Tag Archives: Freakonomics

Cinema is a good place for violence – official

They didn't need to watch movies to get in the moodOr, freakonomic goes to the movies.

Economists experts have come up with a finding that won’t please those who consider the cinema a ‘family friendly‘ place or those advocating more U/PG films (that’s you, Mr Fithian) – showing violent films in cinemas doesn’t increase the levels of violence in society, it keeps violent people off the street and glued to the screen. New York Times has the details:

“You’re taking a lot of violent people off the streets and putting them inside movie theaters,” said one of the authors of the study, Gordon Dahl, an economist at the University of California, San Diego. “In the short run, if you take away violent movies, you’re going to increase violent crime.”

Professor Dahl and the paper’s other author, Stefano DellaVigna, an economist at the University of California, Berkeley, attach precise numbers to their argument: Over the last decade, they say, the showing of violent films in the United States has decreased assaults by an average of about 1,000 a weekend, or 52,000 a year.

Crime is not merely delayed until after the credits run, they say. On the Monday and Tuesday after packed weekend showings of violent films, no spike in violent crime emerges to compensate for the peaceful hours at the movies. Even a few weeks later, there is no evidence of a compensating resurgence, they say.

Though I’m often tempted to beat people up once I’m in the cinema, it has more to do with the cretins talking on their phone once the film is rolling rather than any violent antics on the screen. When you make claims like this, however, doubting Thomases are legio, with Craig A. Anderson, “a psychologist and director of the Center for the Study of Violence at Iowa State University” professing questioning the findings and claiming that there is a correlation between violence on the screen and on the street. But if that’s the case, does that mean that watching comedies makes people funnier?

Popularity: 2% [?]

How multiplex arrival changed Bollywood

King of Bollywood SRK A very interesting Q&A with author Anupama Chopr about her book King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema over at the Freakonomics blog by Melissa Lafsky. It looks at how the Indian/Hindi film industry (a.k.a. Bollywood) has changed in the last decade-and-a-half, partly due to the arrival of multiplex cinemas. The two key paragraphs are:

The Hindi film industry in Mumbai, or Bollywood, has been completely overhauled in the last 15 years or so. When I first started writing about film in 1993 for India Today, Bollywood was, generally speaking, a large cottage industry. It was hugely disorganized and chaotic, and run by a handful of powerful and independent film dynasties. Stars were power centers, but they were filming two to three pictures at a time and running from one studio to another (back then, a studio meant only “a space in which to shoot,” not a film-making entity). Filmmakers raised money from varied sources — which sometimes included shady men with mafia connections. The mainstream press rarely covered the industry; urban, educated, affluent India saw it largely as an anarchic space, run by crass people making low-brow fare for the masses.

But a combination of factors transformed Bollywood. A key event was the arrival of multiplexes in 1997. Prior to that, Hindi cinema usually played in 1000-seat halls, leaving no outlets for smaller, niche films — if you couldn’t fill a hall that large, you were, financially speaking, dead on arrival. Multiplexes offered filmmakers a chance to speak exclusively to educated, urban Indians who, thanks to liberalization and the ensuing affluence, didn’t hesitate before spending 200 rupees ($5) on a movie ticket. The high ticket prices (single-screen theaters, by contrast, only cost 40 to 80 rupees, or $1 to $2) then made smaller films financially viable. This created what we call “The Multiplex Film” (essentially the equivalent of the Hollywood Indie film).

I can attest from first hand experience that the multiplex growth in India is taking place at a furious pace. Though even with current mall/multiplex growth rates it will take years to re-adjust the imbalance for what is still a massively under-screened country (12 screens per million inhabitants, compared to 117 per million in the US), despite having the world’s largest film industry and collectively churning out 800-1,000 films per year.

Popularity: 8% [?]