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CinemaCon 2026 Product Preview - Seating & Auditorium Design

CinemaCon 2026 Product Preview: Seating & Auditorium Design

As cinemas continue to differentiate the in-theater experience, seating and auditorium design remain central to how audiences perceive value. At CinemaCon 2026, exhibitors are highlighting a range of seating solutions and structural upgrades designed to improve comfort, flexibility, and overall pres…
CinemaCon 2026 Product Preview - Projection, Sound & Presentation Technology

CinemaCon 2026 Product Preview: Projection, Sound & Presentation Technology

While much of the focus at CinemaCon is on the business of cinema, the core theatrical experience still depends on how a film looks and sounds on screen. At CinemaCon 2026, cinema equipment manufacturers and providers are highlighting advances across projection, LED cinema displays, immersive audio,…
CinemaCon 2026 Product Preview - Business, Marketing & Operational Platforms - Featured Image

CinemaCon 2026 Product Preview: Business, Marketing & Operational Platforms

Beyond ticketing and concessions, a growing layer of systems is shaping how cinemas operate, connect with audiences, and make decisions. At CinemaCon 2026, numerous companies are showcasing platforms that sit behind the scenes of the moviegoing experience; spanning theatre management, content delive…
CinemaCon 2026 Product Preview - Concessions, Food and Beverage

CinemaCon Product Preview 2026: Concessions, Food & Beverage

Concessions remain one of the most important drivers of revenue for cinema operators — [referring to my comment on the previous piece, maybe em-dash is just house style?]and one of the areas seeing the most visible evolution. At CinemaCon 2026, exhibitors are showcasing a mix of new products, format…
Agile Ticketing - iOS and VisualVenue Digital Signage

CinemaCon Product Preview 2026: Ticketing & Point of Sale Systems

At the center of every cinema operation is the transaction. From ticket sales and concessions to loyalty programs and subscriptions, point of sale systems have evolved far beyond their original role. Today’s platforms are increasingly cloud-based, integrated, filled with artificial intelligence and…
The panellists sit on stage with a screen behind them, from left to right: Michele Casula; Alessandro Usai; Davide Novelli; Federica Lucisano; Simone Gialdini; Sonia Dichter; Valentina Torlaschi

Moviegoers Return But Italian Cinema is Running Out of Stories, Say MIA Panellists

Italy’s audiovisual sector benefits from sophisticated tools to track audience behavior and box office performance. Through box office tracking company, Cinetel, attendance data is collected in near real-time, while CinExpert – the weekly monitoring service that tracks the sociodemographic character…
The opening ceremony at Expocine 2025 in São Paulo, Brazil on 30 September 2025

Expocine 2025 Charts the Next Act on the World Stage for Brazil’s Growing Film Industry

Theme “Brazil: Window to the World” sets the tone for debates on the country’s expanding role in the global audiovisual landscape. Brazil’s audiovisual industry is living through one of its most promising moments in decades, and the challenge now is clear: turning prestige into market structure. Sin…
(From Left) Elizabeth Frank of RealD, Serge Plasch from Barco, Robert Carrady of Caribbean Cinemas, Rolando Rodriguez from Lumma, Gonzalo Lopez of Multicines Ecuador, Daniel Loria of Boxoffice Pro participate in the Industry Investment panel at CineLATAM in Coral Gables, Florida on September 16, 2025

Premium Formats and Smart CapEx Dominate the Conversation at CineLATAM 2025

At CineLATAM 2025, exhibitors, manufacturers, and technology leaders from Caribbean Cinemas, RealD, Multicines, Barco, and Lumma 4D E-Motion shared how Latin America’s cinema market is investing wisely in premium formats and immersive experiences to drive attendance. If CineLATAM 2025’s overall them…
CineLATAM 2025 - Executive Roundtable - Luis Vargas (Comscore), Andrew Cripps (Walt Disney Studios), Valmir Fernandes (Cinemark International), Miguel Mier (Cinepolis), Don Savant (CJ 4DPlex)

Content Is King, Experience Is Queen: Latin America’s Cinema Leaders Signal a Confident Comeback

At CineLATAM 2025, global and regional executives from Paramount, Disney, Cinépolis, Cinemark, and CJ 4DPlex chart a path forward for Latin America’s exhibition market, anchored in content, collaboration, and a renewed focus on the moviegoing experience. By the time Paramount Pictures unveiled its 2…
Andrew Sunshine - CineLATAM

CineLATAM 2025: Why Film Expo Group Is Rebranding ShowEast to Focus on Latin America

For nearly four decades, ShowEast was a fixture on the North American cinema industry calendar—first held in Atlantic City, before heading south to Orlando and then Miami—drawing United States’ exhibitors and studios together every October. This year, that chapter officially closes. In its place, th…
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Industry Briefs

  • DCDC United States Coverage Map

    DCDC Upgrades Content Delivery Network Across 1,600 U.S. Cinema Locations

    Oct 15, 2026
  • Hoyts IMAX - Australia and New Zealand

    Exhibitors Serve Up More IMAX Auditoriums

    Oct 15, 2026
  • Screenvision partners with The New York Times Games

    Screenvision Wants to Reinvent the Cinema Pre-Show. Will Audiences Play Along?

    Oct 15, 2026
  • Cineplex - Canada - Third Quarter 2026 Earnings

    Cineplex Posts Record Quarter as North American Box Office Rebound Gains Momentum

    Oct 15, 2026
  • Prince Charles Cinema

    The Prince Charles Cinema Gets a New Lease on Life as Britain Celebrates Its Independents

    Oct 15, 2026
  • Alamo Drafthouse - A24 Cinema Club

    Alamo and A24 Turn Catalogue Films Into Collectible Events

    Oct 8, 2026
  • Samsung's Onyx LED screen at the Lurdy Cinema in Budapest, Hungary

    Cinema LED Keeps Finding Its Way Into More Theatres

    Oct 8, 2026
  • Cinemark breaks all-time records over Memorial Day weekend, driven by hits like "Lilo & Stitch" and "Mission: Impossible"

    Cinemark Is Not Picking One Premium Format. It’s Picking Several

    Oct 8, 2026

Popular Posts

  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • Cinema United - 2026 Fall Cinema Investment Report - Cinema Investment By The Numbers

    Cinema Owners Have Invested $2.7 Billion in Theatres. What Is That Money Buying?

    Oct 1, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Moderator Cathrine Jakobsen led the case-study discussion during the "Youth, Trends and Taboos on Films" seminar at Haugesund 2026. Silje Salomonsen, co-director of “Back to Tottori,” and Norwegian distributor Linn Barholt participated in seminar on August 25, 2026. (Photo: Grethe Nygaard)

    Young Audiences Already Like Cinema. The Hard Part Is Giving Them a Reason to Go

    Aug 31, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

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