Marche du Film Archives - Celluloid Junkie

NEWS

(From left) Ruun Nour, Vancouver International Film Festival programmer and No Evil Eye Cinema co-founder; Can Sungu, artistic director of SİNEMA TRANSTOPIA; Kira Simon-Kennedy, film producer and volunteer member with La Clef collective; and moderate Jeremy Chua, producer at Potocol and executive director of the Singapore International Film Festival, who participated in the Cannes Docs panel “Micro Cinemas and Macro Impact: Independent Exhibition as a Social and Communal Practice,” held on May 16, 2026 (Photo: © Cyril Chateau / Marché du Film)

Micro Cinemas, Major Impact: How Grassroots Exhibitors are Rebuilding Film Culture

At a time when traditional distribution remains under pressure, micro cinemas and independent exhibition spaces may be offering one of the most concrete answers to the question of how films can still find committed, physically present audiences. That was the central argument emerging from the Cannes…

(From left) Nicolas Edmery and Elisa Joliveau-Breney, film analysts at the European Audiovisual Observatory; Naohiro Kaji, director of the Culture and Creative Industries Division at Japan’s Ministry of Economy, Trade and Industry; and Martin Kanzler, deputy head of department for market information at the Observatory, who participated in the "FOCUS on World Film Market Trends" at the Marché du Film in Cannes on May 15, 2026. (Photo: courtesy of European Audiovisual Observatory)

Global Cinema Attendance Inches Up, But the Recovery Belongs to Asia, Says the Latest FOCUS Report

The global theatrical market continued its uneven recovery in 2025, with Asia emerging as the main engine of growth and Japan standing out as one of the few major territories to surpass its pre-pandemic attendance levels. That was the central message from the launch of the 2026 edition of FOCUS – Wo…

(From Left) Michael Barker and Tom Bernard, Co-Founder and Co-Presidents of Sony Pictures Classics, Dylan Leiner, EVP of Acquisitions, Production and Business Affairs at Sony Pictures Classics and Matt Brennan of the Los Angeles Times during the "How Sony Pictures Classics Navigates the World of Indie and International Cinema" panel on March 18, 2026 at the 2026 Marché du Film alongside the 79th edition of the Cannes Film Festival.

The Long Game: How Sony Pictures Classics Still Wins at Cannes

There are easier ways to make a living than selling independent and international cinema in 2026. There are safer businesses than theatrical distribution, quieter ones than acquisitions, and certainly more predictable ones than building a release strategy around festival discovery, Oscar momentum, r…

2026 Cannes Film Festival - Palais des Festivals

Cannes 2026: Strong Films, Thin Buzz and a Market Finding New Footing

A strong competition without a consensus breakout, a Marché reshaped by private capital, and a Hollywood no-show that raised uncomfortable questions about the festival’s global reach. The 79th Cannes Film Festival closed on May 23 the way it opened — with defiance. No major Hollywood studio tentpole…

2026 Cannes Film Festival

As Hollywood Pulls Back, Cannes Doubles Down

There is a quality to the light along the Croisette in May that no other film festival can replicate or claim. It falls at a particular angle across the Palais des Festivals — that concrete monolith critics have spent decades mocking and cinephiles have spent decades loving — and transforms even the…

Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…

Tom Quinn of NEON at the 2024 Marche du Film during the Cannes Film Festival

At Marché Du Film, NEON’s Tom Quinn Discusses Current State of Film Distribution and His Company’s Influence in the Marketplace

On May 15, the Marché du Film at the Cannes Film Festival hosted a panel titled “Connecting Europe and USA in Film Financing & Distribution,” moderated by Christian Jungen, Artistic Director of the Zurich Film Festival, in conversation with Tom Quinn, CEO and founder of NEON. Quinn talked…

Marche du Film - 2024 - The Future Role of Theatrical Exploitation in Europe - Panel

At Marché du Film, European Audiovisual Observatory Surveys State of the Continent’s Box Office

On May 17 and 18, Marché du Film at the Cannes Film Festival hosted two sessions organised by the European Audiovisual Observatory (EAO). The first, headlined “Key Trends in the Film Sector” outlined just that, whilst the second was titled “The Future Role of Theatrical Exploitation in Europe”. The…

Jared Geesey - Chief Distribution Officer, Angel Studios at the 2024 Cannes Film Festival

Angel Studios Lights Up the Marché du Film in Cannes

It is often remarkably easy to measure one’s artistic and/or professional success at the Cannes Film Festival. It is, after all, the event in which standing ovations after a movie’s premiere are measured by the minute in rapturous news reports. Conversely, Cannes is also where a new film…

European Producers and Public Funders Discuss How to Attract Audiences Back to Arthouse Cinemas

On 19 May, Cannes’ Marché du Film hosted a panel discussion titled “Producers, Films and Audiences: How to Connect the Dots” and moderated by Tamara Tatishvili, of MEDICI. In detail, the conversation focused on the important role of producers in both understanding audience development and creating j…