Tag Archives: Box Office Mojo

Holiday Weekend Gives Box Office Coverage A Record Breaking “Hangover”

The Hangover Part II PosterDid anyone hear that loud “whooshing” sound this past weekend? If so, don’t be alarmed. It was just the collective sigh of relief coming from dozens of studio executives upon seeing the weekend’s enormous box office receipts.

The summer movie season started off with a bang here in the United States thanks to the highest grossing Memorial Day weekend of all time. More than USD $277 million was earned by the top 50 motion pictures playing around the country. Sequels led the day with “The Hangover Part II” pocketing USD $85 million, “Kung Fu Panda 2″ chopping away an additional USD $47.6 million and “Pirates of the Caribbean: On Stranger Tides” walking off with an additional USD $39.8 million.

While I was glad to see the industry rebound from receipts and attendance that were down upwards of 17% and 18% respectively over 2010 figures, I couldn’t help but feel a little skeptical upon seeing the news. Maybe I’ve just grown ambivalent to reading about bar setting box office results that are filled with qualifiers. For instance, the following sentence is from a Box Office Mojo story from this past weekend:

Playing on approximately 6,700 screens at 3,615 locations,”The Hangover Part II” delivered the top-grossing weekend ever ($85.9 million Friday-to-Sunday) for a live-action comedy, and it ranked second to “The Matrix Reloaded” among R-rated movies.

I’m not sure when the industry became so jaded that a praiseworthy USD $85.9 million dollar opening weekend needed to be puffed up further with adjectives like “top-grossing”. Especially when such adjectives have to be qualified with yet another hyphenated descriptor, “live-action comedy”.

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Trades Tackle Box Office Reporting Day-By-Day

Hollywood Reporter LogoThere are some who believe that Hollywood movies began a long decline when the industry started relying on a film’s opening weekend box office for a large chunk of its ultimate gross.  They argue that as mainstream media began to report box office figures, who came in first over a given weekend became more important than whether the films were actually worth watching.  So those who fall into this camp will be particularly dismayed to learn that Hollywood trade papers are now reporting on box office figures mid-weekend.

Not that this is anything new, since 2007 Variety has been posting stories to their website on Saturday that detail the previous day’s North American box office figures.  Now, in an attempt to keep up with their competition, The Hollywood Reporter seems to be taking up the practice.  I was a little surprised to receive an email from the reporter on Saturday informing me that “Madea locks up top b.o. spot Friday”.         Curious to know why this was such breaking news I clicked through to read the story which was simply a rundown of Friday’s  top ten grossing box office films.  It was filled with such hedging wording as “. . .on track to rack up a three-day number. . .”, “. . .should set an opening weekend record. . .” and “In what’s shaping up as another busy weekend at the multiplex. . .”.

Given that the trades only publish their paper editions on weekdays, the mid-weekend box office reports are only posted online.  I put in a call to a couple of friends who work with both trades to see what their thinking was.  Read More »

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