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  • Culture

CJ Coverage at NAB and CinemaCon

NAB and CinemaCon are upon us. I am happy to announce that I will be covering them for CJ as well as CineTechGeek video-blog. This year at NAB I have a theme. “Emerging SMPTE standards and how they will be effecting Cinema Production”. Then onto CinemaCon where it is all about Laser and how itRead M…
Cineplexx2go

Austrian Exhibitor Cineplexx Launched VoD Service

The boundaries between cinema and video-on-demand (VoD) in Europe are blurring further, with the parent company of Austria’s Cineplexx exhibitor announcing its Cineplexx2Go VoD service. While VoD services are already offered by exhibitors such as UK’s Curzon Cinemas (Curzon on Demand) an…
NEC laser projector

Laser, the Next Big Digital Transition as the Xenon Lamp Fades Away

This year (2015) is definitively the year the world became completely digital as Sundance Film Festival announced that not one film shown was on celluloid-film. Most of the major markets are now completely digital. If you listen carefully, you can hear tens of thousands of cinema owners letting out…
Diffusion of Netflix

Movie Theatres Face An Inevitable Netflix Effect

As we begin the new year, I strongly believe we are entering a period of great danger and even greater uncertainty. Events are unfolding within and without the movie industry that are extremely threatening to our studio. This is how Jeffrey Katzenberg began his now infamous 1991 memo which criticize…
AMPAS Sci-Tec announcement

And the Oscar Goes to… Digital Cinema! (Specifically TI)

Last year the Motion Picture Academy’s Science and Technology branch effectively closed the book on film as a distribution medium for motion pictures by awarding the Academy Award of Merit (Oscar Statuette) to every single film processing lab in the world. So it is perhaps fitting and symmetri…
Tim League Alamo Drafthouse

Tim League Discusses the Alamo Drafthouse Smartphone Policy

Alamo Drafthouse is the premier up-market cinema chain in the United States. Yet it is sometimes better known for its ‘zero tolerance’ approach to people using cellphones, smartphones or even Google Glass in its cinemas. Following the big response we had to the topic of smartphone use in…
EDCF Film Festivals guide

EDCF Guide Highlights Film Festivals’ Digital Nightmares

The European Digital Cinema Forum (EDCF) has just published ‘The EDCF Guide for Film Festivals in the Digital Age.’ The free guide, available to download on the EDCF website (PDF link) was created based on feedback from professionals responsible for running major international film festi…
China mobile ticketing WeChat

How Smartphones Rule Cinema Ticketing in China

The boom in China’s box office is mainly attributed to the growth in the number of modern multiplexes catering to a growing middle class. Yet an equally important role has been played by convenience of mobile ticketing, which enables flexibility, impulse buying and seat selection that is value…

YouTube Now Supports High Frame Rate Playback (Sort Of)

[youtube width=”560″ height=”315″]https://www.youtube.com/watch?v=5L562H8a2Fs[/youtube] Back in 2010, as debate raged over whether 4K was really necessary in movie theatres (it depends) and if consumers would ever adopt 4K television sets (they’re starting to), YouTube…

CJ@ECA Conference: New Business Models and New Technology

Micheal Gubbins of Sampo Media chairs the afternoon panel looking at new business models and new technology for event cinema. He begins with an anecdote about pensioners in his neighbourhood that book up entire opera seasons, go to every performance and all of them dressing up in their best operatic…
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