Monthly Archives: January 2010

Diversified Acquires Cinema India Expo

Another change is coming in the trade show arena for theatrical exhibition.

Diversified Business Communications—a Portland, Maine-headquartered events, publications and eMedia business—acquired India-based Cinema India Expo, along with PALM Expo, Musician Expo, and the recently launched Info Communica Expo from Infocast Systems.

India-based publications Pro Sound Systems, Studio Systems and Cinema Systems were also acquired though the deal.

The Indian business will operate under the moniker Diversified Communications India Pvt Ltd, a subsidiary of Diversified Business Communications. Heading the unit is Anil Chopra, former CEO of Infocast Systems, who will serve as managing director. Chopra will oversee PALM Expo and Manuel Dias remains the project director. Diversified said it expects the event to expand by nearly 35% from last year.
createasphere-logo-as-jpeg

Createasphere (formerly HD Expo), Diversified’s entertainment division located in Burbank, will be directly involved with Kristin Petrovich-Kennedy, president of Createasphere, overseeing international sales alongside sales manager Brian Henderson.

PALM Expo, co-located with Musician Expo, Cinema India Expo, and Info Communica Expo, takes place 3-5 June at Bombay Exhibition Center.

Popularity: 8% [?]

Fithian Keynote Kicks Off ICTA Tech Conference

John Fithian of NATO

John Fithian of NATO

Not even a record setting rain storm could keep cinema professionals away from the Universal Hilton in Universal City yesterday where the International Cinema Technology Association was holding it’s annual tech conference. After a Monday evening cocktail reception, the program began in earnest with a keynote address from John Fithian, President of the National Association of Theatre Owners.

In a speech billed as a “State of the Industry” in the conference schedule, Fithian covered a wide range of hot button topics not all of which were geared strictly to many of the motion picture engineers in the room. He began by recapping the box office records that were shattered in 2009, a year which saw North American combined grosses surpass the USD $10 billion mark. Fithian was quick to point out that such earnings were not due to just the rise in ticket prices, but rather an increase in the number of patrons visiting cinemas nationwide. In fact, decade-over-decade, the average number of moviegoers rose from 995 million in the 1970’s to 1.13 billion in 1980’s upwards to 1.28 billion in the 1990’s settling at 1.44 billion for the decade which just ended.

A good portion of Fithian’s talk was focused on many of the reasons 2009 was such a spectacular year for the cinema business and how the industry might continue to grow even more. He detailed three key drivers he believed were responsible, not the least of which was the major studios getting better at understanding there are 12 months in the calender. Fithian stated:

For years we put out everything in the summer, we put out everything in the holidays and you couldn’t find an person in the cinema in February or September. That is no longer the case…. we’re getting good pictures that appeal to different demographics with different genres spread throughout the 12 months and that’s fantastic. That’s what we have to have.

Affordability of movies as a form of entertainment was the second reason Fithian gave for 2009’s growth. Despite the increase in ticket prices over the years, and even with the premium for 3D films, the price of a movie ticket has not outpaced inflation. In 1969 the price of a movie ticket in the U.S. was USD $1.42. In 2009 that price had risen to a nationwide average of roughly USD $7.56. If ticket prices had kept up with the rate of inflation, then starting with USD $1.42 in 1969, we should presently have an average ticket price of USD $8.37.

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Popularity: 6% [?]