Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
is arthouse the new event cinema

Daily Cinema Digest – Tuesday 18 March 2014

SampoMedia asks if art-house films are the new event cinema. Given the recent complaint of the New York Times film critic Manohla Dargis that too many independent films get released, the question of how to stand out in a crowded marketplace that anyway competes with other entertainment platforms for…
Blitzmegaplex

Daily Cinema Digest – Monday 17 March 2014

Having mentioned India and China as the interesting and important (respectively) Asian cinema territories in the last two Dailies, the time now comes to The One to Watch: Indonesia. South-East Asia’s most populous country is severely under-screened following decades of nepotistic governmental…

UK Cinemas Are High Profile Targets For Anti-Sugar Campaigns

Having looked at challenges facing United States exhibitors relating to carbonated sugar beverages (Cinema’s Dangerous Addiction to Sodas), it is now time to examine the situation in the United Kingdom. The issue has come to the forefront with an article in the Daily Mail’s This Is Money…
China 3D audience

Daily Cinema Digest – Fri/Sat 14-15 March 2014

While India is  interesting as a cinema market (see yesterday’s Daily) it is China that matters as far as Hollywood is concerned, with Mainland BO set to overtake the US in as little as four years. So domestic Chinese cinema news is of international importance and with multiplexes approaching…

Daily Cinema Digest – Thursday 13 March 2014

India is an amazing country, not only does it produce more films than Hollywood but it has the world’s most thriving cinema culture. A staggering 75 per cent of Indian films’ lifetime earnings come from domestic cinema distribution. The equivalent figure for Hollywood is less than one fi…

Daily Cinema Digest – Wednesday 12 March 2014

Audio: Immersive audio is set to be a big topic at the upcoming CinemaCon, with Dolby and Barco both pushing their Atmos and Auro solutions. But meanwhile there is on going discussion and work towards open standards. A very comprehensive document that charts these efforts have been published in the…

RoboCop’s 3D Success in China Spells Trouble for Imax

The 10-day haul of RMB 76.3 million (USD $42 million) of RoboCop in China spells major challenge for Imax, as it affirms the arrival of its biggest potential rival on the large format (LF) and 3D scene in China and possibly beyond. Much like Robocop vs. Enforcement Droid Series 209 in the original f…

In an Age of Automation, Sweden’s SF Bio Welcomes You to Each Screening in Person

[youtube width=”560″ height=”315″]http://www.youtube.com/watch?v=DDMT2I9vmE4[/youtube] I tend to travel to Sweden a few times each year, usually to visit family and/or on business. Even if I am there for just a few days I make an effort to visit the cinema and catch up on a S…

Daily Cinema Digest – Tuesday 11 March 2014

It seems like most film fans in the Middle East will not get to see Noah, as the film has been banned in several markets there. CINEMA bosses in Bahrain have supported a decision not to show a movie depicting the Christian version of Noah’s Ark, despite screening a trailer to filmgoers last we…

Daily Cinema Digest – Monday 10 March 2014

Event Cinema The Telegraph (UK) has a long and detailed appreciation of what goes into the Met Live event cinema productions, both from an artistic and technical perspective. The technical proficiency is breathtaking. Each transmission uses 10 to 12 high-definition cameras (one of which is robotic,…
1 … 107 108 109 110 111 … 130
  • Popular Posts
Popular Posts

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE