Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
Market Cannes Film Festival Selections - Part One

Marketing This Year’s Typically Untypical Cannes Films: Part One

The movies that play at the Cannes Film Festival almost always skew pro-art and anti-commercial – by definition, and to their credit, they usually defy easy categorization. But this year is even more of a challenge, with a line-up of emerging or little-known auteurs with niche name recognition outsi…
2018 Cannes Film Festival Jury

Though Absent, Netflix Is Still A Big Presence In Cannes

As much as the question over whether films made by Netflix are “legitimate” movies if they aren’t released in cinemas was front and center at last year’s Cannes Film Festival, this year it seems the topic is being raised less overtly. Maybe that’s because after facing criticism for selecting two Net…
Ayame Misaki and Masatoshi Nagase in Naomi Kawase's Radiance

Moviegoing Accessibility Takes A Dramatic Turn at Cannes In Naomi Kawase’s “Radiance”

In bright daylight, a man, in his thirties or early forties, pushes into a crowd. He wears a lanyard around his neck; a badge that reads “Cannes – 70 – Presse” dangles from the end. Others wear them too. The journalist hands his shoulder bag to a security guard and steps through a metal…

Projection Issue Spoils Netflix Cannes Debut

No doubt the Cannes Film Festival wishes to put the discussion surrounding their programming two Netflix titles at this year’s festival behind them. Yet in an ironic moment that underscored the ongoing debate of selecting films that will never be released in cinemas, and depending on how far you wan…
Wonderstruck Director Todd Haynes at the 2017 Cannes Film Festival

“Wonderstruck” Director Todd Haynes Defends Amazon Studios at the Cannes Film Festival

Just one day after filmmaker Pedro Almodovar and actor Will Smith debated whether Netflix should be permitted to have films premiere in competition at the Cannes Film Festival if they the movies will never been seen in cinemas, director Todd Haynes came to the defense of Amazon’s subscription stream…
Will Smith, Jessica Chastain, Pedro Almodovar at Cannes 2017

Cannes Film Festival Jury Answers The Netflix Question

Hanging over the start of the Cannes Film Festival today was the incessant discussion over the selection of two films produced by Netflix to appear in competition. It was all anyone attending Cannes, and especially those that aren’t, could talk about. So it was inevitable that this year’s Cannes jur…

Jarmusch Gets Poetic About Moviegoing With “Paterson”

There is a scene in “Paterson“, the latest narrative feature from filmmaker Jim Jarmusch, in which the main character and his eccentric wife head to the movies to see, naturally, a black and white adventure horror film from 1932 titled “Island of Lost Souls”. While entering t…
Woody Allen and Vittorio Storaro at 2016 Cannes Film Festival

Woody Allen Goes Digital With Vittorio Storaro In Cannes

CANNES, FRANCE – Acclaimed filmmaker Woody Allen gives off the impression that he is not one to accept change very quickly, or even willingly. Almost all of Allen’s films open with short, simple credits featuring white text on a black background. The typeface is always the same; Windsor. Up un…
Audiovision

Film Festival for Blind Highlights France’s Accessibility Gap

Paris is currently hosting its 6th annual film festival blind and visually impaired people at the UGC Gobelins cinema. The event is arranged by l’Association Valentin Haüy (AVH) and this year sponsored by Luc Besson, whose films “Lucy” and “Taken 3” are being shown. However,…
1 … 6 7 8
  • Popular Posts
Popular Posts

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE