Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
NEWS
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Market Research
    • Piracy
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • AFI Fest
    • SBIFF
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Sundance Film Festival
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
What We Learned at CinemaCon 2025

What We Learned at CinemaCon 2025

With CinemaCon 2025 in the rearview mirror, we wanted to take a moment to reflect on some of the major takeaways from this year’s conference. Amid all the sprinting to trade show meetings and escalator surfing inside Caesars Palace, did we actually learn anything about the current state of the…
2024 Third Quarter Earnings - Lionsgate, Paramount, Sony, Warner Bros. Discovery

Studios See Streaming Growth, Theatrical Decline During Third Quarter of 2024

Election returns weren’t the only results being announced last week. The parent companies of four Hollywood studios held earnings calls for the third quarter of 2024 providing a snapshot of the current state of the entertainment business. It’s a narrative that can be told in four words;…
Theatrical Releases Profit As Streaming Losses Mount

CJ Analysis: Theatrical Releases Profit As Streaming Losses Mount

Long before COVID sparked a global pandemic in 2020, leaving millions dead and upending the world economy, another virus began spreading across the planet. Though not as deadly as COVID, this virus spreads just as easily, is often not immediately detected and has proven to be just as disruptive to t…

The Hollywood Studio Release Schedule Shuffle: Where It’s Been and Where It’s Going

There’s a favorite New England saying, “If you don’t like the weather wait 10 minutes and it will all change.” Welcome to 2020 in the movie business. Obviously this year has been unlike any other (I will make a concerted effort to avoid the now cliched “these are uncertain times” mutterings in this…
Coronavirus Blurs Movie Release Windows

Coronavirus Is Blurring Theatrical Release Windows, Not Breaking Them

In his 1982 collection of speeches and essays about the struggle for justice taking place in South Africa, Bishop Desmond Tutu wrote: A time of crisis is not just a time of anxiety and worry. It gives a chance, an opportunity, to choose well or to choose badly. When the film industry looks back onRe…
All the Money In The World Posters

Sony Wastes No Time In Re-Marketing “All The Money In The World” After Ditching Kevin Spacey

On November 8th filmmaker Ridley Scott announced he had chosen to replace Kevin Spacey in his next film “All the Money in the World” with the 87-year-old Christopher Plummer, the actor he had always wanted to cast in the role of billionaire J. Paul Getty. This came after multiple accusations against…
  • Popular Posts
Popular Posts

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2025 CELLULOID JUNKIE