Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup

By CJFlynn

Where Is My Atmos and What Is An IAB?

Where Is My Atmos, and What Is An IAB?

SPOILER ALERT: IAB is the SMPTE standard; Dolby Atmos is a system that can playback that standard. Does your cinema have a Dolby Atmos Immersive Audio rendering system? Are you playing DCPs labeled “Atmos”? Then, your cinema can also play a DCP labeled with “IAB” …and that labeling, IAB, is the what…
2019 SMPTE Tech Conference - ISS Astronaut Interview

SMPTE 2019 Tech Conference Was Out of This World

In case you haven’t been to a SMPTE Technical Conference, don’t expect a CinemaCon-style large central trade show dispensing various new flavors of soft drinks with this years hip version of molded sugar treats. There aren’t even presentations of laser light engine projectors, each…

A Few Good Ideas – CinemaCon 2019

CinemaCon as a tech show is amazing for new good ideas. 4K RGB for the price of 2K laser phosphor… good idea. 10 years of support included in the price of the projector… good idea. Not blaming Netflix for cinema’s fortunes… good idea. Having a day without a long lunch program…
Regal L.A. Live giant screen by Barco. (photo: Patrick von Sychowski / Celluloid Junkie)

Artistically Combining Products Corporately, or, PLFs at CinemaCon

CinemaCon 2019 was bracketed by two PLF-style announcements, with a third announced the week prior. All three involve high profile manufacturers and industry specialists. Each announcement has enough nuanced information to make the future for all of them …interesting. On Day One of CinemaCon,…
Hollywood Foreign Press Association wing CSUN

Hollywood Foreign Press Association Wing Opens at CSUN

On Friday 15 September, California State University Northridge (CSUN) named a building in their Media, Arts and Communication Complex: Manzanita Hall – Hollywood Foreign Press Association Wing. This was done in honor of the HFPA which has donated funds to CSUN for equipment and students for the past…
CinemaCon 2017

Tech Potential and Promise of CinemaCon 2017 – Part 1.5

CinemaCon is a NATO construct built on the pillars of The Exhibitor’s movie palaces, The Studio’s mix of movies, and The Techniques and Technology that brings them to life. The pillars sit on a wild and nuanced history which reflects forward to a constantly changing future… ……
CinemaCon

Tech Potential and Promise of CinemaCon 2017

HDR (high dynamic range) seemed very vivid and a lot more certain when it was theoretical. What the term HDR implied for cinemas – Higher and lower luminance, giving both more light and more dark slices of the CIE horseshoe (more volume) and Wider Gamut (or color space if you prefer …either wa…

Industry Briefs

  • Alamo Drafthouse - A24 Cinema Club

    Alamo and A24 Turn Catalogue Films Into Collectible Events

    Oct 8, 2026
  • Samsung's Onyx LED screen at the Lurdy Cinema in Budapest, Hungary

    Cinema LED Keeps Finding Its Way Into More Theatres

    Oct 8, 2026
  • Cinemark breaks all-time records over Memorial Day weekend, driven by hits like "Lilo & Stitch" and "Mission: Impossible"

    Cinemark Is Not Picking One Premium Format. It’s Picking Several

    Oct 8, 2026
  • France’s Canal+ Tax Hike Could Put €980 Million in Film Financing at Risk

    Oct 7, 2026
  • Expocine 2026

    Expocine Shows the Strength of Brazil’s Cinema Business

    Oct 7, 2026
  • PaperAirplane Media - The Hanger

    PaperAirplane’s Hangar Passes Two Million Downloads as Cinema Marketing Goes Social

    Sep 30, 2026
  • American Film Market - Century Plaza Hotel - Los Angeles

    Festivals and Film Markets Find New Routes Into Cinemas

    Sep 30, 2026
  • Bleecker Street - Frank Martinzez, Head of Distribution

    Bleecker Street and Marcus Theatres Recruit for a Changing Theatrical Market

    Sep 30, 2026

Popular Posts

  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • Paramount Warner Bros. Merger - Antitrust Settlement

    The Paramount-Warner Merger Is Permanent. The Guardrails for Movie Theatres Are Not

    Sep 22, 2026
  • (From Left) Daniel Loria of Boxoffice Pro, Adam Rymer from Regal, Brock. Bagby of B&B Theatres, Valmir Fernandes from Cinemark, Nicole Woods of RealD and Rolando Rodriguez from Lumma, during CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinemas Aren’t Just Marketing Movies Anymore. They’re Marketing Auditoriums

    Sep 15, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • Cinema United - 2026 Fall Cinema Investment Report - Cinema Investment By The Numbers

    Cinema Owners Have Invested $2.7 Billion in Theatres. What Is That Money Buying?

    Oct 1, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Moderator Cathrine Jakobsen led the case-study discussion during the "Youth, Trends and Taboos on Films" seminar at Haugesund 2026. Silje Salomonsen, co-director of “Back to Tottori,” and Norwegian distributor Linn Barholt participated in seminar on August 25, 2026. (Photo: Grethe Nygaard)

    Young Audiences Already Like Cinema. The Hard Part Is Giving Them a Reason to Go

    Aug 31, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE
 
We and selected third parties use cookies or similar technologies for technical purposes and, with your consent, for other purposes as specified in the cookie policy. You can freely give, deny, or withdraw your consent at any time. You can consent to the use of such technologies by using the “Ok” button. By closing this notice, you continue without accepting.