Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
#Alive

The First Post-COVID Blockbuster Hit Isn’t a Hollywood Film

With cinemas re-opening all over the world, but major Hollywood tentpoles either repeatedly postponed or going straight-to-VoD, returning moviegoers have had to make do with holdover titles (“1917,” “Little Women”) and older re-releases (“Jaws” and “Jurassic…

Worried About Face Masks in Cinemas? Ask About HVAC Instead

As cinemas re-open, people have been understandably concerned about the issue of wearing masks within cinema interiors. But are we missing a bigger factor in potential transmission of the Coronavirus, that is the HVAC or heating, ventilation and air conditioning systems that pump and often re-circul…

Post Pandemic Technologies: How to Keep Moviegoers (and Staff) Safe

This is a 15 minute presentation I gave on the 18th of June at the virtual CineEurope conference, discussing how cinema operator can use technologies to keep audiences and their staff safe form the Coronavirus, which we are sharing here for the benefit of everybody. There are a lot of different tech…
The Problems Facing North American Movie Theatres After They Reopen

The Problems Facing North American Movie Theatres After They Reopen

Exhibitors are dying to reopen movie theatres. Studios are dying to release blockbuster films. But will fans be ready to risk dying to see them? That’s the dilemma facing our industry in what could be a cruel summer of dashed hopes and unrealistic expectations. We’ll discuss the new normal and the c…

7 Reasons Why Moving “Tenet” Was The Right Call For The Industry

Most movie industry observers figured that Warner Brothers would have to make a decision on whether to fire the starter’s gun on the “summer” movie season by launching Christopher Nolan’s “Tenet” on July 17th by the middle of June. The word came down late last week that while “Tenet” would indeed be…

CJ Interviews: Steve Knibbs, COO for Vue International

The global COVID-19 pandemic, and resulting government-enforced lockdowns, has pushed the international cinema industry to its limits. But throughout this time, innovation and a strong sense of community has surfaced, with exhibitors around the world using the downtime to plan thoroughly for when th…

Investment in Vietnam’s Beta Cineplex Show Confidence in Cinema Post-Covid

Vietnam is the country in Asia that has probably seen the best handling of the Coronavirus outbreak, with the country that neighbours China not recording a single Covid-19 fatality. Now the country’s cinemas sector, which was growing rapidly before the pandemic, has seen a vote of confidence w…
Pathé Beaugrunelle in Paris, France

How Cinemas Are Programming for Re-Opening

Celluloid Junkie’s ‘Re-Opening & Re-Imagining Cinemas‘ is a series of articles that tracks how cinemas around the world resume operations and seek to build a better cinema experience. We thank everyone who has contributed to this effort.  It seems like a lifetime ago that cinema operators presse…

Italy’s Cinemas Prepare to Re-Open After Europe’s Longest Closure

June 15th is the date that all the Italian cinema industry has marked in red on the calendar. One month to reopen with a new normality since that decision on 16th May when PM Giuseppe Conte announced cinemas and theatre will be allowed to turn on projectors and lift up their curtains again. Italy wa…

Saving Small Town Cinemas in the Wake of Covid-19

As someone who made a living in the movie industry for over two decades and now writes about it, it pains me to admit this: I’m scared for what it’ll look like this time next year. I know, we’ve been through this before. Each time a new technical advancement in the Home Entertainment space appearedR…
1 … 3 4 5 6 7 8
  • Popular Posts
Popular Posts

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2025 CELLULOID JUNKIE