Skip to content
Celluloid Junkie

Celluloid Junkie

  • News
  • WIre
  • Newsletters
  •  
     
    Forgot Password
    signup

By CJFlynn

Where Is My Atmos and What Is An IAB?

Where Is My Atmos, and What Is An IAB?

SPOILER ALERT: IAB is the SMPTE standard; Dolby Atmos is a system that can playback that standard. Does your cinema have a Dolby Atmos Immersive Audio rendering system? Are you playing DCPs labeled “Atmos”? Then, your cinema can also play a DCP labeled with “IAB” …and that labeling, IAB, is the what…
2019 SMPTE Tech Conference - ISS Astronaut Interview

SMPTE 2019 Tech Conference Was Out of This World

In case you haven’t been to a SMPTE Technical Conference, don’t expect a CinemaCon-style large central trade show dispensing various new flavors of soft drinks with this years hip version of molded sugar treats. There aren’t even presentations of laser light engine projectors, each…

A Few Good Ideas – CinemaCon 2019

CinemaCon as a tech show is amazing for new good ideas. 4K RGB for the price of 2K laser phosphor… good idea. 10 years of support included in the price of the projector… good idea. Not blaming Netflix for cinema’s fortunes… good idea. Having a day without a long lunch program…
Regal L.A. Live giant screen by Barco. (photo: Patrick von Sychowski / Celluloid Junkie)

Artistically Combining Products Corporately, or, PLFs at CinemaCon

CinemaCon 2019 was bracketed by two PLF-style announcements, with a third announced the week prior. All three involve high profile manufacturers and industry specialists. Each announcement has enough nuanced information to make the future for all of them …interesting. On Day One of CinemaCon,…
Hollywood Foreign Press Association wing CSUN

Hollywood Foreign Press Association Wing Opens at CSUN

On Friday 15 September, California State University Northridge (CSUN) named a building in their Media, Arts and Communication Complex: Manzanita Hall – Hollywood Foreign Press Association Wing. This was done in honor of the HFPA which has donated funds to CSUN for equipment and students for the past…
CinemaCon 2017

Tech Potential and Promise of CinemaCon 2017 – Part 1.5

CinemaCon is a NATO construct built on the pillars of The Exhibitor’s movie palaces, The Studio’s mix of movies, and The Techniques and Technology that brings them to life. The pillars sit on a wild and nuanced history which reflects forward to a constantly changing future… ……
CinemaCon

Tech Potential and Promise of CinemaCon 2017

HDR (high dynamic range) seemed very vivid and a lot more certain when it was theoretical. What the term HDR implied for cinemas – Higher and lower luminance, giving both more light and more dark slices of the CIE horseshoe (more volume) and Wider Gamut (or color space if you prefer …either wa…

Industry Briefs

  • Manon will be a part of the 20th season of The Met: Live In HD

    The Met: Live in HD Marks 20 Years as Event Cinema’s Original Blockbuster

    Sep 13, 2026
  • Netflix In Cinemas

    Netflix Will Begin Reporting Box Office Grosses for Six Theatrical Releases

    Sep 13, 2026
  • Regal Cinemas

    Regal, IFTA and CNC Will Test Whether Better Programming Can Boost Cinema Attendance

    Sep 13, 2026
  • Lumière Summit 2026 Group Photo - Emmanuel Macron and Lee Jae-myung

    Lumière Summit Puts Theatrical Exhibition on Global Cinema Agenda

    Sep 13, 2026
  • CICAE's 23rd Arthouse Cinema Training in August 2026

    Record Turnout for CICAE’s Arthouse Cinema Training in Berlin

    Sep 1, 2026
  • Marc Whitten - President, Chief Executive Officer and Director of Dolby Laboratories

    Marc Whitten to Succeed Kevin Yeaman as Dolby CEO

    Sep 1, 2026
  • Cinema Operators Ban Meta Smart Glasses

    UK Cinemas Move to Restrict Smart Glasses Over Piracy and Privacy Concerns

    Sep 1, 2026
  • StudioCanal launches StudioCanal classics, a new worldwide catalogue label celebrating its 18,000-title film library

    StudioCanal and TheaterEars Give Catalogue Cinema a New Theatrical Life

    Sep 1, 2026

Popular Posts

  • Malta Film Commissioner Johann Grech has ambition plans for the island nation's future as a filming location, and he's using the Mediterrane Film Festival to bring Malta to the industry's attention (Photo: Courtesy Mediterrane Film Festival)

    How the Mediterrane Film Festival in Malta Is Putting the Island on the Map for Filmmakers

    Jul 10, 2026
  • IND/EX 2026 brought independent cinemas and film festivals together in Chicago to focus on community, sustainability, advocacy and resilience

    IND/EX 2026: Big Theatre Chains Have Customers. Independent Cinemas Have Communities.

    Jul 12, 2026
  • 2026 Box Office - January through June - First Half

    International Box Office Recovery Accelerates as Local Films Gain Ground

    Jul 12, 2026
  • (From left) Paramount Skydance CEO David Ellison, California Attorney General, Rob Bonta, Cinema United President & CEO, Michael O'Leary

    Cinema United Didn’t Back the Paramount-Warner Merger. It Put Its Terms on the Table.

    Aug 21, 2026
  • Nathalie Kaiser, Rentrak Manager, Statistics and Research, Cathy Huis in ’t Veld-Esser, Gofilex CTO and co-owner, Miguel Rivera, Cinépolis Group VP Global Film Programming and Content, Johnny Carr, Vue International Head of Event Cinema and Distribution, Marc Allenby, CEO of Trafalgar Releasing, and Paul Huis in ’t veld, Gofilex CEO, during the ICTA Focus Session, "How Event Cinema, Live Experiences & Streaming Technology Are Set to Transform Cinema-Going" at CineEurope 2026 in Barcelona, Spain on June 23, 2026.

    Event Cinema Is Becoming an Always-On Business

    Aug 10, 2026
  • Cinerama Dome - Hollywood, California

    Cinerama Dome Revival Gives Sony a Hollywood Flagship for Its Exhibition Ambitions

    Jul 22, 2026
  • Allan Reagan, Founder & Executive Chair of Flix Brewhouse, receiving the Frank Liberto Award at CinéShow 2026 in Dallas, Texas on August 25, 2026.

    Cinergy and Cinema United’s Todd Halstead Honored at CinéShow as Flix Brewhouse’s Allan Reagan Puts Ukraine Center Stage

    Aug 31, 2026
  • (From left) Ruun Nour, Vancouver International Film Festival programmer and No Evil Eye Cinema co-founder; Can Sungu, artistic director of SİNEMA TRANSTOPIA; Kira Simon-Kennedy, film producer and volunteer member with La Clef collective; and moderate Jeremy Chua, producer at Potocol and executive director of the Singapore International Film Festival, who participated in the Cannes Docs panel “Micro Cinemas and Macro Impact: Independent Exhibition as a Social and Communal Practice,” held on May 16, 2026 (Photo: © Cyril Chateau / Marché du Film)

    Micro Cinemas, Major Impact: How Grassroots Exhibitors are Rebuilding Film Culture

    Jul 3, 2026

Celluloid Junkie is the leading online resource dedicated to the global film and cinema business. Join a growing community of film and cinema industry professionals from around the world who rely on CJ to provide the latest news, insights, analysis, interviews, and research on the motion picture industry.

  • News
  • Wire
  • Newsletters
  • About
  • Contact Us
  • RSS
  • Terms & Conditions
  • Privacy Policy
  • News
  • Wire
  • Newsletters
COPYRIGHT 2007 - 2026 CELLULOID JUNKIE
 
We and selected third parties use cookies or similar technologies for technical purposes and, with your consent, for other purposes as specified in the cookie policy. You can freely give, deny, or withdraw your consent at any time. You can consent to the use of such technologies by using the “Ok” button. By closing this notice, you continue without accepting.