ICTA Archives - Page 3 of 3 - Celluloid Junkie

Locarno Film Festival 2025 - Building Sustainable Film Ecosystems in Africa - Panel - Mitchell Harper, Neigeme Glasgow-Maeda, Tshepiso Chikapa Phiri, Ema Edosio-Deelen, Yannick Mizero Kabano

Locarno Panel Champions Africa’s Self-Reliant Film Ecosystem

On 9 August, Hotel Belvedere’s Sala Granda hosted the Locarno Pro panel “Building Sustainable Film Ecosystems in Africa: Financing the Future” during this year’s Locarno Film Festival. The event brought together filmmakers and industry strategists from across the continent and beyond to explore inno…

Animated Movies Are Still Box Office Gold

Looney Tunes: Animated Movies Are Still Box Office Gold

Why original animated films are no riskier—and just as rewarding—as live action flicks With the unfortunate collapse of Pixar’s “Elio” at the box office, the industry was quick to declare the death of the original animated feature. “Audiences aren’t interested,” goes the refrain. They’re expensive,…

A sound speaker in a cinema emits a visible sound wave with a cinema audience in the background.

CJ Tech: Getting the Sound Right in Cinemas

Designing a cinema involves multiple disciplines that often compete with one another. At the heart of any list of technical requirements for a cinema auditorium are really two essential elements: sound and picture. Assuming both sound and picture are of equal importance, the latest visual technolo…

The stage at Mediterranean Film Festival is lit up in a dark room for the awards ceremony. The left side says We Are Malta and the right says We Are Film.

Mediterrane Film Festival Showcases Malta’s Popularity with Hollywood

Most film festivals are designed to bring together audiences with the latest movies from both established directors and rising stars. Now in its third year, the Mediterrane Film Festival (MFF) seemingly has a different mission. Hosted on the island of Malta during the last ten days of June, it’s as…

Francesco Lattarulo - Producer & Chief Financial Officer, Mediterraneo Cinematografica

Italy’s Film Tax Credit Reform: Unpacking the Challenges with Producer Francesco Lattarulo

Over the past 15 years, Italy’s tax credit system has become one of the key drivers of its film and audiovisual production industry. But recent reforms have sparked confusion and disrupted workflows, especially for smaller independent production companies. To better understand the origins of the sch…

Stan Ruszkowski, CEO of The Boxoffice Company, Carla Boyd of Cineworld, Adrien Chabel, the CEO of AlloCine) and Mariano Otero of Fever during the Turning Social Buzz Into Box Office Sales panel at CineEurope on 15 June 2025 in Barcelona, Spain

CineEurope 2025: Turning Social Buzz into Box Office Success

“We’re here to talk about something that never sleeps,” proclaimed Stan Ruszkowski, CEO of The Boxoffice Company, at the outset of a panel discussion at this year’s CineEurope. Titled “From Scroll to Screen: Turning Social Buzz into Box Office Sales”, the session came on the first day of the confere…

Disney to Tailor DCP Delivery for “Avatar: Fire and Ash” Based on Global Screen Survey

One of the highlights at the recently concluded CineEurope 2025 in Barcelona was the presentation of footage from “Avatar: Fire and Ash” shown by Disney in both CINITY and 3D. Indeed, as anticipation builds for the December release of James Cameron’s latest film, Disney is calling…

CJ's Top Women In Global Cinema – 2025

CJ’s Top Women In Global Cinema – 2025

Celluloid Junkie’s 2025 Top Women in Global Cinema is proudly sponsored by Barco and Vue Lumière. Barco continues to elevate the global entertainment experience with cutting-edge cinema technologies, including laser projection and HDR. Vue Lumière is the dynamic film distribution arm of Vue, o…

Cannes Film Festival - Marche du Film 2025 - Defining and Designing European Film Success - Panel - Maja Cappello, Huub Roelvink, Peter Fornstam, Valeska Neu, Mati?ss Kaz?a, Agnieszka Moody, Gilles Fontaine

Cannes 2025: Defining the Success of European Films

The European Audiovisual Observatory’s traditional Saturday panel at Cannes’ Marché du Film, held this year on 17 May, returned to a timely and contentious question: what makes a European film successful—and how can we create more success stories? Moderated by Maja Cappello and Gilles Fontaine of th…

Headshots of the panelists from the Marché du Film Japanese cinema session (left to right): Eve Gabereau, Amel Lacombe, Nousha Saint-Martin, moderator Atsuko Ohno

Cannes 2025: Why Bet on Japanese Cinema

This year’s Cannes Film Festival proved to be a remarkable moment for Japanese cinema. Across the official selection, films from Japan dominated the festival’s various strands, including main competition effort “Renoir”, video game adaptation “Exit 8” which played in Midnight Screenings, and “A Pale…