Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup
WIRE
  • Production
    • Locations
    • Animation
    • Casting
    • Cinematography
    • Finance
    • Organizations
    • People
    • Post Production
    • Production Companies
    • Production Equipment
    • Visual Effects
  • Distribution
    • Acquisitions
    • Analysis & Opinion
    • Box Office
    • Content Service Providers
    • Distributors
    • Headlines
    • Piracy
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Features
    • Movies
    • Technology
    • Trailers
  • Exhibition
    • Ticketing
    • Accessibility
    • Advertising & Marketing
    • Analysis & Opinion
    • Acquisitions
    • Box Office
    • Cinemas
    • Cinema Equipment
    • Cinema Service Providers
    • Concessions & Dining
    • Drive-in Cinema
    • Exhibitors
    • Features
    • Financial
    • Headlines
    • Investment & investor relations
    • Leisure
    • Sustainability
    • Seating
    • Event Cinema
    • Immersive Cinema
    • Market Research
    • Marketing & Promotions
    • Organizations
    • People
    • Premium Large Format
    • Technology
  • Events
    • Sundance Film Festival
    • AFI Fest
    • SBIFF
    • Venice Film Festival
    • Cinema Audio Society Awards
    • Berlinale
    • Cannes Film Festival
    • ExpoCine
    • Toronto International Film Festival
    • Big Cine Expo
    • Locarno Film Festival
    • Fundraisers
    • Screenings
    • Cinema Week
    • Hollywood Professional Association
    • CJCinemaSummit
    • Award Ceremonies
    • CineAsia
    • CineEurope
    • CinemaCon
    • Conferences & Trade Shows
    • ECM Conference
    • Film Festivals
    • IBC
    • ShowEast
    • Headlines
  • Culture
Emily Cecil-Dennett stands in front of the inside of Trafalgar Releasing’s original broadcasting truck

A Complete Service: Trafalgar Releasing’s End-to-End Offering

For the past decade, London-based distribution company Trafalgar Releasing (Trafalgar) has been a market leader when it comes to event cinema (also known as alternative content). Bringing live experiences to a wider audience via the cinema screen, whether it’s recorded productions of pop concerts, s…
ECA Slate Day 2023 was held at London's Empire Walthamstow cinema (photo credit: Grainne Clarke)

A 10th Anniversary, Theatrical Smash Hits, and a K-Pop Takeover

A full house attended the Empire Walthamstow, London, for the Event Cinema Association’s (ECA) annual slate day, now comfortably back in its January calendar position. Organised by ECA director, Grainne Clarke, one of the most notable things was the anticipated return to content pipeline normality i…
The King and I. (image: Trafalgar Releasing)

The Year of Trafalgar

2018 was a rollercoaster ride of a year, and as 2019 dawns, there’s still plenty of uncertainty around the future of the UK. But in the Event Cinema industry for one company in particular, 2018 has been a certified smash hit. Enter Trafalgar Releasing. Join us as we look at how 2018 really was their…
1 2 3 4

Submit a WIRE story

Recent WIRE Posts

  • Caesars Colosseum Hosts CinemaCon

    CinemaCon Renames Caesars Palace Venue “The Dolby Colosseum” for 2026 Global Theatre Industry Convention

  • IMAX Corporation today announced an out-of-this-world opening weekend for Amazon/MGM Studios’ “Project Hail Mary”

    IMAX Blasts Off With $28 Million Opening Weekend for Amazon/MGM’s “Project Hail Mary”

  • AMC Theatres today announced that "Project Hail Mary" delivered the biggest opening weekend at AMC in 2026 to date

    “Project Hail Mary” Posts Biggest Opening Weekend of 2026 at AMC Theatres; AMC Records Its Second-Highest Weekend of the Year for Admissions Revenue in the U.S. and Globally

  • Persimmon announced the acquisition for North American rights of Director Nicola Rinciari’s feature “ A Mosquito in the Ear"

    Persimmon Nabs Santa Barbara Intl’ Film Festival Opener “Mosquito in the Ear” for Limited Theatrical in a Competitive Situation

  • Following its World Premiere at the 2026 Sundance Film Festival, Vertical has acquired North American rights to "The Weight"

    Vertical Acquires North American Rights to Sundance Thriller “The Weight”

  • The 52nd Seattle International Film Festival will open with Boots Riley’s "I Love Boosters" on May 7 at The Paramount Theatre

    2026 Seattle International Film Festival to open with Boots Riley’s “I Love Boosters”

  • Severtson Screens is proud to announce it will feature its enhanced SēVision 3D GX-WA projection screen coating during CinemaCon 2026

    Severtson Features Enhanced Cinema Screen Coating During CinemaCon 2026

  • Unique X is pleased to announce an expanded technology partnership with Ster-Kinekor in migrating to the Unique X RosettaBridge TMS suite

    Ster-Kinekor Selects Unique X’s RosettaBridge TMS Suite for Network-Wide Deployment

  • Lumma - Magnify 8 - Regal Sherman Oaks

    Lumma and Regal Cinemas Strengthen Partnership Introducing Twenty Magnify 8 Auditoriums Across the U.S

  • In a historic move to safeguard the future of the silver screen, film exhibitors from across South India convened today in Bengaluru

    South India Film Exhibitors to Lock Mandatory 8-Week Theatrical Window

Get the Newsletter

Newsletters

Signup for a FREE membership

signup

Follow

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE