Tag Archives: Village Roadshow

Daily Cinema Roundup – Thur 23 April

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- Cinema box office “is performing well despite the bad economy — not because of the bad economy,” according to a new survey published by Nielsen. Perhaps no surprise that it found that cinema was still considered a good value proposition, even in these tough economic times, by no less than 59 per cent of those who responded. Still, the article in THR.com makes clear that 20 per cent are cutting back on cinema going and only dining out is experiencing more cutting back amongst respondents;

- AMC Theatres supports children with autism (and their parents) by putting on special screenings with lower audio and lights not fully dimmed. Metro West Daily News reports that, “The Flutie Pass multiplex is one of 67 AMC theaters in 32 markets now showing “sensory-friendly films at convenient times and discount prices, said community relations manager Cindy Huffstickler. AMC has been screening films for autistic viewers since 2007 after a mother complained she’d been asked to leave a Maryland theater run by another chain when her autistic child became disruptive.” I’m sure these screenings do not make a massive difference to AMC’s bottom line, but are a good example of exhibitors exercising corporate social responsibility (CSR) in their community;

- In a similar vein, UK’s Cineworld is testing ‘Cinebabies’ in two screens, according to Haverhill Echo. “The initiative sets out to make the film experience as relaxed and enjoyable as possible for babies aged under 18 months and their parents, or even grandparents, uncles or aunties. Pushchairs will be arranged in the auditorium so that adults can have easy access to their belongings, while baby changing facilties are also available.” These too will have lower audio levels and light semi-dimmed.

– Canada’s Cineplex is going in for digital 3D in a big way through a deal with RealD. From Screendaily.com. “The Toronto-based exhibitor will have a total of 122 RealD 3D projectors operating in 72 facilities across the country with in a month. In all Cineplex will have 161 digital projectors, with 122 of them RealD 3D-enabled.” No word on which projector and server manufacturers are supplying the rest of the required hardware;

- Definitely not in 3D, but Cineplex will also be screening a concert by Diana Krall, according to Ottawa Citizen. “Canadian jazz singer and pianist Diana Krall, in town May 2 and 3, can also be seen in movie theatres May 20 in a concert she presented in Rio de Janeiro last November… The screening will be presented at 7 p.m. at the Coliseum and SilverCity cinemas in Ottawa as well as the Galaxy cinemas in Cornwall and Brockville.” [Which reminds me of the joke, Q: What is a guaranteed way of stopping the spread of AIDS? A: Ask a jazz record company to distribute it];

- Research & Markets has published its study on multiplexes in India. “The industry is characterized by seasonality, low screen density, increasing average ticket prices, and reducing shelf life of movies. The key trends identified include producers bypassing distributors, shift to digital cinema, and alternate content in multiplexes, retail partnerships, and new single screen formats.” It forgot to include ‘crippling strikes’ as well;

- Cinemas in south India will be closed today as part of a larger protest against the violence in Sri Lanka that is affecting the local Tamil minority, according to Press Trust of India. “The Tamil cinema industry has announced suspension all its activities today and shows in cinema theatres have been canceled.” Shops, transport and other businesses were also affected;

- Proving box office is off to a strong start in most places, Budapest Business journal is reporting that Israeli-owned Cinema City
in Hungary saw turnover rise 15 per cent in the January-February period. “The recession is not affecting the company’s performance: it has opened new screening rooms since the beginning of the year, and it plans to open a multiplex at the site of the former Skála department store in Budapest around October or November.” The outlook for the rest of the year is also said to be good;

- Similar positive news reaches us from Australia, courtesy of TradingMarkets.com. “Australian cinema operators and film studios are reporting strong box office sales. Graham Burke, the CEO of Village Roadshow, says that even ordinary films are generating a lot of interest among moviegoers. He believes that cinemas can withstand the competitive pressure from the internet by making a visit at the movies a memorable event“;

- Irish Times reports of a battle brewing over the re-development of the main shopping street in Dublin where the Carlton Cinema stood. “The proposed €1.25 billion redevelopment of a 5.5 acre site centred on the former Carlton cinema on O’Connell Street, could “serious and irreversibly” undermine the character of Dublin’s main street, An Bord Pleanála has been told.” Perhaps they should have just kept the cinema rather than just preserving the facade.

- But despair not, Irish ‘filum’ lovers – BMW Ireland is hosting an open air screening on May 7th at Dublin’s nearby Temple Bar to promote the launch of their Mini convertible. Movies.ie reports that you can vote for either “Gross Point Blank”, “The Big Lebowski”, “High Fidelity” or “Ferris Buellers Day Off”. Tough choice, but you must vote for Ferris;

- Finally, one of the big screens greatest painters of light is no longer with us as The Telegraph reports that cinematographer Jack Cardiff has died at the age of 94. “Black Narcissus” looks as amazing in all its Technicolor glory today as it did 61 years ago. RIP Mr Cardiff.

Popularity: 39% [?]

Village Roadshow Brings $35 Movie Ticket To The US

Village Roadshow chairman, Robert G. Kirby [Lawrence K. Ho/LA Times]

Village Roadshow chairman, Robert G. Kirby (Lawrence K. Ho/LA Times)

Back in March of this year, Australian exhibitor Village Roadshow Ltd. announced plans to bring their Gold Class luxury cinemas concept to the United States.  Already a huge hit in Australia, Village Roadshow teamed up with television producer Norman Lear’s Act III Communications and investment firm Lambert Entertainment in a USD $200 million venture that has plans to open 50 theaters in the U.S. over a five year period.  On Tuesday, the Los Angeles Times shed some light on what moviegoers can expect from Village Roadshow’s high-end cinemas.

Specifically, they can look forward to the price of admission – up to USD $35 per ticket.

Turns out Village Roadshow’s Gold Class Cinemas, which is based in Burbank, California, will be opening three theaters in the Los Angeles area by December of 2009.  It should come as no surprise that these theatres will be built in affluent areas such as One Colorado in Pasadena, Triangle Square in Costa Mesa and at the Guasti Winery in Ontario.  Read More »

Popularity: 43% [?]

When d-cinema leaves audinces in the dark

black screen You are not a frequent film goer if you have not sat through at least one instance of a 35mm reel breaking and the projectionist (or the kid who sold you the popcorn) taking forever to fix it. I once waited 45 minutes to get to see the last underwhelming five minutes of ‘Mission to Mars‘. Boy was that not worth the wait.

Thanks to the miracle of digital cinema, there is now a 21st century version of this annoyance, except now the film won’t even start and the chances are slim-to-none that even the most competent projectionist will be ever to sort it out, as several audiences in Australia recently found out. This from AdelaidNow:

PREMIERE Australian screenings of much-hyped 3D spectacular Beowulf descended into farce on Monday night when the digital projection technology failed simultaneously in Adelaide and Perth.

That follows a similar incident in Sydney last week. Cinemagoers at all three venues were unable to watch the 3D blockbuster after security access keys, provided by the distributor as an anti-piracy measure, failed to work.

Roadshow Films said they were confident the problem had been solved and would not affect audiences when the film is released tomorrow.

Ouch! Whoever was responsible for the Australia distribution of Warner Bros’ Beowulf (Paramount handled it in the US) will have been in deep trouble as a result of screwing up the KDM decryption keys. (Based on previous studio-lab digital relations I’m guessing Technicolor, but I could be wrong). Re-funding the audience is never cheap or popular, either with the cinemas, distributors or even audiences themselves:

Valley View resident Damian Woodards said he was disappointed. “We were all looking forward to the latest 3D technology that’s supposed to be getting more people along to the cinemas,” he said.

Roadshow Films general manager Joel Pearlman said he believed the glitch had been ironed out. “This was incredibly unfortunate and disappointing, but these are all issues to do with the security key which have been addressed,” he said.

Yes, but only until the next screw up. Even with 99.99% accurate KDM creation and matching, that will still leave hundreds of dark screenings every year. And it just doesn’t look as interesting as 35mm film getting stuck in the projection gate and melting. It’s just black and absolutely nothing happens. Call it the Black Screen of death for digital cinema.

Popularity: 22% [?]