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By sperling

Jennifer Douglass of AMC Theatres

CJ Interview: Dining-In with Jennifer Douglass of AMC Theatres

Jennifer Douglass is living proof that the movie business can get into your blood and make it difficult to pursue other professions. She has been working in motion picture exhibition since a day before her 15th birthday when she was hired by AMC Theatres as a popcorn scooper. More than 29 years late…
MoviePass and AMC

CJ Analysis: MoviePass Strategy is a Big Data Gamble

Last week, when MoviePass lowered its “unlimited” moviegoing plan to just USD $9.95 per month, the ensuing news stories and their associated clickbait headlines could have written themselves. Each found it necessary to explain precisely what MoviePass is and remind readers of the company’s sev…
Menashe Lustig and Ruben Niborski

Translating “Menashe” Into A Yiddish Success Story

When setting out to direct his first narrative feature, filmmaker Joshua Z Weinstein certainly didn’t make it easy on himself. A well-regarded director and cinematographer with a rash of commercial and documentary credits to his name, Weinstein decided to set his first fiction film, “Menashe,” withi…
Coca-Cola awards dinner at CineEurope 2016

What’s Happening on The Coca-Cola Booth at CineEurope This Year?

Celluloid Junkie has partnered with the Coca-Cola Company for a series of sponsored features highlighting what Coke does in cinemas, as well as exploring insights in retail inside and outside the cinema industry from various companies. Here we hear from Coca-Cola what they will be showcasing at this…
18th Annual Golden Trailer Awards

“Wonder Woman” Lassoes Top Prize at 18th Annual Golden Trailer Awards

Fresh off earning USD $223 million during its opening weekend in movie theatres around the globe, “Wonder Woman” walked off with the Best Of Show trophy at the 18th Annual Golden Trailer Awards. The preview for the Warner Bros. superhero release, titled “What She Is,” also won the Best Fantasy/Adven…
ArcLight Hollywood in Los Angeles, CA

Cinema of the Month: ArcLight Hollywood – Los Angeles, CA

Celluloid Junkie is proud to have partnered with Vista Entertainment Solutions (VES) for the Cinema of the Month series. Vista is the world’s leading cinema ticketing and software solutions company. We won’t just be featuring cinemas whose operators use Vista, but we will surely mention when t…
Gal Gadot as Wonder Woman

Alamo Drafthouse Spins Success Out of Controversy Over Women-Only Screenings of “Wonder Woman”

It’s hard to know if Alamo Drafthouse Cinemas was aware of the public outcry that would occur upon scheduling a women-only screening of the upcoming Warner Bros. super hero release “Wonder Woman,” or if perhaps provoking protest, however trivial, was all part of a scheme to draw in audiences.  After…
Ayame Misaki and Masatoshi Nagase in Naomi Kawase's Radiance

Moviegoing Accessibility Takes A Dramatic Turn at Cannes In Naomi Kawase’s “Radiance”

In bright daylight, a man, in his thirties or early forties, pushes into a crowd. He wears a lanyard around his neck; a badge that reads “Cannes – 70 – Presse” dangles from the end. Others wear them too. The journalist hands his shoulder bag to a security guard and steps through a metal…

Projection Issue Spoils Netflix Cannes Debut

No doubt the Cannes Film Festival wishes to put the discussion surrounding their programming two Netflix titles at this year’s festival behind them. Yet in an ironic moment that underscored the ongoing debate of selecting films that will never be released in cinemas, and depending on how far you wan…
Wonderstruck Director Todd Haynes at the 2017 Cannes Film Festival

“Wonderstruck” Director Todd Haynes Defends Amazon Studios at the Cannes Film Festival

Just one day after filmmaker Pedro Almodovar and actor Will Smith debated whether Netflix should be permitted to have films premiere in competition at the Cannes Film Festival if they the movies will never been seen in cinemas, director Todd Haynes came to the defense of Amazon’s subscription stream…
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