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UNIC 2026 Annual Report

UNIC Reports European Box Office Held Near €6.9 Billion in 2025, But Admissions Tell a More Complicated Story

European cinemas spent much of 2025 proving a point that has become familiar in the post-pandemic theatrical business: audiences show up when the films are there. The harder question, and the one the International Union of Cinemas’s (UNIC) 2026 Annual Report keeps circling back to, is whether…

Theatrical Windows Are Stretching Again — and Hollywood’s C-Suite Wants Them Longer Still

Average first TVOD windows rose in 2025, Disney again led the majors with a 61.6-day average, and early 2026 releases point toward a stronger 45-day baseline. After several years in which theatrical windows seemed to be shrinking by the quarter, the North American market may finally be settling into…

“Kill Bill” characters The Bride, O-Ren Ishii and Bill sit vertically against a red and black background, with the film title in yellow on the left side

“Kill Bill: The Whole Bloody Affair”: The Long Journey to the Big Screen

What fans of Quentin Tarantino’s “Kill Bill: Vol I” (2003) and “Vol. II” (2004) know but many others may not, is that the two films weren’t supposed to be separate entities; the original vision for the blood-spattered revenge saga was intended to be a single release. And now, after a 20+ year wait a…

Luis Vargas - Comscore

Latin American Theatrical Market Defies Predictions, Emerging as Global Recovery Leader

When Luis Vargas took the stage at CineLATAM 2025 in Miami this past September, he didn’t begin with a data slide. Instead, the Vice President for Latin America at Comscore Movies opened with a story — or rather, with a movie title: “Ainda Estou Aqui,” (“I’m Still Here.”) The Oscar winning Brazilian…

The panellists sit on stage with a screen behind them, from left to right: Michele Casula; Alessandro Usai; Davide Novelli; Federica Lucisano; Simone Gialdini; Sonia Dichter; Valentina Torlaschi

Moviegoers Return But Italian Cinema is Running Out of Stories, Say MIA Panellists

Italy’s audiovisual sector benefits from sophisticated tools to track audience behavior and box office performance. Through box office tracking company, Cinetel, attendance data is collected in near real-time, while CinExpert – the weekly monitoring service that tracks the sociodemographic character…

Animated Movies Are Still Box Office Gold

Looney Tunes: Animated Movies Are Still Box Office Gold

Why original animated films are no riskier—and just as rewarding—as live action flicks With the unfortunate collapse of Pixar’s “Elio” at the box office, the industry was quick to declare the death of the original animated feature. “Audiences aren’t interested,” goes the refrain. They’re expensive,…

April 2025 Historic Weekend Box Office Milestones thanks to Sinners, Star Wars Episode III: Revenge of the Sith, A Minecraft Movie and The Accountant 2

CJ Analysis: Movie Theatres Outdated? A Historic Box Office Weekend Says Otherwise

Seriously, how many times does moviegoing have to stare down those endless cries that it’s doomed? Doomed! Doomed because of radio or television or the VCR or DVD or video games or TikTok or streaming! Or doomed because the industry pundits and mainstream media decides the pandemic magically changed…

Bridget Jones: Mad About The Boy - Theatrical Release Strategy

Bridget Jones: Mad About the Theatrical Release Strategy

The fourth and latest installment in the Bridget Jones Universe (BJU) has surpassed a global box office gross of USD $110 million in just over three weeks across 78 countries, save for the United States, where the film is skipping movie theatres in lieu of a direct-to-streaming release. With a repor…

Rome MIA

Rome MIA Panel Dissects the ‘Intrinsic Value’ of Theatrical Distribution and Exhibition in Italy

On October 15, Rome’s MIA (Mercato Internazionale Audiovisivo) hosted a panel titled “Italian Cinema Insights: Unveiling the Intrinsic Value of Theatrical and Exhibition,” moderated by journalist Alessandra De Luca. The talk saw the participation of Tarak Ben Ammar (Chairman, Eagle Pictures), Simone…

Marche du Film - 2024 - The Future Role of Theatrical Exploitation in Europe - Panel

At Marché du Film, European Audiovisual Observatory Surveys State of the Continent’s Box Office

On May 17 and 18, Marché du Film at the Cannes Film Festival hosted two sessions organised by the European Audiovisual Observatory (EAO). The first, headlined “Key Trends in the Film Sector” outlined just that, whilst the second was titled “The Future Role of Theatrical Exploitation in Europe”. The…