Category Archives: Equipment Vendors

Christie Releases Digital Cinema Trailer


Surfing around the Internet last week I stumbled across a promotional trailer for Christie, the motion picture projector manufacturer. The new trailer (see below) can be found on Christie Digital’s YouTube channel. To date, it has been viewed 280 times since it was uploaded on January 14th. The trailer is 25 seconds long and promotes Christie’s line of digital cinema projectors powered by DLP chips. It seems 3D content was taken into consideration during its production.

With the conversion to digital the number of equipment manufacturers that can be found in any given projection booth has potentially doubled. This could potentially lead to at least two minutes worth of preshow for d-cinema vendors, promoting servers, projectors and 3D technology. This isn’t even taking into account satellite content delivery providers, integrators or theatre management system developers. And I’m sure I’m leaving someone important out.

Have a look at Chrisitie’s new trailer and let us know what you think.

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Popularity: 5% [?]

Daily Cinema Roundup-Thursday 27 May


shrek–With his contract recently extended until 2013 and “Monsters Vs. Aliens” one of the year’s top grossing films so far, DreamWorks Animation CEO Jeffrey Katzenberg has now revealed plans to release five feature films every two years, adding an additional film every other year to its existing two picture a year release schedule.
With today’s news, DWA’s release slate through 2012 now includes eight feature films, including five original films and three sequels based on the company’s existing franchises, Shrek, Madagascar and Kung Fu Panda. And as previously announced, all DWA features will be produced in 3D.
This commitment to 3D content should come as good news for stakeholders, but it could also mean added pressure on theater owners to install digital cinema and 3D capabilities, as well as on those working to advance 3D for the home market.

DWA’s schedule includes:
“How to Train Your Dragon,” based on the book by Cressida Cowell, will be released on March 26, 2010. It will star a cast that includes Jay Baruchel, Gerard Butler, America Ferrera, Jonah Hill and Christopher Mintz-Plasse.
“Shrek Forever After” will be released on May 21, 2010. It features the original cast, including Mike Myers, Eddie Murphy, Cameron Diaz and Antonio Banderas.
“Oobermind” (formerly “Master Mind”) will be released on November 5, 2010. It will star Robert Downey Jr. and Tina Fey.
“Kung Fu Panda: The Kaboom of Doom” will be released on June 3, 2011. Returning is a voice cast that includes Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan, Seth Rogen, Lucy Liu and David Cross.
“The Guardians” (working title), based on the forthcoming books by William Joyce, will be released on November 4, 2011.
“Puss In Boots” (working title) will be released on March 30, 2012 and star Antonio Banderas as Puss In Boots and Salma Hayek as Kitty, Puss’ love interest.
–The next Madagascar sequel is due to be released on May 25, 2012. It will find the zoo animals continuing to get back to New York. This time the road takes them through Europe.
–On Nov. 2, 2012, DWA plans to release one of three original projects currently in pre-production at the studio.

–There is more on this news announcement in a Reuters article, reporting that Katzenberg spoke yesterday at the Cowen and Co. Technology and Media and Telecom Conference and predicted that he could get its production budgets down to $130 million (including 3D) for the 2011 films. (“Monsters Vs. Aliens” was estimated to cost $175 million.) The Reuters article also said that Katzenberg expects a positive shift it distribution costs, come 2012 when DWA’s distribution contract with Paramount expires.

–In related box office news, at press time DWA’s debut 3D title “Monsters Vs. Aliens” is just shy of an impressive $194 million in the domestic box office—the highest grossing digital 3D release to date. It had also been the biggest money maker of the year so far, but today it was just passed by the Starship Enterprise. “Star Trek” reached $194.8 million. “Monsters” will surrender the majority of 3D screens this weekend to Disney/Pixar’s “Up.”

images2Dolby announced new 3D installations this week: The Empire Leicester Square in London has become Europe’s first auditorium to use the new Dolby 3D Digital Cinema large screen system.
The company reported that the new Dolby 3D large screen solution combined with Barco’s digital cinema twin-projector allows exhibitors to project Dolby 3D onto standard, non-silver screens ranging from 12.5 to 21 metres, surpassing the previous size limit of 12 metres. The Empire Leicester Square, one of the UK’s oldest and largest cinema venues, offers a 20-metre screen.
In related news, Dolby reported that Sundance Kabuki Cinemas in San Francisco has installed Dolby 3D Digital Cinema in its 160-seat auditorium, in time for Disney/Pixar’s “Up” opening.

images-1–Universal Studios Home Entertainment will release director Henry Selick’s stop-motion animated feature “Coraline” on Blu-ray Hi-Def combo pack, 2-Disc Collector’s Edition DVD and single disc DVD on July 21.
All editions feature both the 2-D and 3-D versions of the film and four pairs of 3-D glasses, making “Coraline” the next 3D home release to watch. In theatres, digital 3D release “Coraline” made $75. 2 million in North America and $85.2 million worldwide.

Popularity: 40% [?]

Daily Cinema Roundup-Tuesday 19 May


barco_logoBarco has enterted into a supply agreement with Kodak to provide exhibitors fully integrated digital cinema systems that combine Barco digital cinema projectors and Kodak’s digital screen management servers and theater management systems.
new-digital-cinema-logo2“Barco has a long-term commitment to high quality projection technology in digital cinema,” said Les Moore, chief operating officer for Kodak Digital Cinema. “We are already working with them in a number of multiplexes in the United States and beyond. By combining Barco’s capabilities with ours, we can jointly provide a complete solution to the marketplace. This new agreement will be a good fit for both companies and for our customers worldwide.”
According to this morning’s announcement, Barco could deliver up to 10,000 digital cinema projectors to support Kodak’s worldwide deployment.

–Lionsgate’s “My Bloody Valentine 3D,” which grossed $51.5 million in the box office, largely from the digital 3D screens, comes out today in anaglyph 3D on Blu-Ray Disc and DVD. Opinions have been mixed about anaglyph and whether it will help or hinder interest in digital 3D. Sales of this release will be something to watch.

Popularity: 28% [?]

Daily Cinema Roundup-Monday 18 May


regal-entertainment1–Sony and Regal released a press release this morning, officially announcing that Regal will install the Sony 4K digital projections systems across its entire circuit. (See Celluloid Junkie’s Friday post below on this news).
According to the release, the installation of the systems is expected to take 3-5 years, but the financing is being handled through DCIP. So the question is, when will installations start?
There is still no word on DCIP securing the needed funding to begin its planned wide rollout. DCIP represents AMC, which also plans to deploy Sony technology; as well as Regal and Cinemark.
images1Sony also reported that approximately 1,500 of the Regal screens will be outfitted for 3D using Sony’s dual-lens adaptor technology.
Amy Miles, Regal Entertainment Group’s incoming chief executive officer, is quoted in the press release as saying: “The rollout of these Sony 4K systems gives Regal the opportunity to utilize the latest technology to provide our patrons the best available presentation. Sony’s state-of-the-art 4K systems produce the highest levels of resolution, contrast and overall image quality.”

–Another example of the growing interest and potential of alternative content, The Financial Times is reporting that a June 25 production of Racine’s Phèdre at London’s National Theatre is to be screened live in 170 cinemas worldwide. Dame Helen Mirren stars in the production, which according to the article is nearly sold out in the d-cinema venues. See the complete article, titled “British Theatre to be Seen Around World,” here

–An interesting feature on CNN Money/Fortune titled “Every Blog Becomes a Cinema” examines a new model of distribution, as well as advertising. SnagFilms aims to distribute documentaries—which have always been challenged to find a theatrical release—on the Internet. The article is here

smpte_logo1–Call for Papers: SMPTE is seeking proposals for technical papers and tutorials for the 2009 SMPTE Technical Conference & Exhibition, 27-29 October in Hollywood.
The organization is seeking papers on a range of topics including digital cinema exhibition, d-cinema production and post, advancements in film technologies, content security and stereoscopic 3D Imaging.
Interested parties are invited to submit a one-page abstract, no later than June 12. Further details on how to submit a proposal are here

image003Call for Entries: The Hollywood Post Alliance has issued a call for entries for the Engineering Excellence Award, part of the 4th Annual HPA Awards. The call for entries is now open and will run through July 1. Entrants will be given the opportunity to present their technology during the Engineering Judging Day.
The HPA Awards also accepts entries in categories for compositing, DI/color grading, editing, audio post, as well as for the new Judges Award for Creativity and Innovation in Post Production. For more, see the website here

Popularity: 35% [?]

Breaking News: Sony Is Regal’s Choice For Digital


Regal Entertainment Group

UPDATE: A Celluloid Junkie source has confirmed that Regal has chosen Sony 4K digital cinema technology for its theater circuit, which consists of 6,793 screens in 551 theaters (that figure includes Imax screens and screens that already offer digital projection). The news comes just a few months after AMC Entertainment decided to install Sony 4K projection systems across its theater circuit, which represents a total of 4,628 screens at 309 theaters in five countries. Combined, the deals have the potential to make Sony the market leader in North America once the installations are complete–although there is no word yet on a rollout schedule. Both Regal and AMC are members of DCIP.

 

Earlier today I heard a rumor that Regal Entertainment had chosen to install Sony’s 4K digital cinema technology circuit-wide.  Even as I was confirming the rumor, news of the decision was spreading throughout the industry like wildfire.  In fact, Digital Cinema Report sent an email out to its subscribers that stated:

Regal Cinemas has selected Sony 4K digital cinema technology for all of its theatres. Two sources confirmed the news today. Following on the heels of AMC’s decision to work with Sony this marks Sony’s second major success story in recent weeks.

If this news turns out to be true it could quite possibly make Sony the market leader in digital cinema projection.  At least it would once all of the projectors were installed, which could take years.  There is no word on a rollout schedule or when the first units will be installed.

One reason Regal may be going with Sony is that they can provide financing for any planned rollout.  Both AMC Entertainment and Regal are part of Digital Cinema Implementation Partners’ integration efforts, though DCIP has yet to announce any success they have had in raising funds for their rollout.  We’ll provide updates as details become available.

Popularity: 23% [?]

Emerging Pictures Aims To Be World’s 1st Carbon Neutral E/D-Cinema Network


New York-based e-cinema pioneer (though they hate the term - ‘e-cinema’, that is, not ‘pioneer’) Emerging Pictures has selected CDNetworks to “provide the low-cost delivery of large HD-file downloads for its “100% green” data delivery platform.” The move is in tune with the company’s aim of not just being digital but also ‘green’ pioneers. From the press release:

Emerging Pictures uses its data-delivery platform with high-speed data lines to deliver HD-quality films to high-definition projection systems. CDNetworks provides the network infrastructure and the file delivery technology to economically deliver the large HD-file downloads, in both 720p and 1080p. The files are sent in one-of-three high-quality, yet compact, HD-file formats - MPEG2 HD, VC-1 HD, and .264 HD. Leased broadband lines deliver the files directly to servers, located at the theaters, where the files are rendered and delivered to high-quality HD-cinema projectors. Emerging’s approach is totally carbon neutral, using no petroleum-based 35mm film prints, no carbon-consumed shipping of heavy 35mm film canisters, and the most eco-friendly and economical film delivery platform available.

Emerging Pictures considered using satellite technology for their file-download system, but found CDNetworks’ digital large-file-download solution to be much more cost-effective. Data-network delivery also compares very favorably to the cost of cloning, shipping, and retrieving hard drives and makes venue operation far easier than traditional or satellite-file-download systems.

Emerging Pictures has an impressive track record to-date of both alternative content events and specialized and independent films. They are not shy to trumpet it:

Emerging Cinemas is the partner of choice for specialty-film distributors who need a cost-effective, carbon-neutral means of sending HD-quality files to communities in search of high- quality cinema programs. Emerging has secured North American digital cinema distribution rights to the prestigious La Scala Operas, Salzburg Festival, Glyndebourne Operas, and Bolshoi Ballet company performances. Pop Music artists presented include Bruce Springsteen, The Who, and The Smashing Pumpkins. The company also distributes top-end art house films from leading US and International cinema companies and films from governmental film agencies.

So hats off to our friends at EmPix for not just thinking about technology but also about the environment, particularly in these tough economical times when much better of companies are worrying more about their bottom line than about the carbon footprint. They offer a lesson to the Big ‘D’ Cinema industry in corporate responsibility.

Popularity: 24% [?]

It Was A Very Good ShoWest 2009 For Sony


The popcorn has been swept away, the 3D movie banners folded, the quiet talk about how cinema is holding up in the recession has faded - ShoWest 2009 is over.

While VNU will continue to host the Las Vegas-set cinema trade show and exhibition for one more year before NATO is rumoured to take the show back (and move it to Ceasar’ Palace) in 2011, there was something of an End Credits roll feel to the confab. The number of attendees was down, the studios were (with two exceptions) largely absent, the parties scaled back and nowhere was there any open celebration of the fact that this year’s box office easily looks set to cross $10bn.

So who did well in this year’s conference? Digital Cinema? Old hat. 3D? Sure, “Monsters vs. Aliens” did well, but that was to be expected. Instead it would seem that ShoWest 2009 will go down as the year that Sony and its 4K SXRD technology took its decisive step into the limelight. No, it was not a case of audiences waking up and suddenly finding 2K resolution inadequate and demanding 4K, as Sony still hasn’t figured out how to create a pixel-fetish driven demand amongst cinema goers (free hint: don’t call it ‘4K’ - call it an ‘8 megapixel projector’ versus DLP’s ‘2 megapixel’ - sure, it’s not correct, but since when did that stand in the way of aggressive marketing?).

No, it was three interlinked announcement that helped crown Sony Electronics (not SPE - Sony Pictures Entertainment) the unofficial King of the ShoWest hill. Read More »

Popularity: 34% [?]

DTS Digital Cinema Back From The Not-Quite-Dead With Qube Deal


DTS Digital Cinema and Qube Deal DTS Digital Cinema has been going through a bumpy ride in the past year, but appears to be seeing a light at the end of the tunnel.  One year ago DTS Inc. spun off its two non-licence division.  DTS Digital Images reverted to being Lowry Digital under the new ownership of Reliance/Adlabs.  DTS Digital Cinema had a question mark over it until it was eventually acquired by the United Kingdom’s Beaufort International Group.  Almost immediately the company closed down its server manufacturing arm and people in the industry started speculating - as we are prone to do - whether the company would survive.  [Full disclosure: the co-editor of Celluloid Junkie, J. Sperling Reich works for DTS DC, but we take care not to mix paying day jobs with non-paying blogging, so he kept a stoic silence about how the company was doing any time we talked.]

DTS Digital Cinema has now staged something of a small comeback through a smart deal with Real Image Media Technologies, the Indian makers of the Qube server. Here are the key bits from the press release:

DTS Digital Cinema and Qube Cinema have announced a co-branding strategic alliance to develop and market numerous digital cinema products including a digital cinema server, a theatre management system, an enhanced digital cinema mastering solution and other allied products. The alliance will bring together the best of both companies’ strengths to form a strong commercial and technology presence in the digital cinema marketplace.  Qube will bring to the relationship, their experience of having developed cutting edge digital cinema products such as the Qube XP-D digital cinema server, QubeMaster Pro encoding suite and the QubeCast media delivery system. Besides providing sales and marketing presence and expertise in many regions around the world, DTS Digital Cinema will lend the partnership experience in developing motion picture technology, such as 5.1 digital surround sound, as well as the content management software knowledge that helped develop their Theatre Management System, Satellite Delivery System and Digital Booking System. Together the two companies will develop numerous digital cinema products, starting with the DTS Digital Cinema DC-20 powered by Qube, a digital cinema server that meets DCI specifications and will be on display at ShoWest 2009. Read More »

Popularity: 34% [?]

GDC Comes On Strong With New Features and Dealer Network


gdc-logoUnless you’ve been living on another planet, or simply working in an industry other than exhibition, it would be hard not to know what GDC Technology has been up to lately.  After all, they’re not shy about telling you all their latest deals, most recent installations and newly released product features.  The digital cinema server manufacturer has published seven press releases this last week alone.  Just in case you’ve been too busy planning for ShoWest to pay attention, let’s do a quick review of GDC’s announcements from the past nine days.

Though the Singapore based company has been making digital cinema servers for more than 10 years and has the largest install base after Doremi, GDC has historically found it difficult to gain traction in North America.  It seems that is changing for the better.  On Thursday, GDC announced a deal with Sonic Equipment Company, a Kansas-based cinema equipment vendor, to resell and support the company’s digital cinema server.  Sonic has been in business more than three decades and provides support for 400 screens in 8 states.  A majority of Sonic’s clients are independent theatre owners and most, if not all, are in the Midwest.  The company has made a name for itself by focusing on digital cinema integration for smaller chains and not only providing equipment sales, but also helping out with maintenance and even financing.

Sonic is certainly living up to its reputation of being an aggressive dealer when it comes to digital cinema, as immediately upon closing their deal they sold the first GDC servers to ever be installed in the United States.  There was no information about how many units were sold, though they are being installed in 8 different theatres in Kansas, Kentucky and Missouri. Read More »

Popularity: 33% [?]

DFE Technologies Tackles Hard Drive Distribution

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Starting with this entry we’re going to try something a little different and from time-to-time begin posting video interviews and demos of some of the technology and companies we come across.  You may enter comments directly in each video by clicking on the  plus (+) sign in the progress bar.

A few weeks ago I had the pleasure to visit an interesting company that has been flying under the radar in the digital cinema space.  I had never heard of DFE Technologies when I ran into Talla Garestani, DFE’s a project coordinator, while standing in line at the Apple Store in Woodland Hills.  What she told me about DFE peaked my interest enough to want to find out more about them.

For the past several years DFE has been perfecting a hard drive duplication and distribution system for digital cinema.  While some digital content is delivered to movie theatres via satellite, most of digital prints make their way onto screens via hard drive.  There has been numerous reports about such hard drives arriving at their destination and not working properly.  DFE believes their system could provide the solution to this problem.

DFE’s Digital Cinema System consists of several products starting with the SmartPac, a hot swappable SATA hard drive encased in a durable aluminum shell.  Unlike most of the drives being shipped to theatres today, which were only meant to be removed from servers should they fail, DFE’s drive was designed specifically for traveling.  The company has been shipping them out to theatres using a hard case with a form fitting foam insert. Read More »

Popularity: 37% [?]