market

    Sep 30, 2026
  • Trafalgar Releasing & HYBE presents HYBE Cine Fest 2026, a week-long global cinema event taking place in theaters worldwide

    Event Cinema Starts Looking Less Alternative

    Sep 30, 2026
  • Mitch Neuhauser - CinemaCon

    Cinema United Announces Leadership Changes as Neuhauser Plans 2028 CinemaCon Exit

    Sep 30, 2026
  • Bill Walker - CEO, Cineplex

    Cineplex Names Bill Walker CEO as Board Explores a Sale

    Sep 23, 2026
  • Lumma - Cinemark Abasto Shopping - 4D E-Motion

    Immersive Cinema Goes Global… and Local

    Sep 23, 2026
  • The Opening Ceremony at the Red Sea International Film Festival 2025 on December 04, 2025 in Jeddah, Saudi Arabia

    RSIFF Pauses as the Middle East Festival Calendar Changes

    Sep 23, 2026

Popular Posts

  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026

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