Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
WIRE
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Market Research
    • Piracy
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture

Why November, Mr Bond?

When James Bond moves, everyone pays attention. As arguably the best known film franchise of all time, with a combined unadjusted gross of nearly $7 billion, James Bond has set the pace for earnings, consistency and remaining an event that few long-term franchises can match. When three studios…
Molly's Game Insidious Last Key

Jumanji and the Jedis Strike Again With Combined $102 Million Holiday Cash Grab. This Weekend at the Boxoffice.

WEEKEND RECAP Don’t look now but despite a USD $52 million three day take here in North America, “The Last Jedi” is about to be lapped by Sony’s “Jumanji” reboot.  Many four day projections (including New Years Day) have Dwayne Johnson et al passing the latest Star Wars to actually win the extended…
itE28099s_time_for_a_clean-up_act_-_mumbai_mirror_2014-01-16_12-38-07_1389856334_540x540.jpg

India’s New Censor Board CEO Faces Industry Revolt

The role of a censor/certifier is not an easy one in any country. It is a tightrope walk between filmmakers and demanding audiences seeking freedom of artistic expression and right to view age-appropriate content on one hand, and concerned parents and moral guardians on the other worried about the i…

Submit a WIRE story

Recent WIRE Posts

  • Caesars Colosseum Hosts CinemaCon

    CinemaCon Renames Caesars Palace Venue “The Dolby Colosseum” for 2026 Global Theatre Industry Convention

  • Persimmon announced the acquisition for North American rights of Director Nicola Rinciari’s feature “ A Mosquito in the Ear"

    Persimmon Nabs Santa Barbara Intl’ Film Festival Opener “Mosquito in the Ear” for Limited Theatrical in a Competitive Situation

  • IMAX Corporation today announced an out-of-this-world opening weekend for Amazon/MGM Studios’ “Project Hail Mary”

    IMAX Blasts Off With $28 Million Opening Weekend for Amazon/MGM’s “Project Hail Mary”

  • AMC Theatres today announced that "Project Hail Mary" delivered the biggest opening weekend at AMC in 2026 to date

    “Project Hail Mary” Posts Biggest Opening Weekend of 2026 at AMC Theatres; AMC Records Its Second-Highest Weekend of the Year for Admissions Revenue in the U.S. and Globally

  • The 52nd Seattle International Film Festival will open with Boots Riley’s "I Love Boosters" on May 7 at The Paramount Theatre

    2026 Seattle International Film Festival to open with Boots Riley’s “I Love Boosters”

  • Following its World Premiere at the 2026 Sundance Film Festival, Vertical has acquired North American rights to "The Weight"

    Vertical Acquires North American Rights to Sundance Thriller “The Weight”

  • Severtson Screens is proud to announce it will feature its enhanced SēVision 3D GX-WA projection screen coating during CinemaCon 2026

    Severtson Features Enhanced Cinema Screen Coating During CinemaCon 2026

  • Unique X is pleased to announce an expanded technology partnership with Ster-Kinekor in migrating to the Unique X RosettaBridge TMS suite

    Ster-Kinekor Selects Unique X’s RosettaBridge TMS Suite for Network-Wide Deployment

  • Lumma - Magnify 8 - Regal Sherman Oaks

    Lumma and Regal Cinemas Strengthen Partnership Introducing Twenty Magnify 8 Auditoriums Across the U.S

  • In a historic move to safeguard the future of the silver screen, film exhibitors from across South India convened today in Bengaluru

    South India Film Exhibitors to Lock Mandatory 8-Week Theatrical Window

Get the Newsletter

Newsletters

Signup for a FREE membership

signup

Follow

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE