UCI Archives - Celluloid Junkie

Francesco Lattarulo - Producer & Chief Financial Officer, Mediterraneo Cinematografica

Italy’s Film Tax Credit Reform: Unpacking the Challenges with Producer Francesco Lattarulo

Over the past 15 years, Italy’s tax credit system has become one of the key drivers of its film and audiovisual production industry. But recent reforms have sparked confusion and disrupted workflows, especially for smaller independent production companies. To better understand the origins of the sch…

Disney to Tailor DCP Delivery for “Avatar: Fire and Ash” Based on Global Screen Survey

One of the highlights at the recently concluded CineEurope 2025 in Barcelona was the presentation of footage from “Avatar: Fire and Ash” shown by Disney in both CINITY and 3D. Indeed, as anticipation builds for the December release of James Cameron’s latest film, Disney is calling…

CJ's Top Women In Global Cinema – 2025

CJ’s Top Women In Global Cinema – 2025

Celluloid Junkie’s 2025 Top Women in Global Cinema is proudly sponsored by Barco and Vue Lumière. Barco continues to elevate the global entertainment experience with cutting-edge cinema technologies, including laser projection and HDR. Vue Lumière is the dynamic film distribution arm of Vue, o…

Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…

Headshots of the panelists from the Marché du Film Japanese cinema session (left to right): Eve Gabereau, Amel Lacombe, Nousha Saint-Martin, moderator Atsuko Ohno

Cannes 2025: Why Bet on Japanese Cinema

This year’s Cannes Film Festival proved to be a remarkable moment for Japanese cinema. Across the official selection, films from Japan dominated the festival’s various strands, including main competition effort “Renoir”, video game adaptation “Exit 8” which played in Midnight Screenings, and “A Pale…

The frontage of the new physical venue of The Nickel Cinema, Clerkenwell Road, London

The Nickel: From Pop-up Cinema to Putting Down Roots

Just a short walk from London’s Chancery Lane underground station, a new boutique movie theatre is taking shape. The Nickel Cinema (the Nickel) is the brainchild of Dominic Hicks, a British filmmaker with twenty years’ experience in the industry. At the Nickel, the emphasis is on screening cult film…

Iranian filmmaker Jafar Panhi won the Palme d'Or at the 2025 Cannes Film Festival on May 24, 2025 in Cannes, France

Jafar Panahi Goes From Prison to Palme d’Or at 2025 Cannes Film Festival

Jafar Panahi collapsed into his seat at the Grand Théâtre Lumière on Saturday evening during the closing ceremony of the 2025 Cannes Film Festival. The Iranian filmmaker had just heard actress Juliette Binoche inform the world that he had won the Palme d’Or, the festival’s top prize, for…

Cannes Film Festival - 2025 Opening Ceremony - Group Photo

Cannes 2025 Opens with Political and Artistic Defiance

One day before the the 78th Cannes Film Festival commenced on 13 May 2025, its artistic director, Thierry Frémaux, insisted that the event only becomes “political when the artists are political.” Less than 24-hours later his statement was confirmed during an opening ceremony that transce…

Thierry Fre?maux - Cannes Film Festival 2025

Thierry Frémaux Is Keeping Cannes Focused on the Big Screen

Thierry Frémaux never strolls into a room. Rather, the Director of the Cannes Film Festival, seems to bound into the room, usually a packed auditorium at the Palais des Festivals, as if running behind schedule, delayed by whatever previously scheduled rendezvous he has just departed. Such was the ca…

Trump Foreign Movie Tariffs

President Trump’s 100% Tariff on Foreign Films Will Harm The Very Industry It Was Meant To Help

As a motion picture trade publication, most of the stories published by Celluloid Junkie that delve into politics focus on programs to assist the industry at large. We have, for the most part, been able to avoid covering any kind of politically polarizing subjects. However, there are times when wadi…