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Venice Production Bridge 2026 - Europa Distribution Producer and Distributor Workin Session

Everyone Wants to Market Independent Films Earlier. So Why Doesn’t It Happen?

A working session at the Venice Production Bridge attempted to unpick the varying priorities of producers, distributors and sales agents, raising some uncomfortable questions. The independent film sector is never short on conversations about audience development. What it lacks, judging by a closed w…

Like to Stream and Cinema Keen

If you’re reading this the chances are that you are well versed in the “is Netflix Killing Cinema” notion, as you may well have been for “is VHS killing Cinema” iteration decades previously. Whilst external commentators band around assumptions based on little more than a hunch that subscription serv…

How We Will View Hollywood Today In Twenty Years?

Hollywood today is mirroring Hollywood in the 1960s, so if you want to know how we will view Hollywood today just look at how we view Hollywood back then. By the 1960s, movie theater attendances had dropped super-low because people preferred TV, which they didn’t have to pay for. The studios combatt…

PVR_ECX_Mumbai (photo: Patrick von Sychowski / Celluloid Junkie)

CJ Research: Understanding India’s VPF Conundrum

Cinema has transcended many a barrier, from the analogue era to the digital cinema evolution. India despite being one of the largest cinema markets has been a very complex one. This has been evident in the adoption of digital cinema technology and the subsequent transition to digital cinema. Today t…

Celluloid Junkie’s 2019 Cinema Predictions

“It’s tough to make predictions, especially about the future,” Yogi Berra famously quipped. This did not stop the editorial team at Celluloid Junkie from bravely sticking their necks out a year ago to read the tea leaves on what 2018 would have in store. Did we get it right? As alw…

Media Forecast 2018 Celluloid Junkie

Celluloid Junkie’s 2018 Cinema Predictions

2017 was an eventful year for the film and cinema business and 2018 promises to be even more so. So the Celluloid Junkie editorial team has gazed into the crystal ball to see what’s ahead. Here is a list of possible scenarios in the new year, as foreseen by our top contributors Jim Amos (JA),Read Mo…

1939 Hollywood top movies collage (image: Celluloid Junkie)

CJ Opinion: How 1939 Can Once Again Save Hollywood

This past weekend was yet another dismal failure at the North American boxoffice with revenues off a staggering 45% versus the same week last year. The remainder of August also looks bleak and may not improve until the fall when the plethora of titles vying for Academy votes descend upon multiplexes…

CinemaCon 2017 Stage

Conversation: The Tech Potential and Promise of CinemaCon 2017

This is an online conversation about what a group of us saw and thought about CinemaCon 2017 and also a visit to leading facilities, studios and cinemas in Los Angeles the week before. Joining the virtual chat are myself, J. Sperling Reich, the Executive Editor of Celluloid Junkie, one of our regula…

CinemaCon 2017

Tech Potential and Promise of CinemaCon 2017 – Part 1.5

CinemaCon is a NATO construct built on the pillars of The Exhibitor’s movie palaces, The Studio’s mix of movies, and The Techniques and Technology that brings them to life. The pillars sit on a wild and nuanced history which reflects forward to a constantly changing future… ……

IMAX VR centre Los Angeles

CJ Opinion: Is VR for Cinema Overhyped?

Is virtual reality (VR) the saviour or a nail in the coffin for traditional cinema going? That depends on who you talk to or what you read recently. Efforts to launch VR as a symbiotic companion to the cinema experience are gathering force, just as questions are being raised about the viability and…