Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
(From Left) Gregory Theile (Kinopolis Group), Tomasz Jagiello (Helios Cinemas), Karl Geraghty (Stella Cinemas) and Araceli Vaello (CinemaNext) during the panel discussion with 2025-2026 ICTA EMEA Award Winners at the ICTA 2026 Cinema Technology Experience on June 21, 2026 in Barcelona Spain

The Best Cinemas Aren’t Competing With Netflix. They’re Competing With a Night Out

Three award-winning cinema operators at the 2026 ICTA Barcelona Cinema Technology Experience explain why memorable design, hospitality and flawless execution increasingly matter as much as what appears on the screen. When cinema executives talk about competition, the conversation usually turns to st…
CinemaCon 2026 Product Preview - Projection, Sound & Presentation Technology

CinemaCon 2026 Product Preview: Projection, Sound & Presentation Technology

While much of the focus at CinemaCon is on the business of cinema, the core theatrical experience still depends on how a film looks and sounds on screen. At CinemaCon 2026, cinema equipment manufacturers and providers are highlighting advances across projection, LED cinema displays, immersive audio,…
CinemaCon 2026 Product Preview - Business, Marketing & Operational Platforms - Featured Image

CinemaCon 2026 Product Preview: Business, Marketing & Operational Platforms

Beyond ticketing and concessions, a growing layer of systems is shaping how cinemas operate, connect with audiences, and make decisions. At CinemaCon 2026, numerous companies are showcasing platforms that sit behind the scenes of the moviegoing experience; spanning theatre management, content delive…
2021 Cinema Trade Shows

Cinema Trade Shows Are Back… But Will The Industry Turn Up?

Eight months ago Celluloid Junkie explored the impact that the lack of trade shows would have on the cinema business. We speculated that it could be an entire 18 months that the business would have to do without an international cinema trade show and, as it turns out, (as with everything COVID-19 it…

We’re All Grounded: The Impact of a Lack of Trade Shows on the Cinema Business

I squinted at my phone at 6:00 am on the 12th of March. “Did you see that they cancelled CinemaCon as well as all flights to and from Mainland Europe?” read the text. The news had broken overnight (for those of us outside of the United States) and the email from the show’s Managing DirectorRead More

Post Pandemic Technologies: How to Keep Moviegoers (and Staff) Safe

This is a 15 minute presentation I gave on the 18th of June at the virtual CineEurope conference, discussing how cinema operator can use technologies to keep audiences and their staff safe form the Coronavirus, which we are sharing here for the benefit of everybody. There are a lot of different tech…

Cinema Service Providers and Vendors Face Uncertainty During Prolonged Coronavirus Closure

It’s been a little over a week since the majority of the world’s cinema screens turned dark and despite an absence of customers, new releases and box office analysis, in many ways our sector has never been busier as it turns to new challenges and opportunities. Players from all sides are implementin…

“So, What Happens Now?” How UK Cinemas Keep Going

It’s been a long old year, this week. It’s a sobering thought that our industry, like many others, temporarily doesn’t exist. In a little more than a week we at Celluloid Junkie have gone from tracking and reporting on the measures that cinemas were taking to keep customers safe, to monitoring parti…
Gränbystaden - Nordisk Film multiplex coming in 2018. (image: artist's impression)

CJ Cinema News Digest – Tuesday 22 March 2017

Nordisk takes battle to Sweden, Ymagis launches premium Sphera, Sony goes RGB laser, Hong Kong mandates cinemas, Alibaba buys Damai, release windows (redux) and Reed v League smackdown, “Beast” release in Malaysia, Springtime up 10%, putting VR into PVR, SRS “too expensive” a…
Costa's Carol Welch is new MD of Odeon UK & Ireland

CJ Cinema News Digest – Wednesday 11 January 2017

Carol Welch new MD of Odeon UK, Döllerer and Overkämping up at Yorck, evolution of digital cinema, India Q4 stalls, Kerala cinemas shut, Lincoln NE restricts cinemas, Nitehawk programmers interviewed, Cinemanext installs 16th EclairColor, AMC opens 50th Dolby Cinema screen and Iowa has "the world's…
1 2

Industry Briefs

  • CICAE's 23rd Arthouse Cinema Training in August 2026

    Record Turnout for CICAE’s Arthouse Cinema Training in Berlin

    Sep 1, 2026
  • Marc Whitten - President, Chief Executive Officer and Director of Dolby Laboratories

    Marc Whitten to Succeed Kevin Yeaman as Dolby CEO

    Sep 1, 2026
  • Cinema Operators Ban Meta Smart Glasses

    UK Cinemas Move to Restrict Smart Glasses Over Piracy and Privacy Concerns

    Sep 1, 2026
  • StudioCanal launches StudioCanal classics, a new worldwide catalogue label celebrating its 18,000-title film library

    StudioCanal and TheaterEars Give Catalogue Cinema a New Theatrical Life

    Sep 1, 2026
  • AMC Theatres and Leawood Films

    AMC Expands Its Distribution Ambitions With Leawood Films

    Sep 1, 2026
  • Na Hong-jin’s sci-fi thriller “Hope”

    NEON Turns “Hope” Into a One-Night PLF Event.

    Aug 24, 2026
  • Christopher Nolan's "The Odyssey" playing at the BFI IMAX in London, United Kingdom

    One Screen, £2.7 Million: “The Odyssey” Sets a BFI IMAX Record

    Aug 24, 2026
  • Kinepolis

    Kinepolis Says the Cinema Industry Had a Supply Problem, Not a Demand Problem

    Aug 24, 2026

Popular Posts

  • Andrew Cripss, Head of Global Distribution, Walt Disney Studios - ICTA Barcelona Seminar 2026 - June 21, 2026 - Infinity Vision

    Disney’s Andrew Cripps Says Infinity Vision Is More Marketing Program Than Certification Scheme

    Jun 23, 2026
  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • Omdia - Key Trends in Movie Windows in 2025

    Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

    Jun 18, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • (From left) Anthony D'alessandro of Deadline, , Eduardo Acuna of Regal, filmmaker Michael Tiddes, Blair Rich of Legendary Entertainment, Andrew Cripps of Disney and Adam Fogelson of Lionsgate during the "Future of Storytelling for the Big Screen" panel at the Regal Sherman Oaks Galleria on June 15, 2026.

    The Box Office Is Back. At a Renovated Regal Theatre, the Industry Asks What Comes Next

    Jun 19, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE
 
We and selected third parties use cookies or similar technologies for technical purposes and, with your consent, for other purposes as specified in the cookie policy. You can freely give, deny, or withdraw your consent at any time. You can consent to the use of such technologies by using the “Ok” button. By closing this notice, you continue without accepting.