News - Page 207 of 216 - Celluloid Junkie

NEWS

When d-cinema leaves audinces in the dark

You are not a frequent film goer if you have not sat through at least one instance of a 35mm reel breaking and the projectionist (or the kid who sold you the popcorn) taking forever to fix it. I once waited 45 minutes to get to see the last underwhelming five minutes of ‘Mission toRead More

Sony’s 4K finds home in Singapore’s Cathay

Slowly-slowly Sony is starting to make inroads into multiplexes with its 4K digital cinema projector. It hasn’t been helped by the recent Beowulf 3D near-hysteria, which was strictly 2K (and Imax), but we should see some more deployments before the end of the year. In time for CineAsia comes t…

China to get 5 Star cinema

Anybody who has traveled to a developing country, be it Brazil, Russia, Turkey or India, and visited a new cinema can attest that the emerging middle classes demand no less luxury than their Western counterparts (even Ethiopians, as you can see from the item below). Yet the self-styled ‘Five S…

Ethiopia’s First Multiplex Theatre Opens

This past Friday a three screen movie theatre officially opened in Addis Ababa, Ethiopia’s capital city, marking the first multiplex theatre in the country’s history. The theater resides in the eight story Edna Mall complex and was built by one of the countries largest real estate develo…

Barco/GDC China Network To Grow Significantly

Mentioned in passing in the Hollywood Reporter’s round-up of Day 1 of CineAsia, the big news appears to have been the Chinese digital cinema network powered by Barco (projectors) and GDC (servers) from 7,00 to 2,000. In a questionably headlined article (‘CineAsia hosts digital revolution…

Technicolor’s Digital Cinema Hub In Singapore Is Not The News It Seems

Timed to coincide with CineAsia, news goes out that Technicolor is to set up a digital cinema hub in Singapore. This announcement is a great success for the Infocomm Development Authority of Singapore (IDA), which together with the Media Development Authority of Singapore (MDA), has been working for…

On DVD In A Theater Near Auckland, New Zealand

An article on the differences between E-Cinema and D-Cinema that appeared in the New Zealand Herald back on November 19th has slowly been making its way around the Internet being referenced mostly be bloggers. In the piece, Anthony Doesburg, a technology writer based in Auckland, goes on a bit of a…

French Servers For French D-Cinema

Much to no-one’s surprise, French cinema chain CGR will use Doremi servers for their digital cinema deployment with Arts Alliance Media (AAM). This has less to do with both companies being French (though it doesn’t exactly hurt) than with AAM’s new found love for Doremi after the c…

Technicolor’s Miniscule D-Cinema Sign Up Is Still Poke In The Eye For AccessIT

Sometimes companies must wish that they could gloat more in standard press releases and none more so right now than Technicolor in announcing their first three digital cinema exhibitor clients: Clearview Cinemas, iPic Entertainment, Cinemaworld. On a strictly numerical basis it is very little to cro…

French Cinema Converted To Digital Cause

Arts Alliance Media (AAM) has converted an exhibitor in the staunchest of anti-digital countries, France, to buy into its virtual print fee (VPF) model for deploying digital cinema. Circuit George Raymond (CGR Cinemas) will convert all of its 400 screens in the first deal of its kind that AAM has si…