Accused “Twilight” Pirate Sues Movie Theatre

Posted by J. Sperling Reich | July 6, 2010 11:25 am

Samantha Tumbach

Remember back in November of last year when the industry was abuzz about a 22-year-old woman who was arrested and jailed for using a video recorder inside a Chicago movie theatre during her sister’s birthday party? Well, she’s back in the news again.

This time Samantha Tumpach wants to go to court on her own terms by filing a lawsuit against Muvico over the arrest for malicious prosecution, intentional infliction of emotion distress, defamation and negligence. Tumpach had hinted she might sue the theatre back in December so he lawsuit doesn’t come as a complete.

When Tumpach was originally arrested in November she spent two days in jail before being released. Facing the possibility of a three year jail sentence, Tumpach insisted she was only shooting her sister’s birthday party which was taking place at a showing of “Twilight: New Moon”. Though the theatre and prosecutors didn’t back down, initially they ultimately dropped the charges.

The lawsuit claims Tumpach was never given a warning to put her camera away. She was filming the first scene in the film “hoping to capture the title and beginning as a memory of this exciting event.” Then when she was removed from the auditorium by theatre personnel the police questioned whether making an arrest was really appropriate. Tumpach pleaded with authorities that she had know idea she was doing anything wrong by recording inside the theatre. The suit alleges that when the MPAA was contacted they told police to erase the content from the video camera and simply file a report.

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Posted In: Piracy
Tagged: MPAA, Muvico, Samantha Tumpach, Twilight: New Moon

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Cinema Expo Thoughts: Manel Carreras of Ymagis and Michael Karagosian of MKPE

Posted by J. Sperling Reich | July 6, 2010 10:21 am

Last week I mentioned that we would be running a series of posts featuring comments about last month’s Cinema Expo conference from leading members of the industry.

Today we’ll continue with Manel Carreras, Sales and Business Development Director at Ymagis, as well as Michael Karagosian of MKPE Consulting. Full disclosure: I used to work with Manel Carreras at DTS Digital Cinema and I presently work with Michael Karagosian on certain consulting projects.

First up is Mr. Carreras:

Manel Carreras of Ymagis

Although the trade show part of Cinema Expo International was much “smaller” with short hours, even shorter “effective” hours and wider corridors and more empty spaces than ever before, the high quality of attendees meant no time wasting, and this was good. We were busy during trade show hours and before and after these.

CEI is always a good opportunity to catch up with colleagues and check the pulse of the industry across Europe. This year the lack of important press releases during the show, was perhaps a reflection of the problems exhibitors experience with financing their systems and poor projector deliveries: one manufacturer didn’t even have a unit at the show!

Technology wise I am not sure there was that much to excite anyone. I was disappointed, as expected, with the new 3D system. I guess its still a prototype. This show was full of promises and declarations of intentions, now we have to see these delivered.

I did not manage to attend any seminars and only half a projection, but I heard very good feedback from some of the exhibitors about the movies coming up.

Finally digitization is really happening (in Europe), going well beyond the first 3D installs and starting to incorporate d-cinema as a 35mm replacement.

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Posted In: Events, Trade Shows
Tagged: Cinema Expo, Manel Carreras, Michael Karagosian, MKPE Consulting, Ymagis

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Cinema Expo Thoughts: Howard Kiedaisch of Arts Alliance Media

Posted by J. Sperling Reich | July 2, 2010 2:29 pm

Not being able to attend Cinema Expo last week was very disappointing since it is one of my favorite conferences each year. The annual trade show held in Amsterdam is always a great opportunity to catch up with exhibitors and distributors from all over the world, especially Europe.

Rather than try to cover Cinema Expo from a desk in Los Angeles, I turned to some of the leading players working in the space today, all of whom were in attendance at the show in Amsterdam. Over the next week I’ll be posting their thoughts for everyone to read in comment on.

Today, we’ll start with Howard Kiedaisch of Arts Alliance Media:

Howard Kiedasch of Arts Alliance Media

For AAM, this year’s CinemaExpo marked a significant change in our business.

The tide started to change at Showest and was flowing in our direction at Cannes but it was Cinema Expo where we really felt the current, heavily pushing digital cinema. The added benefit of a robust cinema market (in no small part due to digital), helps drive the digital cinema conversion even faster.

It has become clear that every exhibitor of any size (50+ screens) will have found a solution to full digital rollout before the end of the year. Though in the past there were concerns about the technology, the business model or the financing, the latest (and really only remaining) issue on everyone’s lips at Cinema Expo was the availability of machines. With the dramatic increase in demand, manufacturers are unable to deliver all the supply the market wants.

Fortunately, we ordered over 1,000 machines three months ago and have ample product for our customers’ needs. The number of deals in the pipeline also took a huge leap forward at Cinema Expo causing us to order nearly 2,000 projectors for 2011 before the end of the show. After 5 years of hard labor, it’s tremendously exciting to see an industry hit an inflection point and to be part of the transition. Clearly there are some exciting times ahead.

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Posted In: Events, Trade Shows
Tagged: Arts Alliance Media, Cinema Expo, Howard Kiedaisch

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Christie Takes 3D To The End Of The World

Posted by J. Sperling Reich | June 30, 2010 12:05 pm

Cine Packewaia in Ushuaia, Argentina

Quick, tell me what is the southernmost location in the world where you can see a movie in digital 3D? Silly question I know, but it’s thanks to Christie, the projector company, that I can even ask it.

The company sent out a press release yesterday announcing their digital cinema projectors had been chosen by The Packewaia Cinema (Cine Packewaia) in Ushuaia, Argentina, the southernmost city on earth. The city of 65,000 rose out of a former naval facility only ten years ago and is now the capital of Argentina’s Tierra del Fuego province, otherwise known to English speakers as the “Land of Fire”.

The Packewaia Cinema is run by Gama Producciones and appears to have only one screen, which is now not only equipped with a Christie projector, but also Dolby 3D.

The release was filled with gems such as this from Craig Sholder, Christie’s vice president of Entertainment Solutions:

“It seems appropriate that ‘the land of fire’ has embraced the ‘hottest’ trend in the industry: 3D digital cinema.”

Probably the most interesting information contained in the announcement was the unique way Xenon Cinema Technology had to install the projector. Not all films are released digitally in Argentina, in fact it can sometimes take weeks before a film print makes its way as far south as Packewaia, so the 35mm projector couldn’t be completely abandoned.

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Posted In: Equipment Vendors
Tagged: Alex Mir, Christie, Cine Packewaia, Craig Sholder, Gama Producciones, Xenon Cinema Technology

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Sony Expands In Europe With National Amusements, AMC, And Dealer Partnerships

Posted by J. Sperling Reich | June 26, 2010 11:04 pm

Sony's SRX-R320 Projector

If Sony wanted to make a big splash at Cinema Expo in Amsterdam this past week then they did one heck of a job. On Tuesday, the second day of the conference, Sony announced two exhibitor agreements with National Amusements and AMC Entertainment’s United Kingdom based theatres for digital conversions. The company, known for its 4K digital cinema solution, also struck up partnerships with three European digital cinema dealers.

National Amusements
The biggest of these announcements had to be the news that National Amusements had chosen Sony as their integrator. The theatre chainis one of the largest in the world, operating 950 screens across venues in the U.K., United States and Latin America. National Amusements is the fifth largest theatre chain in North America.

Under their existing virtual print fee (VPF) agreements with Hollywood studios, Sony will install their 4K digital cinema projectors on all of National Amusements’ screens. They will start immediately with Showcase Cinemas, National Amusements’ U.K. theatre chain where Sony Digital Cinema 4K systems will be deployed on all 276 screens. In an effort to quickly ramp up the number of 3D screens at the circuits disposal, Sony will install the first 24 systems before the end of July.

There was no mention when installation of d-cinema equipment would begin in the U.S. or South America. In fact the press release seemed purposefully non-committal, referring to the deal as an “expected global exhibitor agreement”. One could read into the use of the word “expected” or assume that Sony will be deploying equipment to the 450 screens National Amusements has in Connecticut, Massachusetts, New Jersey, New York, Ohio and Rhode Island. The theatre chain owns 16 theatres in South America which would probably be included in any worldwide rollout.

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Posted In: Equipment Vendors, Integrators
Tagged: 4K, AMC Entertainment, Duncan Short, Europe, Hulskamp Audiovisueel, National Amusements, Oliver Pasch, Protronic AG, Showcase Cinemas, Sony, Sound Associates

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Datasat’s AP20 Goes Global With 7.1 Surround Sound

Posted by J. Sperling Reich | June 25, 2010 9:22 pm

Datasat's AP20 Audio Processor

It is a very rare occasion when I have any personal involvement, however small, in one of the many press releases that make their way to my inbox. This past week was one such occasion when two announcements arrived from an old employer, Datasat Digital Entertainment (formerly DTS Digital Cinema). Both press releases pertained to the company’s new cinema audio processor, the AP20.

While still at Datasat I was tasked with product management for the next generation of their cinema audio processor. The XD10P, which was the complementary audio processor for the XD10 Cinema Media Player, was nearing end-of-life and parts to manufacture it were increasingly getting hard to come by. Besides, Datasat wanted an audio processor that would be capable of handling the more technical demands of digital cinema and other pro-audio applications.

After a great deal of market research and engineering work, the AP20 Audio Processor was developed. The processor can handle digital audio from both eight channel 35mm film prints and 16 channel digital cinema content. It has a touch screen interface, Dirac Live room tuning, more digital signal processing power than anyone could ever ask for and enough input/output jacks to make the crankiest of theatre techs happy. Even the three expansion slots made the final cut allowing for additional channels or the integration of emerging technologies.

I was quite proud that the initial functional requirements we put together for the processor wound up actually getting built. However, I left Datasat shortly after the product launched and once outside the company I could never really be certain how successful the processor was in the market.

The AP20 Around The World
Any concerns I may have had completely vanished this past week upon being told all Datasat’s sales projections were being “comfortably” met. In fact, one of Datasat’s releases boasted that the West African theatre chain Au Cinema Ce Soir chose the processor for their digital cinema screens, including their flagship cinema, Théatre National Daniel Sorano in Dakar.

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Posted In: Equipment Vendors
Tagged: 7.1 Surround Sound, AP20 Audio Processor, Datasat Digital Entertainment, Dolby, High Performance Stereo, John Allen, Toy Story 3

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Cinedigm and Unique Digital Release TMS Upgrades

Posted by J. Sperling Reich | June 23, 2010 1:09 pm

Screenshot of Cinedigm's Theatre Command Center

Timed to coincide with this year’s Cinema Expo conference being held in Amsterdam through Thursday two well known integrators have released enhanced versions of their theatre management systems (TMS). North American deployment entity Cinedigm has included centralized management features in their Theatre Command Center TMS and Norway’s Unique Digital is making the next version of their RosettaBridge software available.

A TMS is software that enables a multiplex to manage all of their digital cinema servers, projectors, content, security keys and logs within a given theatre, all from a central location. It is often attached to a library management server where d-cinema content is stored.

Theatre Command Center
Cinedigm was one of the first companies to develop a working TMS which they named Theatre Command Center. Their initial version was integrated with Christie projectors and Doremi servers. It’s key features were:

Management of all content including MPEG, JPEG, trailers, preshow and alternative content.
Ingest of content via any delivery method including USB, satellite and fiber optic wire.
Remote operation of servers and projectors.
Automated scheduling of playlists that allowed for the transfer of content to the correct screen.
Integration with some point-of-sale systems as well as Cinedigms head office software.
Web access allowed users to log in from any computer connected to the Internet.
Real-time monitoring of d-cinema systems with system status alerts and notifications.
System log management.
Multi-language support.

Some of this functionality, such as content management and ingest, would be considered basic requirements for any TMS, no matter the manufacturer. Most of those who have been using the software that I’ve spoken with have had positive things to say about the software. The only consistent criticism I’ve heard is about the systems graphical user interface (GUI). I’m not familiar enough with Cinedigm’s TMS to add my own thoughts.

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Posted In: Integrators, Technology
Tagged: Cinedigm, Jim Miller, RosettaBridge, Theatre Command Center, Theatre Command Center- Enterprise, Theatre Management Systems, Unique Digital

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Ymagis Experiences Growth Spurt In Deals With UGC, Utopia and OCine

Posted by J. Sperling Reich | June 20, 2010 11:15 pm

In the past few weeks Ymagis, like their European counterpart Arts Alliance Media, has announced a number of new deals with exhibitors. What better time to review them all than on the eve of Cinema Expo, which begins tomorrow in Amsterdam.

For anyone who may need a brief refresher on who Ymagis is, they are a European digital cinema integrator and deployment entity of sorts. Based in Paris, France, they differentiate themselves from other European integrators by focusing on the management and administration of virtual print fees (VPF) being paid by distributors rather than on the financing and installation of digital cinema equipment.

This is not to say Ymagis doesn’t arrange for financing and deploy d-cinema systems in theatres. They most certainly do. In fact, Ymagis arranged the financing for the deal they announced on May 11th with the French based theatre chain UGC. The announcement was really a formality since Ymagis began converting UGC’s nearly 600 screens in March of this year. UGC operates 36 theatres in France, three in Belgium, four venues in Italy and another six in Spain. Attendance at UGC’s theatres throughout Europe tops out at more than 40 million.

The deal is one of the more important ones Ymagis has landed, not only because its with one of France’s largest theatre operators, but also because they arranged financing for the conversion through Banque Populaire Group, LCL-Crédit Agricole and Banque Palatine.

Reached via email, Ymagis chief executive officer and founder Jean Mizrahi detailed the unique way his company works with exhibitors:

“We have a flexible model. In some cases, exhibitors prefer to finance the equipment themselves. In other cases, they want us to take care of it. Right now among the 1400 screens we have signed throughout Europe, half of them have chosen to self finance, the second half we’re financing. We receive the VPFs and though the exhibitors do not know how much we receive from the distributors, we redistribute the largest portion of this revenue directly to them.

Read More »

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Posted In: Integrators
Tagged: Arts Alliance Media, Esteve Agustí, France, Jean Mizrahi, Manel Carreras, Nico Simon, OCine, UGC, Utopia Group, Ymagis

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Disney Turns To Twitter For “Toy Story 3”

Posted by J. Sperling Reich | June 20, 2010 4:15 pm

It is unlikely that “Toy Story 3″ needed any help building awareness as it stormed the box office this weekend and earned USD $109 million in North America making it Pixar’s biggest opening. However, Disney was taking no chances. On top of the massive print, television and outdoor advertising campaigns the studio threw social media into the marketing mix.

As we’ve already reported, Disney was the first studio to sell tickets through Facebook, the world’ largest social networking site. On Wednesday they became the first company of any kind to purchase a trending topic on Twitter, the popular micro-blogging platform.

For those of you who don’t know, Twitter allows users to post messages of no more than 140 characters to groups of friends and followers. It’s kind of like sending a mass SMS message to those who have subscribed to your Twitter feed. Rather than receive messages on their mobile phones, most users actually visit Twitter’s website to read this stream of messages. Others use desktop applications to keep up with Twitter posts.

Either method allows users to see a list of Trending Topics. These topics are the top 10 most popular phrases being used on Twitter at that moment. Lately the Trending Topics list has been filled with phrases associated with the FIFA World Cup. Last Thursday the list became clogged with topics surrounding the Los Angeles Lakers NBA title.

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Posted In: Marketing & Promotions
Tagged: Disney Tickets Together, Facebook, MT Carney, Toy Story 3, Twitter, Walt Disney Studios

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Christie Gets DCI Compliance And New Manufacturing Faciltiy

Posted by J. Sperling Reich | June 18, 2010 9:57 pm

Christie's CP2220

It’s been a busy week for Christie. The company’s CP2220 was the first series 2 digital cinema projector to pass the Compliance Test Plan (CTP) put in place by Digital Cinema Initiatives (DCI) to gauge whether equipment meets their published specification. As well, they announced the opening of a new manufacturing facility in Shenzhen, China.

While many d-cinema equipment manufacturers claim their products are DCI compliant, it wasn’t until October of 2007 that a testing process was made public and testing entities were selected. Christie can now officially say the CP2220 is DCI compliant, having fully passed all tests that make up the CTP, including procedural and design reviews. Because Sony says the SRXR320 is compliant on their website I’m not sure if it’s the first digital cinema projector to pass the CTP, or just the first series 2 projector to pass it.

In the press release announcing the test results, John Hurst of CineCert, one of DCI’s icensed testing entities, said:

“We are very pleased to confirm that the Christie CP2220, featuring Texas Instruments’ Series 2 DLP Cinema technology, has passed all the requirements of the CTP.”

Passing the CTP is a huge milestone for a d-cinema technology vendor as it is the only way for equipment to become DCI compliant. Hollywood studios require all equipment playing their content to be DCI compliant. In making sure a piece of equipment meets all of the DCI specifications, one of the CTP’s main goals is to verify a device’s interoperability and content security features.

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Posted In: Equipment Vendors
Tagged: 4K, Brian Claypool, China, Christie, Christie CP2220, CineCert, Compliance Test Plan, DCI, DLP Cinema, Ihor Stech, john Hurst, Texas Instruments

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