Tag Archives: YouTube

Alamo Drafthouse Anti-Texting PSA Goes Viral

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The Alamo Drafthouse has gained quite a reputation over the past couple of years as one of the countries best movie theaters. Entertainment Weekly hailed it as the best movie theatre in America and Wired.com went a step further by calling it the “Coolest Movie Theater in the World”. Besides being known for an eclectic mix of programming which is served up alongside beer and barbecue, founder Tim League has also built the Alamo Drafthouse’s reputation through Fantastic Fest, an annual film festival specializing in horror, action, fantasy and science fiction titles.

But if you ever get a chance to visit the Alamo Drafthouse, you may not want to reach for your mobile phone whether it’s to make a phone call or text a friend.

Earlier this week the Alamo Drafthouse gained even more notoriety after a creative anti-texting public service announcement turned into a YouTube viral video. According to a post on the theatre’s website, a patron had to be expelled from the Drafthouse recently after she wouldn’t stop texting in the middle of a movie. Even though the Alamo Drafthouse has a strict zero tolerance policy when it comes to talking or cell phone use during movies, the moviegoer continued to text after being given two warnings to give her thumbs a break. So, Drafthouse employees tossed her to the curb without a refund.

Apparently, the audience member was none too pleased at this turn of events and called the Drafthouse to leave a profanity laden voicemail. The audio from the voicemail turned out to be the perfect soundtrack for League’s PSA, which can be viewed above or on YouTube. (Warning: The patron’s choice of language makes this video a textbook definition of NSFW – Not Safe For Work).

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Popularity: 1% [?]

Did Sony Leak The Red-Band Trailer For ‘Dragon Tattoo’?

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Over the weekend the Internet lit up with news about a pirated version of the red-band trailer for the English language remake of “The Girl With The Dragon Tattoo”. It wasn’t long before speculation arose that Sony Pictures, the distributor releasing the film, had actually planted the trailer on YouTube as part of a viral marketing campaign.

Adapted from the first novel in Steig Larsson’s best selling trilogy, “The Girl With the Dragon Tattoo” is being directed by David Fincher and is due to hit theatres worldwide before the end of the year. A Swedish adaptation of the novel was a worldwide hit when it was released in 2009.

The online appearance of the red-band trailer had movie bloggers frothing at the mouth for a number of reasons, including the popularity of the source material and Fincher’s stature as a modern day American auteur. But what really got their juices flowing was a growing conspiracy theory that Sony had purposefully leaked a trailer.

The Hollywood Reporter and Mashable were some of the many media outlets to point out a few inconsistencies:

  • While the trailer starts out looking as if it was captured secretly with a camcorder inside a dark movie theatre, after the first few seconds the off-center, shaky image becomes more steady and clear.
  • The quality of the audio is much better than traditional camcorder versions of pirated movies and the video can be viewed in HD.
  • The red-band trailer for “Dragon Tattoo” was only released in theatres internationally, however the online footage begins with the MPAA’s red-band advisory notice. This poses the question as to why international markets would show a an advisory from a U.S. ratings board.

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Popularity: 1% [?]

UPDATED: 3D Without Glasses Is Possible In the Blink Of An Eye

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Over the past several years as Hollywood began churning out an increasing number of 3D films a single question has been on the minds of both exhibitors and moviegoers. When will it be possible to watch 3D movies without the need to wear glasses?

Whether they use polarized lenses, spectral filters or active shutters, theatre owners would like to do away with the glasses that have become an operational burden and overhead expense. Theatre patrons have mixed feelings about the spectacles, complaining about comfort and low light levels.

But 3D glasses may be a thing of the past according to Francois Vogel. His video demonstration of a new technology that enables 3D content to be viewed without glasses has been a huge hit on YouTube, generating over 4.4 million views since it appeared on the site January 14th. Jonathan Post has developed two diodes that, when placed on one’s temples, stimulates the eyes to blink 120 times per second, alternating between the left and right eye. This mimics the method used by 3D active shutter glasses.

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Popularity: 4% [?]

YouTube Announces Support Of 4K Video

YouTube LogoOn July 9th the ongoing debate between 2K and 4K digital cinema picture resolution took an interesting turn when an unexpected player entered the fray. At VidCon 2010, a conference for online video professionals, came to a close, YouTube announced that they would begin supporting and streaming videos shot in 4K. (And you thought the popular website was only good for short clips of cats riding vacuum cleaners).

Okay granted, this news doesn’t really advance the discussion of digital cinema so much as it raises the awareness of projected image resolution to many industry outsiders who had never given it much thought before. YouTube’s blog post announcing the support of 4K is a perfect example of how the topic is being discussed by the public at large:

To give some perspective on the size of 4K, the ideal screen size for a 4K video is 25 feet; IMAX movies are projected through two 2k resolution projectors.

It was only in December of 2009 that YouTube announced they would allow for 1080p video content to be uploaded and streamed. Less then a year later they are increasing the resolution of the videos they’ll accept by four times to 4096 x 2304 pixels. As a comparison, Sony’s SRX-R320 digital cinema projector has a native resolution of 4096 x 2160 pixels.

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Popularity: unranked [?]

“Bart” Got A Grass Roots Marketing Campaign

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These days trying to gain awareness for a product through the marketing clutter can be an uphill battle in the best of times.  The amount of advertising most people are subjected to on a daily basis has skyrocketed over the last decade to hundreds, if not thousands, of messages per day.  Whatever the number, getting the message out about a new product is no easy task and that is certainly true when it comes to movies.

With at least three new films opening each week in North America, moviegoers are inundated with trailers, posters, news stories, commercials, billboards, merchandise, promotions, etc. for new releases.  Up until the last five years there almost seemed to be a set formula for how to market an upcoming release.  Now with media such as the Internet and video games competing for consumers attention, it’s even more difficult to market products, especially movies.  As many companies in various industries are discovering, the hugely expensive marketing campaigns movie studios are known for throwing at their films may not be as effective as a grass roots word of mouth campaign implemented that employs the networking characteristics of the web.

Just ask the filmmakers behind “Bart Got A Room”.  What. . . . you haven’t heard of the indie film “Bart Got A Room?”  Yeah, neither had I until mid-February.  Read More »

Popularity: 12% [?]

Is this how MDA persuaded Technicolor to set up shop in Singapore?

As previously reported Singapore has been working for several years to turn the country into the digital hub of Asia. Earlier this month the Technicolor announced that it would set up a facility in Singapore to service digital cinema needs throughout Asia. The Media Development Authority of Singapore (MDA) was one of the groups responsible for convincing Technicolor to move to Singapore, and watching the public relations video, one can see why they are so irresistible.

Popularity: 8% [?]

ShowEast 2007: Internet Marketing Highlighted At International Day

Just when I think the motion picture exhibition and distribution industry is going to catch up to emerging technologies I was reminded just how far behind they may truly be. ShowEast 2007 kicked off this morning in Orlando, FL. with its international day. The first seminar in the program was entitled “The Power of the Internet As a Marketing Tool”. You would think by now most exhibitors and distributors would know the “power” of the internet when it comes to marketing their films and theatres.

Cinepolis logoSitting on the panel were Martha Cavalheiro, vice president of marketing for 20th Century Fox in Latin America, Miguel Mier, the chief operating officer for Mexican exhibitor Cinépolis and Victor Kong, the vice president and managing director for MySpace Latin America.

Cavalheiro’s presentation reviewed how Fox is trying to be innovative in using the internet to market their films. She pointed out that because most people’s inboxes are cluttered with marketing email, Fox has turned to social networking, virtual worlds and even a website they created for bloggers. Cavalheiro reviewed how Fox held a Q & A with Bruce Willis for Die Hard 4 on the popular virtual world site, Second Life. Journalists from around the world were invited to participate and Willis, or at least his avatar, sat at the front of a virtual room fielding questions.

Cavalheiro also detailed how Fox Latin America is promoting the release El Buffalo de La Noche using MySpace by creating profile pages for all the characters. Cavalheiro expressed some amazement that other MySpace users added the character profiles as friends and that some even sent messages to the female characters professing their love. Apparently she hasn’t spent a lot of time on MySpace, for it doesn’t take much to get that kind of attention on the social networking site. Fox Latin America has also used YouTube to their advantage, creating thematic pages around some of their films and posting cast interviews, out takes and trailers.

Next up was Mier who gave a presentation based on the theme “The internet as tool for further engaging our audiences in the movie going experience.” Like Fox, Cinépolis is trying to get moviegoers to interact with their newly revamped website by allowing them to post comments and view trailers. In time, Mier hopes to include even more social networking features such as blogs and podcasts, as well as increase online ticket sales, which average less than 1.8%. One hurdle Cinépolis and other Mexican exhibitors face is that internet penetration has only reached 21% of households in Mexico versus 70% in the United States.

In an attempt to stay ahead of the curve, Cinépolis created the website Cineticket.com.mx to allow users to purchase tickets which they can print out at home or send to their cellphones. Patrons can then skip the lines at the box office to have the bar codes on their tickets or phones scanned upon entrance. Presently, Cinépolis, which is the fifth largest exhibitor in the world with over 1,600 screens, has upwards of 350,000 registered users on its website.

One interesting point Mier made was his hope that the internet could be used to help Cinépolis use prediction market theory to increase revenue. He cited HSX.com which allows users in the United States to invest fake money in movies, betting on their box office gross.

Black curtain screeningsMySpace’s Kong gave a presentation that looked about as awful as most of the home pages users create on the social networking site. And while social networking sites such as Facebook and Meebo have been eating MySpace’s lunch lately, Kong’s presentation was interesting if only to hear how the site is tackling an emerging market.

MySpace launched in Mexico in January of this year, in most of Latin America in April and earlier this month in Brazil. A special cinema category will be launching on MySpace Latin America in the next couple of weeks. They presently get an average of 450,000 new users per month throughout Latin America.

Two of the most noteworthy details that came out of Kong’s presentation was how MySpace helped promote the film Step Up and how the site is sponsoring special sneak previews dubbed Black Curtain Screenings. Step Up, a film which many predicted would open to $8 million wound up grossing $20 million in its first weekend. In an exit poll more than 50% of audience members said they heard about the film on MySpace. The Black Curtain Screenings held by MySpace in Latin America allow members to print out their profile page, proving that they have added the film’s MySpace profile as a friend, as a means of gaining entrance.

Popularity: 11% [?]