Tag Archives: terrorism

Cinema News Roundup – 10 June 2009 – Lies, damn lies and Cinedigm ‘first-ever’ claims

- Cinedigm is making a big deal out holding a live Q and A for a film, which, contrary to what it claims, has been done many times before. From the press release, “Cinedigm Digital Cinema Corp. (NASDAQ: CIDM) announced today that it will host the first-ever [original emphasis], live virtual Q&A between a film cast and theatre audiences nationwide as a part of the June 19, 2009 opening night of the feature film “The Narrows.”  The live Q&A will be simulcast to selected theatres across the country giving audiences direct access to the movie’s cast members. Reuters adds. “Moviegoers in 17 U.S. cities will be able text-message questions to the cast of independent movie, “The Narrows,” and watch the actors answer on screen in theaters, giving Cinedigm Digital Cinema Corp a trial by fire in how to get moviegoers more involved in the cinema experience.” This was tried five years ago by Arts Alliance in the UK for M Night Shyamalan’s ‘The Village”, but more significantly, was done on a regular basis way back in the mid 90s by Network Event Theatres. So not quite “first.” Not even close;

- Indian e-cinema operator InterWorld Digital has raised $10m from institutional investors to expand its network. From BoC, “Interworld Digital has identified 300 theatres in the Mumbai circuit to bring them into its digital cinema network. The company would require approximately Rs 450 million (Rs 45 crores) to digitise these 300 theatres.During the last one year, Interworld Digital has digitised 52 theatres in the Mumbai circuit like Eros, New Empire, Paradise and Jaya amongst others. A total investment of approximately Rs 12 – 15 lakhs is required to upgrade each theatre. ” At $24-30,000 per theatre this is most likely not going to be 2K, but India is already ho,e to the world’s largest e-cinema networks, so it doesn’t really need Hollywood;

– Terrorist attacks are sadly becoming all too common place in Pakistan and cinemas are collateral victims too. From Daily Times, “There were two cinemas in the city [Lahore] that suffered from terror attacks. The FIA blast completely destroyed the Regal Cinema, located a few yards away from the office. The cinema has stopped screening movies since the FIA blast on March 11, 2008. The May 27 attack on the Rescue 15 building has left the Plaza Cinema in a state of despair. The roof was badly damaged and expensive equipment was destroyed due to the blast while the doors and widows were also shattered.” No compensation is forthcoming from the government. Note the poster for “Die Hard 4″ in the picture of Plaza cinema;

- India’s BIG Cinemas will be the first* in the country to screen operas in digital on the big screen. From ET, “BIG Cinemas, an R-ADAG company, has forged an alliance with London-based More2Screen to bring Italian operas to Indian cinemas. Big has entered into a revenue-sharing arrangement with More2Screen, which will involve screening two operas and a concert…. According to Tushar Dhingra, COO, Big Cinemas, the objective has been to provide distinct content.” Opera in cinemas have been a great success in US, Europe and Japan, but India with its very different musical heritage will be an interesting test, not to say ‘trial by fire.’ Full disclosure: I was involved in setting this event up;

*(‘first’ in the sense of no one else in India having done this before. Ever.)

Carmike Cinemas has appointed its current chairman S. David Passman III to the post of President and CEO, with board member Roland C. Smith taking over as Chairman of the Board. Smith is quoted in the press release as saying, “”We are optimistic about our future prospects under David’s management based on Carmike’s industry leadership in digital cinema and 3D cinema deployments. The Company has achieved significant operating, financial and balance sheet improvements including increases in total attendance and average attendance per screen.” They certainly can’t do any worse than under previous Chairman Michael Patrick who was given a $5.5m golden parachute for leaving the company after helping Carmike achieve a $127m loss in 2007;

- Box office prospects are strong in China, according to THR.com. “China produced 406 feature films in 2008 and saw its boxoffice jump 30%, the fifth consecutive year of more than 25% growth….In its annual report on the nation’s media industry progress, the State Administration of Radio Film and Television said overall 2008 boxoffice receipts reached 4.3 billion yuan ($635 million), led by such companies as the state-run China Film Group, Huayi Brothers Pictures, the Shanghai Film Group and the New Picture Co.” Despite restricting Hollywood releases to just 20 titles per year, it features in the global Top 25 – pity that the studios get just 13 cents out of every dollar equivelant spent at the box office;
logo_capcinema – Having lost the CGR deal to Christie, Barco has clawed its way bck into France through a joint deal with Ymagis and Cinemeccanica for French exhibitor Cap Cinéma. From the press release, “Cap Cinéma selected Barco’s DP series of projectors for its digital conversion, powered by financing from Ymagis. During the first deployment phase, running until September 2009, theaters in Blois, Saint-Quentin, Périgeux, Agen, Carcassonne, Montauban, Beaune and Fribourg will be digitized. Rollout for other complexes will start in October 2009.” This deals also highlights the fact that having been one of the laggards in the European conversion process (“Numerique? Non!”) for many years, France is emerging as one of the leading territories in terms of digital conversion, which as a recent Screen Digest report notes, has lead to an upswing in terms of local French digital releases (0 in 2006, 12 in 2007 and 15 in 2008);

- ‘Ultra-Lux Plaza Cinema Cafe 12 Theatres Open up in Downtown Orlando‘ and based on the description, the cinema real does seem to be ‘ultra’lux’. “The 57,000 square foot theater will be operated by the American Theater Corporation founded by proprietor Jim Duffy. This upscale state of the art cinema features digital surround sound on all 12 screens. The two largest screens are digital high definition projection systems capable of 3-D movies, a first for Central Florida. There are over 1,100 leather rocker seats in a stadium configuration with 10-inch tables and ample legroom. Concessions range from traditional candy and popcorn to a full menu of pizza, sandwiches, and appetizers from cheese platters to caviar.  Beer, wine and champagne will be served throughout the theater as well as in two wine bars.WESH reports that “Theater owners hope patrons will not only catch a flick, but they hope to bring back the dinner and a movie concept. Orlando’s first downtown movie theater in decades is expected to be an economic shot in the arm to local businesses.” Let’s also hope that it starts a trend for more down-town & high-end multiplexes world wide. Interestingly enough the multiplex was paid for by Orland’s tax payers, as a means of urban re-generation;

- Imax has announced an IPO of 9.8m shares, just as share holders have woken up to the fact that “Harry Potter 6″ will be arriving two weeks late on the sometimes-giant screen, THR.com points out. “Shares of Imax dropped 4% on Monday to $7.31 after a Wall Street analyst said the delay “should negatively impact Imax boxoffice results.” “Prince” opens wide July 14. Although it opens on two Imax screens that day — one in New York and one in Los Angeles — it won’t get the wide Imax treatment until July 29.Imax screen are mostly booked up with “Transformers 2″ when “Potter 6″ arrives. But with Imax under fire for its shrinking screen sizes, exhibitors like Cinemark and Greater Union are introducing Imax-like theatres (called, respectively, Cinemark XD and Vmax), says WSJ (subscription required). Perhaps it’s time for Imax itself to launch ‘Imax-lite’ – just like Imax, only fewer storeys;

- Washington DC’s Screen on the Green outdoor cinema is back, says the Washington Post. “HBO, Comcast and the Trust for the National Mall will now jointly bankroll the series’ 10th year on the Mall this July and August, after fans sent hundreds of e-mails to complain and beg for its salvation.” It is no small irony that a cable television company and the by-word for watching movies at home will spend hundreds of thousands of dollars for people to leave their homes and watch movies with mosquitos. July 20th is the kick-off date;

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- And finally, moddish British pop singer Jarvis Cocker is annoyed that one of east London’s oldest cinemas is being renovated next to his Hoxton home. From NME, “Calling the development a “big ugly lump”, Cocker launched into a tirade while talking about the situation to the Hackney Gazette.  “I don’t want office workers to see me parading in my pyjamas,” he stated.” Neither do we, Jarvis, neither do we. But you’re not getting in the way of my very own beautiful local art deco cinema getting re-built, you prat.

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Daily Cinema Roundup – Wed 22 April

– Belgian digital cinema projector manufacturer Barco did not have a stellar first quarter, according to this article by Reuters. Key bullet points were “*Q1 operating loss 6.0 mln euros, vs 4.9 mln loss forecast; * Says cautiously optimistic for 2009; * Shares rise 3.2 percent.” Further into the article we learn that “Barco said it saw good order intake for digital cinema projectors and expected the digital cinema business to continue to grow over the next quarters.”;

- Barco’s rival Christie has meanwhile partnered high-end home cinema company Sumiko / Wolf Cinema to incorporate the latter’s projector technology, know-how and network of service engineers, says the press release. “Sumiko will distribute Wolf Cinema high-end home theatre projectors–with Christie digital projection technology inside–through a select network of highly qualified audio/video specialists throughout North America and the world.” Just don’t call them ‘DCI-compliant’;

- File this under ‘alternative content we’d like to see more of’. UK’s More2screen will be bringing burlesque to the big screen this May, “Performed at London’s Koko Club in May 2009″ and “Starring: Immodesty Blaize [pictured above], Marc Almond, Julian Clary, Kitten DeVille, Catherine D’Lish, and many more live performances.” I have seen Immodesty live and it is great old fashioned naughtiness that I am sure will translate well to the silver screen;

- Imax is stemming losses and closing in on profitability, according to The Wall Street Journal.”Imax Corp. has a lot to brag about recently — the successful launch of its digital projector, a rapidly expanding theater network and a rising stock price. All that’s eluded the company is profitability, and that may not be far off. The pioneer of large-format movies always knew developing a digital system would deal a blow to its financial performance, but after its last attempt to find a buyer failed in 2006, it had little choice.” Subscription to WSJ.com required for the full article;

- AMC Entertainment has a new President, Programming in the form of Robert J. Lenihan, former SVP of Village Roadshow Gold Class Cinemas. He will also be opening AMC’s new Los Angeles office, according to the press release. “I look forward to leading the AMC team in its return to its roots as an industry leader in traditional movie marketing while taking advantage of the programming flexibility afforded to us with AMC’s impending rollout of digital cinema and 3D technology,” says Lenihan;

- “Consumers” [NB: not 'viewers'] are apparently not bothered about wearing glasses to watch 3D according to research published by the Entertainment Technology Center at NAB’s Digital Cinema Summit. “If we don’t show visible progress now (on 3D in the home), this momentum could die and move into a niche environment,” said Phil Lelyveld, a strategy adviser for the Entertainment Technology Center.” Eerh – by ‘niche’, does he mean cinemas?;

– The RAND Corporation, in a study backed by the Motion Picture Association (MPA), claims that there is a link between film piracy, organized crime and terrorism. “It presents detailed case studies from around the globe in one area of counterfeiting, film piracy, to illustrate the broader problem of criminal — and perhaps terrorist — groups finding a new and not-much-discussed way of funding their activities. Piracy is high in payoff and low in risk, often taking place under the radar of law enforcement.” The report costs $29.50. “Support RAND Research — Buy This Product!” the website shouts and offers it at a Web discount of $23.60. Alternatively you can wait for the Warner Bros. film adaptation staring George Clooney breaking up a nefarious Taliban-Somali-Chinese terrorist-pirate-drug smuggling nexus;

- According to Silicon Valley’s Mercury News, the Livermore Cinema is now the largest cinema complex in the US to be powered by solar energy. “Monday, local business and city leaders gathered at the cineplex on First Street for a presentation on its state-of-the-art solar-power system, which has been up and running since February. The 132-kilowatt system covers the bulk of the theater’s 20,000-square-foot roof, making it not only the largest known solar-power system to be installed at a movie theater, but one of the largest systems of solar “modules” anywhere in the country.” The system covers some 35 per cent of the cinema’s power needs. The film that inaugurated the installation was Disney’s “Earth“, though I would have voted for “Crank 2: High Voltage“;

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Bomb in Indian cinema kills six, injures many

There are no ‘good’ places for bombs to go off, but to me there is something particularly despicable about bombings directed against places like temples, schools, nurseries – and cinemas. Six people were killed and 32 maimed and injured in a bombing of a cinema in the Shringar cinema hall in the industrial town of Ludhiana, in Punjab northern part of India. The mass killing was most likely timed to coincide with the celebration of Eid-ul-Fitre and took place just two days after suspected Islamic terrorists set of another bomb in Ajmer.

Anyone who has been to an Indian shopping mall or cinema will know that security checks exist at all entrances, with metal detectors and bag searches. However, these often seem to have more to do with creating additional jobs and giving a show of security, rather than presenting any real obstacle to determined terrorists. So an atrocity like this does not come as a complete surprise, coming as it does after several bombing incidents in India in recent years.

The Times of India covered the news on the front page and tells us:

A red alert has been sounded in Punjab. DGP NPS Aulakh called an emergency meeting of SSPs of Ludhiana, Ferozepur, Moga, Jagraon, Khanna and Ropar to assess the post-blast situation. The police haven’t ruled out the role of Khalistani terrorists who last struck in Delhi during the screening of ‘Bole So Nihaal’. Delhi was immediately put on alert following the blast.

No bomb blast scene is ever pretty, but there is a reason why we use cinemas as the main example as to places where you shouldn’t shout ‘fire’ (or ‘bomb’) without good reason as the stampede can easily kills as many as the blast itself.
From the Times again:

An eyewitness said bodies were charred beyond recognition. One of the bodies appeared to be that of a teenager, aged between 14 and 16 years. The cinema hall was screening ‘Janam Janam Ka Saath’ [Together Through Several Lifetimes], a Bhojpuri film.

With the twin celebrations of Navratri and Eid this weekend, cinemas have been packed an the box office was bursting with takings from hits like Laaga Chunari Mein Daag and Bhool Bhulaiya. The bombing will have a short term negative impact on cinema going, but knowing the Indian love for cinema (second only to cricket) it will take a lot more to scare people away from the cinemas and multiplexes.

The news received extensive coverage in international media, including BBC, Associated Press, Reuters and New York Times. I hope that ShowEast will take a moment of silence to remember the victims of this barbaric act. (photo courtesy of AFP)

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